“I’m too much!”

Did you know that it’s only NINE days until Christmas?? I just realized this. I don’t have a real job at the moment, so I often find myself losing track of time. To me, it feels like mid-November right now; however, the Christmas tree that my wife put up in our living room yesterday tells a different story…

I suppose that I must be honest: I’m kind of a Scrooge. That’s not really a secret to anyone who knows me. I’m not sure exactly where my anti-Christmas crusade began, but I believe its origins may be traced back to Christmas Eve of 1992. That was the night my band members invited me out to TGI Friday’s in Plano for a drink, and proceeded to fire me. Did I mention that one week later, I was scheduled to check into Baylor Medical Center to undergo a life-saving bone marrow transplant? Did I mention that they fired me on Christmas Eve?

OK, so I guess the truth is that it’s pretty damn clear where my pseudo-hatred of Christmas comes from. My anti-Xmas feelings have subsided a bit in recent years, and I am happy to say that there are things I actually enjoy about the holiday again. Take these guys, for example:

yearwithoutsanta

Forget Frosty and Rudolph and the Grinch– Heat Miser and Snow Miser rule Christmas at the Analog Kid’s house. It’s not the holidays without them, so I’d like to share their classic songs with you. I’d stay and listen, but I gotta run to the mall. It’s nine days until Christmas, and I haven’t done shit for shopping!

The Year Without A Santa Claus

The Heat Miser (George S. Irving): “The Heat Miser Song”

From from the DVD version of The Year Without A Santa Claus

1974

The Heat Miser Song (Mr. Green Christmas)

 

snowmiser

The Snow Miser (Dick Shawn): “The Snow Miser Song”

Take from the DVD version of The Year Without A Santa Claus

1974

The Snow Miser Song (Mr. White Christmas)

Billboard Top 5: July 13, 1974

July 13, 1974: my seventh birthday. I don’t recall the details of the day, but if I had to guess I would bet that my parents took me to Farrell’s Ice Cream Parlour at Valley View Mall in North Dallas. It was my favorite place in the world in 1974.

Farrell's_Ice_Cream_Parlour

Mmmmmmm…stick candy. The Zoo. Player pianos. Yeah, I’m pretty sure I was at Farrell’s that day. If not, I was throwing one hell of a birthday tantrum!

Billboard Top 5: July 13, 1974

#5:

Caribou

Elton John: “Don’t Let The Sun Go Down On Me” (Elton John/Bernie Taupin)

From the album Caribou

MCA Records, 1974

Don’t Let The Sun Go Down On Me

I have mentioned before that Elton John’s Greatest Hits was the very first rock album that I ever purchased with my own money, and of course this classic track was on it. Elton’s original version of “Don’t Let The Sun Go Down On Me” peaked at #2 a few weeks after my seventh birthday, and the song finally reached #1 in 1991 when Elton recorded a live version with George Michael.

#4:

Sundown

Gordon Lightfoot: “Sundown” (Gordon Lightfoot)

From the album Sundown

Reprise Records, 1974

Sundown

“Sundown” had been the #1 single in America two weeks earlier, capping a remarkable slow rise to stardom for Canadian singer/songwriter Gordon Lightfoot. My parents always had Lightfoot’s albums around the house when I was growing up, and “Sundown” has always been one of my favorite songs.

Strange but true: Gordon Lightfoot looked almost EXACTLY like Bryan Cranston at the time “Sundown” was released:

gordon cranston

yeahsciencebitch

Gordon is 75 years old now, and he still tours frequently. I saw him on the Jimmy Fallon show earlier this year, and he played a version of “If You Could Read My Mind” that almost made me cry.

#3:

Freedom For The Stallion

The Hues Corporation: “Rock The Boat” (Waldo Holmes)

From the album Freedom For The Stallion

RCA Records, 1974

Rock The Boat

“Rock The Boat” wasn’t even the first single from The Hues Corporation’s Freedom For The Stallion, and it took months of club play for it to make an impact. Once Top 40 radio finally caught on, “Rock The Boat” shot up the charts and finally reached #1 the week before my birthday.

Elton John’s Greatest Hits may have been my first album purchase, but this K-Tel compilation couldn’t have been far behind:

k-tel

“Rock The Boat” was included on Superhits Of The Superstars, and I played this album until the grooves fell apart. Every song on Superhits Of The Superstars is permanently ingrained in my brain. Check out my buddy HERC’s blog for a great post about this compilation classic!

http://hercsktelalbums.blogspot.com/2013/11/superhits-of-superstars-1975.html

#2:

back_home_again

John Denver: “Annie’s Song” (John Denver)

From the album Back Home Again

RCA Records, 1974

Annie’s Song

Celebrity deaths don’t usually hit me too hard, but I was absolutely crushed when John Denver died. My little sister played his albums non-stop throughout my childhood, so I know every nook and cranny of his catalog by heart. “Annie’s Song” may just be my favorite Deutschendorf track, and Back Home Again is definitely my favorite album.

“Annie’s Song” hit #1 on the Billboard Hot 100 on July 27, 1974, and was one of four #1 singles in John Denver’s all-too-short career.

#1:

George McCrae_ Singles & B-Sides

George McCrae: “Rock Your Baby” [Single Version] (Harry Wayne Casey/Richard Finch)

Original version from the album Rock Your Baby

TK Records, 1974

Rock Your Baby [Single Version]

Harry Wayne Casey and Richard Finch would go on to have multiple #1 singles with their own band, but it was “Rock Your Baby” that established the duo as songwriters and laid the groundwork for the future success of KC & The Sunshine Band (and disco in general). Casey and Finch recorded the demo in an hour, but Casey found the song too high for his voice. They decided to give the song to George McCrae, and the rest is disco history. Rolling Stone magazine named “Rock Your Baby” the #1 song of 1974.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

George Michael_ Singles & B-Sides

George Michael & Elton John: “Don’t Let The Sun Go Down On Me” (Elton John/Bernie Taupin)

From the single Don’t Let The Sun Go Down On Me

Columbia Records, 1991

Don’t Let The Sun Go Down On Me [With Elton John]

 

Sit Down Young Stranger

Gordon Lightfoot: “If You Could Read My Mind” (Gordon Lightfoot)

From the album Sit Down Young Stranger

Reprise Records, 1970

If You Could Read My Mind

The Lost Boys: Hard-To-Find ’80s LPs (“Born Yesterday” By The Everly Brothers)

“The Lost Boys: Hard-To-Find ’80s LPs” gives you exactly what the title implies: a rare or out-of-print album or EP from the ’80s in its entirety. Some will be from CD, but most will have been lovingly transferred from pristine vinyl culled directly from the Analog Kid’s vast collection. Whatever album I choose, it will be one that you can’t easily find for sale on Amazon or in the iTunes store. Death…by stereo!

 

The Everly Brothers broke up in the early ’70s, and they barely spoke to each other for almost ten years. Phil & Don finally reunited for a reunion concert in 1983, and their subsequent studio album EB 84 produced the minor hit “On The Wings Of A Nightingale” (written by Everly fanatic Paul McCartney).

Their next release was 1986’s Born Yesterday, a great pop/country album produced by Dave Edmunds. My mother had always loved the Everly Brothers, and I discovered that she had purchased the Born Yesterday LP on one of my weekends home from college. I took a listen, and was surprised how much I immediately liked it– “Amanda Ruth” was instantly catchy, and I loved their cover of Dire Straits’ “Why Worry.” I’m not always a fan of Dave Edmunds’ production skills, but he did a great job modernizing the band’s sound without compromising the beauty of Phil and Don’s legendary harmonies.

Born Yesterday received mostly positive reviews upon its release, but the album didn’t sell very well (it peaked at #83 on the Billboard album chart). The brothers only recorded one more album together (1989’s Some Hearts), but they do still occasionally perform live shows.

There was an actual CD pressing of Born Yesterday after its release, but it has been out of print for years and is now very hard to come by. As of this writing, an obviously deranged reseller is asking $3,773.28 for a copy on Amazon. The Analog Kid is happy to offer you a free listen from his CD copy, with the hope that you might enjoy this lost classic as much as I do.

Born Yesterday

The Everly Brothers: Born Yesterday

Mercury Records, 1986

 

1. “Amanda Ruth” (Kinman/Kinman)

Amanda Ruth

2. “I Know Love” (Neary/Photoglo)

I Know Love

3. “Born Yesterday” (Everly)

Born Yesterday

4. “These Shows” (Goin/Lee)

These Shoes

5. “Arms Of Mary” (Sutherland)

Arms Of Mary

6. “That Uncertain Feeling” (Gould)

That Uncertain Feeling

7. “Thinkin’ ‘Bout You” (Burnette/Henley)

Thinkin’ ‘Bout You

8. “Why Worry” (Knopfler)

Why Worry

9. “Abandoned Love” (Dylan)

Abandoned Love

10. “Don’t Say Goodnight” (Neary/Photoglo)

Don’t Say Goodnight

11. “Always Drive A Cadillac” (Raspberry)

Always Drive A Cadillac

12. “You Send Me” (Cooke)

You Send Me

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

EB 84

The Everly Brothers: “On The Wings Of A Nightingale” (McCartney)

From the album EB 84

Mercury Records, 1984

On The Wings Of A Nightingale

 

Sundown

Rank And File: “Amanda Ruth” (Kinman/Kinman)

From the album Sundown

Slash Records, 1982

Amanda Ruth

 

Brothers In Arms

Dire Straits: “Why Worry” (Knopfler)

From the album Brothers In Arms

Warner Brothers Records, 1985

Why Worry

Texas Radio & The Big Beat: 1984

This continuing series on the Analog Kid blog takes a look back at some of the best AOR songs from the ’70s and ’80s. All of these songs were radio favorites from my teenage years in Texas, but for some reason you just don’t seem to hear them much any more. I hope to change that.

Texas Radio & The Big Beat: 1984

Keep Your Hands Off My Power Supply

Slade: “Run Runaway” (Written By Noddy Holder & Jim Lea)

From the album Keep Your Hands Off My Power Supply

Epic Records, 1984

Run Runaway

In 1984, I knew about Slade only through a cover version of one of their songs by Quiet Riot. That all changed with the release of Keep Your Hands Off My Power Supply, Slade’s biggest-selling album in the United States. “Run Runaway” was Slade’s first Top 20 single on this side of the Atlantic, and it certainly provided many Wayne’s World/”Bohemian Rhapsody” moments while driving around Plano in my 1976 Pinto station wagon. The Pinto Party Machine may have had fake wood paneling and a pink/red/orange plaid interior, but it had one hell of a stereo system…

 

Jungle

Dwight Twilley: “Girls” (Dwight Twilley)

From the album Jungle

MCA Records, 1984

Girls

The Dwight Twilley Band took the power-pop classic “I’m On Fire” to #16 on the Billboard Hot 100 in 1975, but it would be nine years before Twilley would have another hit. “Girls” also peaked at #16, no doubt in part due to the vocal contributions of Dwight’s friend Tom Petty. Phil Seymour, Dwight’s partner in the Dwight Twilley Band, had provided backing vocals on the Petty classic “American Girl” in 1976. Seymour and Twilley went their separate ways in 1978, and Seymour had his own power-pop smash with the infectious “Precious To Me” in 1981.

 

Righteous Anger

Van Stephenson: “Modern Day Delilah” (Van Stephenson)

From the album Righteous Anger

MCA Records, 1984

Modern Day Delilah

Van Stephenson only recorded three albums during his brief career, but anyone who listened to classic rock radio or MTV in the mid-’80s will remember “Modern Day Delilah.” Paul Stanley of KISS obviously remembered it, as he used the title for the lead single from 2009’s Sonic Boom album. After his brief flirtation with rock stardom, Stephenson returned to his country music roots and penned multiple hit songs on the country charts for other artists. Sadly, Stephenson passed away from cancer in 2001 at the age of 47.

 

Girls With Guns

Tommy Shaw: “Girls With Guns” (Tommy Shaw)

From the album Girls With Guns

A&M Records, 1984

Girls With Guns

The Texxas Jam was a summer tradition in Dallas during the late ’70s and ’80s. It was always held at the Cotton Bowl, and featured some of the biggest acts in rock in an all-day outdoor concert. In June of 1983, Styx headlined the show during the Kilroy Was Here tour. To say that it didn’t go well would be an understatement– would YOU want to perform Kilroy Was Here in costume before 80,00 drunk Texans who had just spent the afternoon rocking with Ted Nugent and Sammy Hagar? I wasn’t actually at the show as I was in California on vacation, but I got a first-hand report from many friends in attendance. The verdict?

“Styx SUCKED, dude!!”

The show in Dallas (and a subsequent show in Houston) was received so poorly that it essentially broke up the band. Tommy Shaw was done with Dennis DeYoung’s melodramatic Broadway tendencies and decided to go solo. “Girls With Guns” was the first single and title track from his debut solo album, and it received large amounts of airplay on both rock radio and MTV. I saw Tommy open for Rush a few years later in Austin, and he appeared to be having a great time on stage. He was probably just happy that he was back in Texas and that nobody was throwing beer bottles at him this time.

 

orion

Orion The Hunter: “So You Ran” (Barry Goudreau/F. Migliaccio)

From the album Orion The Hunter

Portrait Records, 1984

So You Ran

The Analog Kid has a problem. In one of my very first blog posts back in October, I stated that there was one band I simply could not mention by name. It’s not that they were bad or anything– I had just grown so tired of them from overexposure that I was done with their music Today, I own all of that band’s albums on both LP and CD, but I don’t think I’ve ever actually played any of them (hey, collectors gonna collect, ya know?).

Here’s the problem: you can’t talk about Orion The Hunter without talking about that other band. Well, that kinda gives it away, doesn’t it? As many of you had surmised in the comments of that blog post, the band I would not mention was B_s_o_.  Hey, I typed three letters! I’m getting better!

B_s_o_ was wrapped up in legal trouble over song ownership for a good chunk of the early ’80s, so the band members decided to try their hands at side projects. Singer Brad Delp joined up with former guitarist Barry Goudreau to form the Orion The Hunter, although Delp didn’t actually sing lead vocals on the record. That job went to Delp sound-alike Fran Cosmo, virtually guaranteeing that Orion The Hunter would sound almost exactly like B_s_o_.

I guess that brings up an interesting question: if I hate B_s_o_ so much, then why do I think “So You Ran” is such a great song? Must be because of the absence of T_m S_h_l_.  “So You Ran” was the only hit for Orion The Hunter, and Delp returned to B_s_o_ to provide vocals for 1986’s long-awaited (by everyone but me) Third Stage album.

_______________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

 

Metal Health

Quiet Riot: “Cum On Feel The Noize” (Jim Lea/Noddy Holder)

From the album Metal Health

Pasha Records, 1983

Cum On Feel The Noize

 

Wayne's World_ Music From The Motion Picture

Queen: “Bohemian Rhapsody” (Freddie Mercury)

From the album Wayne’s World: Music From The Motion Picture

Reprise Records, 1992

Bohemian Rhapsody

 

Sincerely

Dwight Twilley Band: “I’m On Fire” (Dwight Twilley)

From the album Sincerely

Shelter Records, 1975

I’m on Fire

 

TomPettyDebutCover

Tom Petty & The Heartbreakers: “American Girl” (Tom Petty)

From the album Tom Petty & The Heartbreakers

Shelter Records, 1976

American Girl

 

Phil Seymour

Phil Seymour: “Precious To Me” (Phil Seymour)

From the album Phil Seymour

Boardwalk Records, 1981

Precious To Me

 

Sonic Boom

KISS: “Modern Day Delilah” (Paul Stanley)

From the album Sonic Boom

Universal Records, 2009

Modern Day Delilah

Groovy Tuesday: Thelma Houston’s “Any Way You Like It”

Every Tuesday, the Analog Kid blog goes back in time and features some groovy R&B/soul songs from a specific year. Sometimes you’ll hear songs from individual artists, and other times you’ll get an entire full-length classic LP ripped directly from the Analog Kid’s vast inventory. Warning: by R&B/soul, I also mean disco. I could go KC & The Sunshine Band on your ass at any given moment, so just be ready!

A note to my friend Pino, who always seems to be confused about this: “Don’t Leave Me This Way” is by Thelma Houston, not by Telma Hopkins. Thelma Houston wasn’t in Tony Orlando & Dawn, and she didn’t star on Bosom Buddies and Gimme A Break! as Telma did. Nope, Thelma has only one true claim to fame: the 1976 disco classic “Don’t Leave Me This Way.”

It took Thelma Houston almost ten years to have her first hit record, but you have to give her credit: when she finally did it, she did it in style. Thelma’s cover of Harold Melvin & The Blue Notes’ “Don’t Leave Me This Way” was released as a single in late 1976, and it took eighteen weeks for it to ascend to the #1 position on Billboard’s Hot 100. It was the only top 40 hit of Houston’s career.

Despite her lack of success on the charts. Houston’s material was a fantastic mix of gospel and soul that certainly deserved a much wider audience. “Don’t Leave Me This Way” was taken from the album Any Way You Like It, and today the Analog Kid blog would like to share this fantastic ’70s classic LP with you. Any Way You Like It has been out of print on CD in the U.S. for years, and is currently only available as a super-expensive import.

Would you believe that the Analog Kid is still in possession of his original 45 copy of “Don’t Leave Me This Way?” It’s true. It’s virtually unplayable, of course, because I think I played it at least 2000 times as a child. Thelma, my heart is still full of love and desire for you…

Any Way You Like It

Thelma Houston: Any Way You Like It

Motown Records, 1976

Vinyl rip courtesy of The Analog Kid

1. “Any Way You Like It” (Smith/Houston/Jones)

2. “Don’t Leave Me This Way” (Gilbert/Gamble/Huff)

3. “Don’t Know Why I Love You” (Hunter/Hardaway/Riser/Wonder)

4. “Come To Me” (Daniels/Jackson/Wakefield)

5. “Don’t Make Me Pay (For Another Girl’s Mistake)” (Smith)

6. “Sharing Something Perfect Between Ourselves” (Porter/Johnson)

7. “If It’s The Last Thing I Do” (Cahn/Chaplin)

8. “Differently” (Graham)

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Wake Up Everybody

Harold Melvin & The Blue Notes: “Don’t Leave Me This Way” (Gilbert/Gamble/Huff)

From the album Wake Up Everybody

Philadelphia International Records, 1975

Thelma Houston_ Singles & B-Sides

Thelma Houston: “Don’t Leave Me This Way” [Single Version] (Gilbert/Gamble/Huff)

Motown Records, 1976