Songs From The Edge: 1990

94.5 The Edge was the greatest radio station I have ever heard. It debuted in Dallas in the summer of 1989, and for five years it exposed me to more new alternative music than I could have ever imagined. In this continuing series, we’ll take a look back at the songs that made the Edge required listening for anyone with a musical pulse in North Texas in the late ’80s and early ’90s. 

Songs From The Edge: 1990

Lifetime

Real Life: “God Tonight” (Sterry/Simcic)

From the album Lifetime

Curb Records, 1990

God Tonight

Aussie new wave band Real Life had a huge MTV hit with 1983’s “Send Me An Angel,” but then they seemed to disappear from American airwaves. A re-recorded version of “Send Me An Angel” brought the band back to the charts in 1989, and they followed it up with the epic “God Tonight.” Something tells me Real Life spent a decent amount of time listening to Nine Inch Nail’s Pretty Hate Machine before recording this song…

 

Native Place

The Railway Children: “Every Beat Of The Heart”(The Railway Children)

From the album Native Place

Virgin Records, 1990

Every Beat of the Heart

The Railway Children had some success in their native UK after the release of their debut album in 1986, and that led to an opening slot on some European dates during R.E.M.’s Document tour. In 1990, the band signed with Virgin Records and released Native Place. “Every Beat Of The Heart” was released as a single in the U.S., and it went all the way to #1 on the Billboard Modern Rock chart. To this day, I still smile whenever I hear this perfectly constructed pop song.

 

Katydids

Katydids: “Heavy Weather Traffic” (Hug/Seymour)

From the album Katydids

Reprise Records, 1990

Heavy Weather Traffic

Songs like “Heavy Weather Traffic” are why I loved The Edge. George Gimarc and his crew played “Heavy Weather Traffic” to death, but apparently other radio stations didn’t give it the time of day. Katydids recorded one more album and then broke up, proving that it’s next to impossible to be successful when you name your band after an insect. (Notice that I said NEXT to impossible…)

 

Life

Inspiral Carpets: “This Is How It Feels” (Clint Boon)

From the album Life

Mute Records, 1990

This Is How It Feels

The Inspiral Carpets were part of the Manchester scene of the late ’80s, but they never achieved quite the same level of success as the Happy Mondays or the Stone Roses. They made some great records though, and “This Is How It Feels” is one of my favorite songs of the era. It was a huge hit in the UK, and a huge smash on The Edge as well.

 

Cleopatra Grip

The Heart Throbs: “Dreamtime” (The Heart Throbs)

From the album Cleopatra Grip

Elektra Records, 1990

Dreamtime

I remember seeing the video for “Dreamtime” exactly one time on MTV, but thanks to The Edge I had known about the Heart Throbs for months. “Dreamtime” went as high as #2 on the Modern Rock chart in the U.S., and was the only real hit for the band. The Heart Throbs broke up after their second album, Jubilee Twist, failed to chart.

Sad but true: Rose and Rachel from The Heart Throbs are the sisters of Echo & The Bunnymen drummer  Pete de Freitas. Pete was killed in a motorcycle accident in 1989, so he never had the chance to see his sisters hit the Top 10.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Heartland

Real Life: “Send Me An Angel” (David Sterry/Richard Zatorski)

From the album Heartland

Curb Records, 1983

Send Me An Angel

A Public Service Announcement From Sarah McLachlan

sarah-mclachlan

Hi, I’m Sarah McLachlan. I realize that the entire DFW metroplex is entrenched in an ice storm today, and that you are likely stuck at home on your couch. If you happen to be one of the lucky ones with power, please take a few moments and tune your television to the Lifetime network, or perhaps the ABC Family channel. Within minutes, you’ll likely run into my heartbreaking ASPCA commercial. Somehow, I have now managed to make your already shitty day a thousand times worse. Stay warm, Dallas!

Fumbling Towards Ecstasy 1

Sarah McLachlan: “Ice” (Written By Sarah McLachlan)

From the album Fumbling Towards Ecstasy

Arista Records, 1994

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Surfacing

Sarah McLachlan: “Angel” (Written By Sarah McLachlan)

From the album Surfacing

Arista Records, 1997

Five Rush Songs That Have Never Been Played Live

I was in tenth grade when I went to my first Rush concert. The date was February 28, 1983, and it was the first of two Rush shows at Reunion Arena in Dallas on the Signals tour. The Analog Kid has seen Rush 17 more times since that amazing night, including the band’s first-ever show in Dublin on my honeymoon in 2011 (yes, I married a saint).

Honeymoon 305

You might think that I’ve seen Rush play just about everything that I would have liked to have heard during the course of 18 shows, and for the most part that is true. Rush always digs deep into their catalog during their live shows, and they have a rabid fan base that relishes the inclusion of deep album cuts in concert. Still, despite Rush’s impressive history of set list variation, there are a large number of Rush classics that have never been performed live in concert.

Here are five of my favorite Rush songs that I’ve never heard live– and neither has anyone else…

Permanent Waves

Rush: “Different Strings” (Music By Lee & Lifeson/Lyrics By Peart)

From the album Permanent Waves

Mercury Records, 1980

Different Strings

Rush played “Entre Nous” for the very first time on 2007’s Snakes And Arrows tour, leaving “Different Strings” as the only song on Permanent Waves that has never been played in concert. I certainly never thought I’d get to hear “Entre Nous” live, so I am holding out hope that “Different Strings” will make an appearance someday.

 

Signals

Rush: “Losing It” (Music By Lee & Lifeson/Lyrics By Peart)

From the album Signals

Mercury Records, 1982

Losing It

“Losing It” was the only song on Signals that Rush didn’t play that night at Reunion Arena in 1983, and I’ve been chasing it ever since. Rush’s last tour for Clockwork Angels featured a string section during the extended second set, and it raised fans’ hopes that “Losing It” and its beautiful electric violin might finally see the light of day. Unfortunately, it didn’t happen– but I still hope to live my fantasy someday…

NOTE: You can cross this one off of the list! Rush played “Losing It” for the very first time during their show in Toronto on June 19, 2015. I watched it live via Periscope, and I cried like a little baby. We truly live in a remarkable world, my friends.

 

Presto

Rush: “Hand Over Fist” (Music By Lee & Lifeson/Lyrics By Peart)

From the album Presto

Atlantic Records, 1989

Hand Over Fist

I didn’t get to see a show on the Presto tour– Rush didn’t come to Austin, and I had an accounting exam at UT the afternoon they played in Dallas. It remains the only Rush tour I have missed since 1982. I actually left Austin for Dallas after the exam and drove by Reunion Arena about 11:00 PM, just as the show was ending. If you can’t tell, I am still pretty bitter about it. Rush didn’t play “Hand Over Fist” that night, and 24 years later they still haven’t played the song live. It’s a deep cut for sure and one likely never to see the stage, but it’s one of my favorites from a very underrated album.

 

Counterparts

Rush: “Cut To The Chase” (Music By Lee & Lifeson/Lyrics By Peart)

From the album Counterparts

Atlantic Records, 1993

Cut To The Chase

One listen to “Cut To The Chase” and there’s no doubt that it came out in the early-to-mid ’90s. Grunge was everywhere in 1994, and even Rush toughened up their sound and left a lot of the keyboards in the closet for the Counterparts album. I saw the Counterparts tour in Dallas in January of 1994, and a lot of the kids sitting around me seemed lost when the band played “Limelight.” The same kids went absolutely nuts when they launched into the new song “Cold Fire,” so clearly Rush’s effort to reach a new audience was working.

“Cut To The Chase” didn’t make the cut that night, and it’s one of four songs on Counterparts that have never been played in concert.

 

Rush_VaporTrails_Remix

Rush: “Sweet Miracle” [2013 Remix] (Music By Lee & Lifeson/Lyrics By Peart)

From the album Vapor Trails

Rhino Records, 2013

Sweet Miracle

2002’s Vapor Trails is a challenging album. It was the first Rush album released after a long hiatus prompted by the tragic deaths of Neil Peart’s wife and daughter. The dark material was made even more abrasive by the noisy mix, and over the years there have been rumors that Rush might someday release a remixed version of Vapor Trails. It finally happened earlier this year, and the results were spectacular.

“Sweet Miracle” was one of my immediate favorites upon the release of Vapor Trails, but the band didn’t include it during the album’s tour. It has been sitting on the shelf ever since, and I’m hoping the release of the remixed Vapor Trails may have opened up the band’s eyes to this fantastic song.

Rush are currently taking a well-deserved break from the road, but fans are hopeful they will return to the stage in 2015. The inclusion of any of these five songs will make the Analog Kid happier than a Canuck locked in a Moosehead factory.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Permanent Waves

Rush: “Entre Nous” (Music By Lee & Lifeson/Lyrics By Peart)

From the album Permanent Waves

Mercury Records, 1979

Entre Nous

 

Moving Pictures

Rush: “Limelight” (Music By Lee & Lifesonn/Lyrics By Peart)

From the album Moving Pictures

Mercury Records, 1981

Limelight

 

Counterparts

Rush: “Cold Fire” (Music By Lee & Lifeson/Lyrics By Peart)

From the album Counterparts

Atlantic Records, 1993

Cold Fire

Imaginary Fleetwood Mac!

Fleetwood Mac were the biggest band in the world in 1978. They were so big that they somehow managed to take a song into the Top 10 without even recording it– sort of.

mac

Back in the mid-’90s, I stumbled upon some old copies of Rolling Stone at a book store. One of the issues was from early 1978, and the “Random Notes” section featured an odd blurb on Fleetwood Mac. Apparently, a radio station in Atlanta had been playing a brand-new Fleetwood Mac track that listeners were going nuts about. One problem: Fleetwood Mac was still touring behind Rumours, and they had no “new” songs. This “new Fleetwood Mac song” from Atlanta was something else entirely.

Back in the classic days of radio, record companies would send promotional 12″ singles to radio stations to use for airplay. The DJs had to pay attention to the labels before playing the songs, as sometimes the records were at 33 & 1/3 rpm and sometimes they were at 45 rpm. Well, apparently the DJ in Atlanta made a mistake and played the new single from the Atlanta Rhythm Section, “Imaginary Lover,” at 45 rpm instead of the proper 33 & 1/3 speed.

A disaster ensued, right? Perhaps not! After reading the article, I immediately grabbed my old vinyl copy of ARS’s Champagne Jam, popped side two onto my turntable, and set the speed to 45. I couldn’t believe my ears:

rs235

Imaginary Fleetwood Mac: “Imaginary Lover”

The phone lines at the radio station went crazy. Everyone wanted to know where the could get this fabulous new track from the Mac. You certainly can’t blame the listeners– it’s almost eerie how much the sped-up version sounds like Stevie Nicks, and the quicker pace of the solo even mimics Lindsey Buckingham’s lightning-fast finger technique on guitar.

Now that I’ve heard the pseudo-Mac version of “Imaginary Lover,” I can barely even listen to the original recording. It just seems so slow and plodding. Don’t feel too bad for the boys in the Atlanta Rhythm Section, though–their version of “Imaginary Lover” (played at the proper speed, of course) managed to make it all the way to #7 on the Billboard Hot 100.

This little musical anomaly has always been one of the Analog Kid’s private pleasures. Your satisfaction is guaranteed.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Champagne Jam

Atlanta Rhythm Section: “Imaginary Lover” (Buie/Daughtry/Nix)

From the album Champagne Jam

Polydor Records, 1978

Groovy Tuesday: 1978

Every Tuesday, the Analog Kid blog goes back in time and features five groovy R&B/soul songs from a specific year. Warning: by R&B/soul, I also mean disco. I could go Anita Ward on your ass at any given moment, so just be ready!

1978. I was in fifth grade. I was so nerdy that I started my own school newspaper: the Emelita Examiner (I even drew the comics myself despite my complete lack of artistic talent). The Dodgers advanced to the World Series for the second straight year, and lost to the Yankees for the second straight year. My family acquired our very own Pong console for our television. I saw Grease twice the day it opened, and for some reason I remember that my candy of choice that day was Starburst. Mork & Mindy debuted on ABC. The Camp David Peace Accords were signed. There were three different popes.

1978 was also a pretty fantastic year for R&B, soul, and disco. Here are five groovy tunes from the year that Katie Holmes was born:

Central Heating

Heatwave: “The Groove Line” (Written By Rod Temperton)

From the album Central Heating

Epic Records, 1978

“The Groove Line,” like most of Heatwave’s material, was written by keyboardist Rod Temperton. Rod just might be the funkiest white Englishman on the face of the planet. Of course, Rod went on to fantastic success as a songwriter for Michael Jackson (“Rock With You”) , George Benson (“Give Me The Night”), and countless others.

“The Groove Line” reached #7 on the Billboard Hot 100, and gave Heatwave their second Top 10 single in the U.S. (“Boogie Nights” peaked at #2 in early 1977).

Chaka

Chaka Khan: “I’m Every Woman” (Written By Nickolas Ashford & Valeri Simpson)

From the album Chaka

Warner Brothers Records, 1978

Chaka Khan was still an active member of Rufus when she released her first solo album, Chaka, in late 1978. Rufus had a Top 40 hit earlier in the year with “Stay,” but Chaka’s solo take on Ashford & Simpson’s “I’m Every Woman” went all the way to #1 on the Billboard Soul chart. Whitney Houston also took “I’m Every Woman” into the Top 10 in 1993.

Let's All Chant

The Michael Zager Band: “Let’s All Chant” (Written By Alvin Fields & Michael Zager)

From the album Let’s All Chant

Private Stock Records, 1978

Michael Zager is best-known as the producer who “discovered” Whitney Houston, but in 1978 he had a smash of his own with “Let’s All Chant.” The song went to #1 on the Dance charts in February of 1978, and reached #36 on the Hot 100 as well.

Life Is A Song Worth Singing

Teddy Pendergrass: “Close The Door” (Written By Kenny Gamble & Leon Huff)

From the album Life Is A Song Worth Singing

Philadelphia International Records, 1978

Dr Spaceman

“Erectile dysfunction: it’s not just a dog problem anymore. It also effects millions of men. I’m Dr. Leo Spaceman. For too long, erectile dysfunction has been viewed as a physical problem, and it’s been treated with pills and ointments and contraptions whose straps break all too easily. But couldn’t the real cause of E.D. be that we haven’t produced a good “doing it” song since “Close The Door” by Teddy Pendergrass? That’s why I recorded an album.”

midnight-express-soundtrack

Giorgio Moroder: “Chase” (Written By Giorgio Moroder & John Williams)

From the original soundtrack album Midnight Express

Casablanca Records, 1978

In 1978, my father owned a Datsun 280ZX. It had no back seat, so I often had to ride around while lying on my back in the hatch. I can vividly remember Dad blowing down the San Diego Freeway with “Chase” blasting out of the speakers and the lights of Los Angeles flashing past me. That might get Dad arrested for child negligence in today’s over-protective world, but in 1978 it made him the coolest Dad on the planet.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Off The Wall

Michael Jackson” “Rock With You” (Written By Rod Temperton)

From the album Off The Wall

Epic Records, 1979

Give Me the Night

George Benson: “Give Me The Night” (Written By Rod Temperton)

From the album Give Me The Night

Warner Brothers Records, 1980

Too Hot To Handle

Heatwave: “Boogie Nights” (Written By Rod Temperton)

From the album Too Hot To Handle

Epic Records, 1976

Street Player

Rufus Featuring Chaka Khan: “Stay” (Written By Richard Calhoun & Chaka Khan)

From the album Street Player

ABC Records, 1978

The Bodyguard

Whitney Houston: “I’m Every Woman” (Written By Nikolas Ashford & Valeri Simpson)

From the original soundtrack album The Bodyguard

Arista Records, 1993