Songs From The Edge: 1991

94.5 The Edge was the greatest radio station I have ever heard. It debuted in Dallas in the summer of 1989, and for five years it exposed me to more new alternative music than I could have ever imagined. In this continuing series, we’ll take a look back at the songs that made the Edge required listening for anyone with a musical pulse in North Texas in the late ’80s and early ’90s.

Songs From The Edge: 1991

Songs From the Edge, Vol. 1 1

School Of Fish: “Three Strange Days” (Josh Clayton-Felt/Michael Ward)

From the album School Of Fish

Capitol Records, 1991

Three Strange Days

I graduated from the University of Texas in May of 1991, and it took me about nine months to find a real job. Money was quite scarce for me during that long job search, and I had to drastically cut down on my music purchases. I kept a written list of all of the albums that I wanted to buy when I finally got a job, and I remember that School Of Fish’s debut album was at the top of that list.

In July of 1993, I was fortunate enough to see School Of Fish open up for Paul Westerberg in Dallas. They played at Trees, a club in Deep Ellum where my band Zen Pirates had often performed the year before. The Westerberg/School Of Fish show was one of the first concerts I attended after undergoing my bone marrow transplant early in 1993, and I was lucky enough to meet with Westerberg after the show. I also had a really great conversation with Josh Clayton-Felt from School Of Fish, and he was nice enough to sign my ticket stub.

clayton-felt

Seven years later, Clayton-Felt died from choriocarcinoma. I still have that ticket stub, and I still love School Of Fish.

 

Songs From the Edge, Vol. 1

Kirsty MacColl: “Walking Down Madison” (Kirsty MacColl/Johnny Marr)

From the album Electric Landlady

Virgin Records, 1991

Walking Down Madison

Kirsty MacColl was another brilliant musician who died way too soon. Kirsty released five great albums before her tragic death in a boating accident in 2000, and she also sang backup on a number of hit songs for other artists (The Smiths’ “Ask,” for example). “Walking Down Madison” was Kirsty’s biggest song in the United States, and it peaked at #4 on the Billboard Modern Rock chart in the summer of 1991. The song was co-written by Johnny Marr, who I am pretty sure appeared on 63.8% of all albums released during the years 1990-1992.

 

Songs From the Edge, Vol. 4

Billy Bragg: “Sexuality” (Billy Bragg)

From the album Don’t Try This At Home

Elektra Records, 1991

Sexuality

Hey look! It’s another song co-written by Johnny Marr. Hey look! It’s another song with Kirsty MacColl on backing vocals! Hey look! It’s Billy Bragg’s biggest hit (#2 on the Modern Rock chart) in America. Hey look! This song contains one of the best lyrics ever: “I look like Robert DeNiro. I drive a Mitsubishi Zero.”

 

Songs From the Edge, Vol. 2

Blur: “There’s No Other Way” (Blur)

From the album Leisure

Records, 1991

There’s No Other Way

In the spring of 1992, my girlfriend Beth was the station manager at SMU’s student radio station. (Before you ask, yes– I did manage to swing a few DJ shifts. Dream fulfilled!) Blur were in the middle of their first American tour at the time, and “There’s No Other Way” was receiving significant airplay on alternative radio. When Blur came to Dallas, Beth got to spend some one-on-one time with them on the afternoon of their show. It did not go well.

On our way to Trees that night, Beth warned me: “These guys are high. So, so high.” She was right– the band was so wasted that they couldn’t even play. I remember them starting and stopping one song at least three times, at which point they just quit and stopped playing. Obviously, Blur didn’t make much of an impression on me that night.

Four years later, my friend John had two free tickets to see Blur (once again, the show was at Trees). I didn’t really want to go after my first Blur experience, but the cost was right so I eventually gave in. Of course, they were amazing that night and I became a big fan. Stay off the drugs, boys and girls– at least before gigs…

 

James_ Singles & B-Sides

James: “Born Of Frustration” [Extended Version] (James)

From the U.K. CD single Born Of Frustration

Original version from the album Seven

Fontana Records, 1991

Born Of Frustration

James were one of Beth’s favorite bands, which may be the main reason I never bought any of their albums in the early ’90s. She played them constantly, so I think my brain simply shut most of it out. In the late ’90s, James released a greatest hits CD and I bought a used copy.

I now own every James album. I own every James single. I even flew to Los Angeles to see them on their last tour. They are now one of my all-time favorite bands.

Beth was a very wise young lady. And Beth, I have one more confession to make: I love New Order now as well. Really!

____________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

 

Ask

The Smiths: “Ask” [Single Version] (Morrissey/Johnny Marr)

From the U.K. 12″ single Ask

Rough Trade, 1986

Ask [Single Version]

Morrissey’s Rarest B-Sides (Part 1)

Morrissey’s solo career has been a record collector’s dream, but also a bit of a nightmare. Moz always adds new tracks to his single releases, and he even occasionally releases stand-alone singles that do not appear on any album. He has also released many compilation CDs that include some of these rare songs, but these discs often contain multiple versions of album tracks that fans already own. It can be very frustrating for someone to track down every Morrissey song, not to mention quite expensive.

In fact, many of Morrissey’s best b-sides remain unavailable on any compilation. If you want to get them, you have to track down the original releases and spend big bucks– unless, of course, you happen to stumble upon the Analog Kid blog and find the idiot who has already done just that…

Morrissey_ Singles & B-Sides

Morrissey: “Oh Well, I’ll Never Learn” (Written By Morrissey & Stephen Street)

From the CD single Suedehead

HMV, 1988

 

Oh Well, I’ll Never Learn

“Suedehead” was Morrissey’s first solo single, released only five months after the Smiths bowed out with Strangeways, Here We Come. “Oh Well, I’ll Never Learn” was only available on the UK CD single of “Suedehead,” so fans who bought the vinyl versions missed out on this subtle track.

Morrissey_ Singles & B-Sides 1

Morrissey: “East, West” (Written By Graham Gouldman)

From the 12″ single Ouija Board, Ouija Board

HMV, 1989

 

East West

“East, West” is a cover of an old Herman’s Hermits song, and Morrissey’s version has never appeared on any of his compilations. The CD single for “Ouija Board, Ouija Board” was my very first Morrissey purchase.

Morrissey_ Singles & B-Sides

Morrissey: “Pregnant For The Last Time” (Written By Morrissey & Mark Nevin)

From the 12″ single Pregnant For The Last Time

HMV, 1991

 

Pregnant For The Last Time

“Pregnant For The Last Time” was a stand-alone UK single, and was released just a few months after the Kill Uncle album. It was the first Morrissey song to incorporate the pseudo-rockabilly sound that he still often uses, especially during live performances. “Pregnant For The Last Time” has never been officially released in the United States.

Morrissey+-+Sing+Your+Life

Morrissey: “That’s Entertainment” (Written By Paul Weller)

From the 12″ single  Sing Your Life

HMV, 1991

 

That’s Entertainment

During the Kill Uncle tour, Morrissey often played a blistering cover of The Jam’s “That’s Entertainment.”. This studio version from the “Sing Your Life” single has a very different feel, and remains unavailable on any other compilation.

Morrissey_ Singles & B-Sides 4

Morrissey: “Let The Right One Slip In” (Written By Morrissey/Alain Whyte/Gary Day)

From the CD single Tomorrow

Sire Records, 1992

 

Let The Right One Slip In

“Let The Right One Slip In” is a classic Morrissey b-side, but it was only released on the U.S. CD single for “Tomorrow.” “Tomorrow” reached #1 on the Billboard Modern Rock chart, making it Morrissey’s most successful U.S. single to that point.

Morrissey_ Singles & B-Sides 3

Morrissey: “Jack The Ripper” (Written By Morrissey & Boz Boorer)

From the 12″ single Certain People I Know

HMV, 1992

 

Jack The Ripper

Morrissey has included a live version of “Jack The Ripper” on multiple compilations, but the studio version can only be found on the “Certain People I Know” single. It’s one of the toughest Morrissey CDs to find, making the studio version of “Jack The Ripper” one of the rarest of Morrissey’s b-sides. It’s also one of his best.

_____________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Morrissey_ Singles & B-Sides

Morrissey: “Suedehead” (Written By Morrissey & Stephen Street )

From the 12″ single Suedehead

HMV, 1988

 

Suedehead

 

Morrissey_ Singles & B-Sides 1

Morrissey: “Ouija Board, Ouija Board” (Written By Morrissey & Stephen Street)

From the 12″ single Ouija Board, Ouija Board

HMV, 1989

 

Ouija Board, Ouija Board

 

Morrissey+-+Sing+Your+Life

Morrissey: “Sing Your Life” (Written By Morrissey & Mark Nevin)

From the 12″ single Sing Your Life

HMV, 1991

 

Sing Your Life

 

Sound Affects

The Jam: “That’s Entertainment” (Written By Paul Weller)

From the album Sound Affects

Polydor Records, 1980

 

That’s Entertainment

 

Morrissey_ Singles & B-Sides 4

Morrissey: “Tomorrow” [Radio Remix] (Written By Morrissey & Alain Whyte)

From the CD single Tomorrow

Sire Records, 1992

 

Tomorrow [Radio Remix]

 

Morrissey_ Singles & B-Sides 3

Morrissey: “Certain People I Know” (Written By Morrissey & Alain White )

From the 12″ single Certain People I Know

HMV, 1992

 

Certain People I Know

Should Have Been Huge: Frōzen Ghōst’s “Should I See”

In this continuing series, the Analog Kid blog takes a look at songs that should have (in my humble opinion) been much bigger on the charts than they actually were. Maybe they were released as singles and never quite caught on, or perhaps they were buried on side four of a double album and left to obscurity. Maybe the bands’ record labels were simply run by cocaine-fueled monkeys. Whatever the reasons, it’s time to give these great tunes their just due. One thing’s for sure: they were all hits in my house…

Frōzen Ghōst

Frōzen Ghōst: “Should I See” (Written By Arnold Lanni)

From the album Frōzen Ghōst

Atlantic Records, 1987

Frōzen Ghōst’s “Should I See” was a minor hit back in 1987, reaching #69 on the Billboard Hot 100. I recall hearing it on the radio in Austin a few times and liking it, but I quickly forgot about the song when it dropped off of KLBJ’s playlist.

A few years ago, I stumbled upon a copy of Frōzen Ghōst  at a local used CD store. The name rang a bell, so I bought it and heard “Should I See” for the first time in more than twenty years. The song must have left quite an imprint on my brain, as I was singing along with it almost immediately. “Should I See” has now become one of my favorite ’80s songs, and I’m simply mystified as to why it didn’t have better success on the charts. Perhaps it sounded a little too much like The Fixx, but I certainly don’t consider that a bad thing.

Frōzen Ghōst made two more records before breaking up, and I eventually tracked down copies of both of them. I started digging around on-line for some information on the band, and was shocked to find out that both members of Frōzen Ghōst had been members of Sheriff. Sheriff was a Canadian AOR band that released one record back in 1982, and had a minor hit (#63 on the Hot 100) with the ballad “When I’m With You.”

After Sheriff broke up, keyboardist Arnold Lanni and bassist Wolf Hassel formed Frōzen Ghōst. They were probably as shocked as anyone when a radio station in their native Canada started playing “When I’m With You” again in 1988, prompting Capitol Records to once again release the song as a single. This time, “When I’m With You” went all the way to number one in the United States.

Despite pleas from their former Sheriff bandmates to reunite, Lanni and Hassel stayed committed to Frōzen Ghōst. Sheriff vocalist Freddy Curci and guitarist Steve DeMarchi decided to capitalize on the success of “When I’m With You” by forming the new band Alias. They completed their line-up by adding three former members of Heart, and their debut album Alias produced the #2 single “More Than Words Can Say” in 1990.

I own the Sheriff and Alias albums, of course, but I hardly ever play them. I listen to Frōzen Ghōst all of the time, and hope that you enjoy “Should I See” as much as I do.

_______________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Sheriff

Sheriff: “When I’m With You” (Written By Arnold Lanni)

From the album Sheriff

Capitol Records, 1982

Alias

Alias: “More Than Words Can Say” (Written By Freddy Curci & Steve DeMarchi)

From the album Alias

Capitol Records, 1990

Groovy Tuesday: 1977

Every Tuesday, the Analog Kid blog goes back in time and features some groovy R&B/soul songs from a specific year. Sometimes you’ll hear songs from individual artists, and other times you’ll get an entire full-length classic LP ripped directly from the Analog Kid’s vast inventory. Warning: by R&B/soul, I also mean disco. I could go Village People on your ass at any given moment, so just be ready!

 

Groovy Tuesday: 1977

Celi Bee & The Buzzy Bunch

Celi Bee & The Buzzy Bunch: “Superman” (Pepe Luis Soto)

From the album Celi Bee & The Buzzy Bunch

TK Records, 1977

Superman

It’s a bird…it’s a plane…it’s a dirty song about Superman doin’ it! You gotta love the ’70s, right Clark?

superman-clark-kent-reeve

I had forgotten all about this little jem until I was reintroduced to it by DJ PaulT and his fantastic website. Check it out if you love ’70s and ’80s remixes and obscurities, all beautifully ripped from vinyl!

http://burningtheground.net/

 

Menagerie

Bill Withers: “Lovely Day” (Bill Withers/Skip Scarborough)

From the album Menagerie

Columbia Records, 1977

Lovely Day

Listen to what Bill does at the 3:07 mark of “Lovely Day.” Who holds a note for eighteen seconds? Bill Withers, that’s who. Even Superman couldn’t do that.

“Lovely Day” only reached #30 on the Billboard Hot 100, but it’s one of my favorite Withers songs. If you’re curious, Bill is still alive and well– he just decided to stop recording in the mid-’80s. That makes me very sad.

 

The Floaters

The Floaters: “Float On” [Single Version] (Marvin Willis/Arnold Ingram/James Mitchell)

Original version from the album The Floaters

ABC Records, 1977

Float On [Single Version]

Cancer. And my name is Gary. Now I like a woman who loves her football, and I like a woman who can change a tire so that I don’t have to call Triple-A. And if you fit that description, baby, come with me. Take my hand. Come with me, baby, to Longhorn land. Let me show you how sweet it could be, sharing love and season tickets with me.

 

Turnin' On

High Inergy: “You Can’t Turn Me Off (In The Middle Of Turning Me On)” (Marilyn McLeod/Pam Sawyer)

From the album Turnin’ On

Gordy Records, 1977

You Can’t Turn Me Off (In The Middle Of Turning Me On)

“You Can’t Turn Me Off (In The Middle Of Turning Me On)” peaked at #12 on the Billboard Hot 100, and was the only Top 40 single for High Inergy. A couple years ago, I was browsing a list of the Top 200 songs from 1977 and discovered that this song was the only one on the list that I didn’t already own. I took care of that glaring oversight very quickly.

 

Do You Wanna Get Funky With Me_

Peter Brown: “Dance With Me” (Peter Brown/Robert Rans)

From the album A Fantasy Love Affair

TK Records, 1977

Vinyl rip courtesy of the Analog Kid

Dance With Me

“Dance With Me” was a Top 10 smash for Peter Brown, and “Do You Wanna Get Funky With Me” (both from the album A Fantasy Love Affair) is one of the best-selling 12″ singles of all time. Brown’s place in music history would be secure based on just those two songs, but did you know that he also co-wrote Madonna’s “Material Girl?” Peter definitely got plenty of cold hard cash for that one…

______________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

peter-brown-do-you-wanna-get-funky-with-me-1978

Peter Brown: “Do You Wanna Get Funky With Me” (Peter Brown/Robert Rans)

From the 12″ single Do You Wanna Get Funky With Me

TK Records, 1977

Do Ya Wanna Get Funky With Me

 

Like A Virgin

Madonna: “Material Girl” (Peter Brown/Robert Rans)

From the album Like A Virgin

Sire Records, 1984

Material Girl

The Rock & Roll Hall Of Fame Class Of 2014

All well-deserved, and many had to wait far too long. Congratulations!

Silk Purse

Linda Ronstadt: “Long Long Time” (Written By Gary White)

From the album Silk Purse

Capitol Records, 1970

Teaser And The Firecat

Cat Stevens: “Moonshadow” (Written By Cat Stevens)

From the album Teaser And The Firecat

A&M Records, 1971

Nevermind

Nirvana: “In Bloom” (Written By Kurt Cobain)

From the album Nevermind

DGC Records, 1991

Hotter Than Hell

KISS: “Parasite” (Written By Ace Frehley)

From the album Hotter Than Hell

Casablanca Records, 1974

So

Peter Gabriel: “Mercy Street” (Written By Peter Gabriel)

From the album So

Geffen Records, 1986

Abandoned Luncheonette

Hall & Oates: “She’s Gone” (Written By Daryl Hall & John Oates)

From the album Abandoned Luncheonette

Atlantic Records, 1973

Live In New York City [Disc 2]

Bruce Springsteen & THE E STREET BAND: “American Skin (41 Shots)” (Written By Bruce Springsteen)

From the album Live In New York City

Columbia Records, 2001