A Bounty of Bangles B-Sides.

Like a lot of kids in the ’80s, I used to tape videos off of MTV. I would sit there for hours, starting and stopping the VCR with the hope of capturing a full video from one of my favorite bands. Back in the summer of 1985, one of these videos served as my introduction to The Bangles.

It wasn’t even an actual Bangles video that did the trick, although the clip for “Going Down To Liverpool” starring Leonard Nimoy (!!!!!!!!!!) would have certainly won me over had I actually seen it. No, it was simply a short little promo for a band I had never even heard of…

“Hi, we’re the Bangles. And you’re watching M-T-V.”

I had inadvertently captured the promo when I hit record after a commercial, expecting a video to be next. Unlike the 10,000 times I had erased “We Built This City” that summer, I kept this promo. I probably don’t have to tell you why.

Yes, I was rather smitten with Susanna Hoffs. The fact that I had yet to hear any of her band’s music really didn’t matter much.  That all changed the day I bought Different Light on vinyl in early 1986.

I was hooked from the very first hook, and the hooks were plenty. The jangly guitars, crisp songwriting and impeccable harmonies made the Bangles great, not their looks. I had every cut on Different Light memorized before I even saw the video for “Manic Monday.” My two favorite songs on the record were actually sung by bassist Michael Steele: the sparse, confessional “Following,” and their amazing cover of Big Star’s “September Gurls.” Of course, at the time I didn’t even know who Alex Chilton was– I guess I hadn’t read any articles about R.E.M. or the Replacements  in Spin Magazine yet…

I had taped Different Light onto one side of a TDK SA90 (my preferred tape brand), and I needed an album to put on the other side. What better record than All Over The Place, the Bangles’ debut album  from 1984? I wore out both sides of that cassette during that spring semester in Austin. I played that tape for every person I knew. Some scoffed, but many listened. I felt a  great sense of pride when “Walk Like An Egyptian” hit #1 in late 1986, even if by that point I was so sick of the song that I never wanted to hear it again.

The Bangles went on to have four more Top 5 hits before their inevitable break-up. Thankfully, they finally got back together in 1999 and continue to make great music. Just this last Saturday, I was lounging on my couch when I received this tweet:

Yep, Susanna is still adorable– but it’s the music that has kept me coming back to the Bangles for the last 27 years.

And now, a bounty of Bangle b-sides and rarities!

fBangs_Getting_Out_Of_Hand

The Bangs: “Getting Out Of Hand” (Vicki Peterson)

Downkiddie Records, 1981

Getting Out of Hand

The a-side of their very first single, released under the name The Bangs. They had to change their name because another band called the Bangs already existed. ’80s fashion accessories would never be the same again.

 

The Bangles_ Singles & B-Sides 1

The Bangles: “Where Were You When I Needed You” (Steve Barri/P.F. Sloan)

B-side of the 7″ single Hero Takes A Fall

Columbia Records, 1984

Where Were You When I Needed You

A great Grass Roots song on the b-side of a fantastic single.

 

The Bangles_ Singles & B-Sides 5

The Bangles: “I Got Nothing” (Susanna Hoffs/Vicki Peterson/Jules Shear)

From the original soundtrack album The Goonies

Epic Records, 1985

I Got Nothing

Cyndi Lauper had the big single off of this soundtrack with “The Goonies ‘R’ Good Enough.” The Bangles would go on to record backing vocals for Cyndi’s “Change Of Heart” in 1986.

 

The Bangles_ Singles & B-Sides

The Bangles: “Hazy Shade Of Winter [Purple Haze Mix]” (Paul Simon)

From the 12″ single Hazy Shade Of Winter

Def Jam Records, 1987

Vinyl rip courtesy of The Analog Kid

Hazy Shade Of Winter [Purple Haze Mix]

“Hazy Shade Of Winter” got all the way to #2 in 1987. Dig the guest appearance from what sounds like Ricky Ricardo on this rare 12″ remix!

 

The Bangles_ Singles & B-Sides

The Bangles: “What I Meant To Say” (Debbi Peterson/Vicki Peterson)

B-side of the 7″ single Eternal Flame

Columbia Records, 1989

What I Meant to Say

“Eternal Flame” was the second #1 single from the band. “What I Meant To Say” was a song left over from the “Everything” sessions.

 

The Bangles_ Singles & B-Sides 3

The Bangles: “Everything I Wanted” (Susanna Hoffs/Eric Lowen/Dan Navarro)

From the album Greatest Hits; also released as a 7″ single

Columbia Records, 1990

Everything I Wanted

Another rockin’ leftover from “Everything.”

 

The Bangles_ Singles & B-Sides 2

The Bangles: “Get The Girl” (Susanna Hoffs/Debbi Peterson/Vicki Peterson)

From the album More Music From Austin Powers: The Spy Who Shagged Me

Maverick Records, 1999

Get The Girl

The first new song from The Bangles in almost ten years. Susanna is married to Jay Roach and has contributed music to all three Austin Powers movies. She also is in all three movies if you know where to look…

 

The Bangles: “Manic Monday [Acoustic]” (Christopher)

iTunes-only download, 2003

Manic Monday (Acoustic)

“Manic Monday” was originally written by Prince for Apollonia 6. He made a very wise choice in giving it to the Bangles instead.

_____________________________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

The Bangles: “Going Down To Liverpool” (Kimberley Rew)

From the album All Over The Place

Columbia Records, 1984

 

Knee Deep In The Hoopla

Starship: “We Built This City” (Bernie Taupin/Martin Page/Dennis Lambert/Peter Wolf)

From the album Knee Deep In The Hoopla

Grunt Records, 1985

We Built This City

 

The Bangles: “Manic Monday” (Christopher)

From the album Different Light

Columbia Records, 1986

 

Different Light

The Bangles: “Following” (Michael Steele)

Following

The Bangles: “September Gurls” (Alex Chilton)

September Gurls

Both taken from the album DIfferent Light

Columbia Records, 1986

 

Radio City

Big Star: “September Gurls” (Alex Chilton)

From the album Radio City

Ardent Records, 1974

September Gurls

 

The Bangles: “Walk Like An Egyptian” (Liam Sternberg)

From the album Different Light

Columbia Records, 1986

 

All Over The Place 1

The Bangles” “Hero Takes A Fall”  (Susanna Hoffs/Vicki Peterson)

From the album All Over The Place

Columbia Records, 1984

Hero Takes A Fall

 

Where Were You When I Needed You

The Grass Roots: “Where Were You When I Needed You” (Steve Barri/P.F. Sloan)

From the album Where Were You When I Need You

Dunhill Records, 1966

Where Were You When I Needed You?

 

Cyndi Lauper_ Singles & B-Sides

Cyndi Lauper: “The Goonies ‘R’ Good Enough” (Cyndi Lauper/Stephen Broughton/Arthur Stead)

From the original soundtrack album The Goonies

Epic Records, 1985

The Goonies ‘R’ Good Enough

 

True Colors

Cyndi Lauper: “Change Of Heart” (Cyndi Lauper/Essra Mohawk)

From the album True Colors

Portrait Records, 1986

Change of Heart

 

Everything

The Bangles: “Eternal Flame” (Susanna Hoffs/Billy Steinberg/Tom Kelley)

From the album Everything

Columbia Records, 1988

Eternal Flame

Groovy Tuesday: 5 Killer R&B/Soul Songs From 1974

1970s Top 40 radio was the ultimate melting pot. Where else could you hear a Helen Reddy song sandwiched between cuts from George McRae and David Bowie? 1974 was the year that I started actively listening to the radio on my own, and the incredible diversity that I encountered across the dial helped to shape my vast musical landscape.

Ok, that last line was a little too Robert Christgau for the Analog Kid. Let’s try this instead:

Casey Kasem shoved all kinds of music into his American Top 40 Shake ‘N Bake bag, and the result was a mix of tender, juicy tunes that melded musical and cultural boundaries into a giant feast of ’70s goodness. And I helped!

My love of ’70s soul and R&B came directly from Top 40 radio, and that love continues to this day. I am constantly rediscovering great songs from my childhood, and I am finding new (to me, anyways) incredible music from the era as well. I will share these classic soulful tunes with you every Groovy Tuesday on the Analog Kid blog.

Groovy Tuesday: 1974

I Can't Stand The Rain 1

Ann Peebles” “I Can’t Stand The Rain” (Don Bryant/Bernard Miller/Ann Peebles)

From the album I Can’t Stand The Rain

Hi Records, 1974

I Can’t Stand the Rain

Ann Peebles took this song to #38 on the pop charts in 1974, and subsequent covers versions from Eruption and Tina Turner charted as well. John Lennon said “I Can’t Stand The Rain” was “the best song ever.” Of course, John Lennon spent most of 1974 snorting cocaine out of Harry Nilsson’s cookie jar– but that doesn’t mean he’s wrong…

 

womack

Bobby Womack: “Looking For A Love” (James Alexander/Zelda Samuels)

From the album Looking For A Love Again

United Artists Records, 1974

Lookin’ For A Love

Bobby had first recorded “Looking For A Love” in 1962 as a member of the family act The Valentinos. His 1974 re-recording (with his brothers again on backing vocals) went all the way to #10 on the pop charts, and also topped the soul charts.

 

Trustmaker

The Tymes: “You Little Trustmaker” (C.M. Jackson)

From the album Trustmaker

RCA Records, 1974

You Little Trustmaker

“You Little Trustmaker” returned The Tymes to the Top 20 after an eleven-year absence, and it brings up an obvious question: why hasn’t this song appeared in a Mentos commercial? It’s too bad “Mad Men” won’t make it to 1974, as I have no doubt that Peggy Olson would make this connection immediately.

 

I Feel A Song

Gladys Knight & The Pips: “I Feel A Song (In My Heart)” (Tony Camillo/Mary Sawyer)

From the album I Feel A Song

Buddah Records, 1974

I Feel A Song (In My Heart)

The year after boardin’ the midnight train, Gladys Knight & The Pips took this beautiful song to #21 on the Hot 100.

 

Light Of Worlds

Kool & The Gang: “Summer Madness” (Alton Taylor/Robert Mickens/Kool & The Gang)

From the album Light Of Worlds

De-Lite Records, 1974

Summer Madness

Kool & The Gang would eventually morph into in a poppier R&B hit machine, but this classic cut is pure soul. “Summer Madness” has been sampled by multiple artists, and it also made a memorable appearance in 1976’s “Rocky.”

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Free And Easy

Helen Reddy: “Angie Baby” (Alan O’Day)

From the album Free And Easy

Capitol Records, 1974

Angie Baby

 

Rock Your Baby

George McRae: “Rock Your Baby” (Harry Wayne Casey/Richard Finch)

From the album Rock Your Baby

T.K. Records, 1974

Vinyl rip courtesy of The Analog Kid

Rock Your Baby

 

Diamond Dogs

David Bowie: “Rebel Rebel” (David Bowie)

From the album Diamond Dogs

RCA Records, 1974

Rebel Rebel

 

rain

Eruption: “I Can’t Stand The Rain [Single Version]” (Don Bryant/Bernard Miller/Ann Peebles)

Original version from the album Eruption

Ariola Records, 1978

I Can’t Stand The Rain

 

Private Dancer

Tina Turner: “I Can’t Stand The Rain” (Don Bryant/Bernard Miller/Ann Peebles)

From the album Private Dancer

Capitol Records, 1984

I Can’t Stand The Rain

Billboard Top 5: July 13, 1985 (Happy Birthday To Me)

July 13, 1985, was a very special day. The world watched Live Aid. I turned 18. And for the very first time, the theme song from a James Bond movie ascended to #1 on the Billboard Hot 100. Paul McCartney couldn’t do it. Carly Simon couldn’t do it. But in 1985, Duran Duran could do anything they wanted to.

I must have done something special for my 18th birthday, right? You’re damn right I did: I got up at 6 AM and watched MTV. I watched MTV all day long. It was obvious that Live Aid was a once-in-a-lifetime event, and I wasn’t going to miss even a second of it, I still own the videotape I made that day of all my favorite artists. It even has a U2 sticker on it that I pulled out of a box of Frosted Flakes that day (very progressive, Kellogg’s!).

I didn’t go out to dinner that night. I didn’t have a beer. I didn’t even spend any real quality time with my family, although I am pretty sure that my sister spent a good chunk of the day watching with me. I think she fell in love with U2 that day, as did a lot of other people around the world. I had already long been under U2’s spell, and their set was the highlight of the day for me up to that point.

And then this guy took over:

freddie

To this day, Queen’s 20-minute set remains the best live performance I have ever seen.  It was one hell of a birthday present.

Duran Duran played a set in Philadelphia later that night, and included “A View To A Kill” on the actual day that it hit #1 on the charts. They might have had a better day than I did, but not by much.

In remembrance of that amazing 18th birthday, let’s take a look at the Billboard Hot 100 Top 5 songs on July 13, 1985. If you don’t mind, I’m going to have that long-overdue beer while we do so…

#5:

Eurythmics_ Singles & B-Sides

Eurythmics: “Would I Lie To You? [ET Mix]” (Annie Lennox/Dave Stewart)

From the 12″ single Would I Lie To You?

Original version from the album Be Yourself Tonight

RCA Records, 1985

Would I Lie To You? [ET Mix]

This was the song that finally made me admit how much I loved the Eurythmics. When “Sweet Dreams Are Made Of This” hit MTV in the summer of ’83, I didn’t know quite what to make of the orange hair and the cow. At one point during the summer, I came down with a horrible case of the flu and spent two delirious days in bed with that cow and that synth riff on auto-repeat in my brain. I still can’t hear “Sweet Dreams” without breaking into a cold sweat.

I’ll be honest: in 1983, I was stuck in classic rock mode. My notebooks at school were covered with handwritten Scorpions and Iron Maiden logos. I looked at Annie and Dave and said, “I can’t like this. There’s no guitar.”

“Would I Lie To You?” had guitar. And horns. And a killer soulful Lennox vocal. I bought Be Yourself Tonight immediately, and everything the duo have put out (both together and solo) ever since.

#4:

Vital Signs

Survivor: “The Search Is Over” (Frankie Sullivan/Jim Peterik)

From the album Vital Signs

Scotti Brothers Records, 1984

The Search Is Over

“The Search Is Over” was the third top 20 single from Vital Signs, the first Survivor album with Jimi Jamison on vocals. Original vocalist Dave Bickler had to leave the band due to vocal problems, and Jamison stepped in for what became the band’s biggest record. Don’t feel too bad for Bickler, though. His voice got better and he eventually made what I assume to be a boatload of money as the voice of the Budweiser “Real Men Of Genius” campaign.

Supposedly, both Bickler and Jamison are currently back in Survivor and a tour is being planned featuring both singers. Here’s to you, Mr. Van-Halen-Could-Never-Pull-Off-This-Two-Singer-Shit Man!

#3:

Prince_ Singles & B-Sides

Prince & The Revolution: “Raspberry Beret [12″ Version]” (Prince)

From the 12″ single Raspberry Beret

Original version from the album Around The World In A Day

Paisley Park Records, 1985

Raspberry Beret [12″ Version]

I love Prince. I’ve been lucky enough to see him live five times, and he is easily the most dynamic performer I have ever seen in person. He’s also the best guitar player I’ve ever seen– I just wish he would play more of it these days. Back in 1985, though, I changed the station whenever Prince came on TV or the radio. I think I was still mad at him for keeping “Dancing In The Dark” out of the #1 slot a year earlier. My sister, who was 14 at the time, listened to him constantly and it drove me nuts. She loves to remind me of this. Yes, my dear sister, you were correct: Prince is a God. This fantastic 12″ remix of “Raspberry Beret” is for you.

#2:

No Jacket Required

Phil Collins: “Sussudio” (Phil Collins)

From the album No Jacket Required

Atlantic Records, 1985

Sussudio

phildave

David Letterman spent the summer of 1985 asking the same question every night: what in the hell does “Su-su-sudio” mean? He finally got Phil on his show to answer the question. I was so excited that I videotaped it. I just wish I could remember what the answer was…

“Sussudio” had hit #1 the week before, becoming Collins’ second chart-topping single in America (“Against All Odds” was the first). I was actually very upset with Phil on July 13, 1985. Who plays a set at Live Aid in London, flies across the Atlantic on the Concorde, and then plays the exact same set on stage in Philadelphia? Phil Collins, that’s who.

Was Phil even punished for this seemingly ridiculous act of self-promotion? No, he was not punished. Quite the opposite, in fact: he got behind the kit and played drums for Led Zeppelin’s reunion set later that night. Maybe “Sussudio” is Italian for bullshit.

TRIVIA QUESTION: Led Zeppelin had two drummers on stage at their Live Aid performance. Phil Collins was obviously one– who was the other? Put your answer in the comments section!

#1:

Duran Duran_ Singles & B-Sides

Duran Duran: “A View To A Kill” (Duran Duran/John Barry)

From the 7″ single A View To A Kill

Capitol Records, 1985

A View To A Kill

“A VIew To A Kill” was the first James Bond theme to hit #1, and it was also the last. Earlier I said that Duran Duran could do anything they wanted in 1985, but that really wasn’t true: they couldn’t get along.  Guitarist Andy Taylor and bassist John Taylor had already released The Power Station with Robert Palmer, and tension in the band was high. In fact, their performance at Live Aid turned out to be the final performance of the original lineup until their long-awaited reunion in 2003. I was one of the lucky few who saw a show on the small club tour that served as their reintroduction, and it remains one of my all-time favorite concerts. It’s hard for me to believe now, but back in 1985 I wasn’t really a big fan of Duran Duran.

I know, I know. But gimme a break, will ya? After all, I had just turned eighteen.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Paul McCartney_ Singles & B-Sides

Paul McCartney & Wings: “Live And Let Die” (Paul & Linda McCartney)

From the 7″ single Live And Let Die

Apple Records, 1973

Live And Let Die

 

The Spy Who Loved Me 1

Carly Simon: “Nobody Does It Better” (Marvin Hamlisch/Carole Bayer Sager)

From the album The Spy Who Loved Me

United Artists Records, 1977

Nobody Does It Better

 

Live Aid_ July 13, 1985

U2: “Bad” (Lyrics by Bono/Music By U2)

Recorded at Live Aid in London on July 13, 1985

Original version from the album The Unforgettable Fire

Island Records, 1984

Bad

 

Sweet Dreams (Are Made Of This)

Eurythmics: “Sweet Dreams (Are Made Of This)” (Written By Dave Stewart & Annie Lennox)

From the album Sweet Dreams (Are Made Of This)

RCA Records, 1983

Sweet Dreams (Are Made Of This)

 

Born In The U.S.A.

Bruce Springsteen: “Dancing In The Dark” (Bruce Springsteen)

From the album Born In The USA

Columbia Records, 1984

Dancing In The Dark

 

Phil Collins_ Singles & B-Sides

Phil Collins: “Against All Odds (Take A look At Me Now)” (Phil Collins)

From the soundtrack Against All Odds

Atlantic Records, 1984

Against All Odds (Take A Look At Me Now)

 

Live Aid_ July 13, 1985 1

Queen: Their Entire Performance At Live Aid

Recorded At Live Aid in London on July 13, 1985

 

“Bohemian Rhapsody” (Freddie Mercury)

Bohemian Rhapsody

“Radio Ga-Ga” (Roger Taylor)

Radio Ga-Ga

“Hammer To Fall” (Brian May)

Hammer To Fall

“Crazy Little Thing Called Love” (Freddie Mercury)

Crazy Little Thing Called Love

“We Will Rock You” (Brian May)

We Will Rock You

“We Are The Champions” (Freddie Mercury)

We Are The Champions

Skeet Surfin’ On A Sunday Morning

Happy Sunday morning to you! I have decided to wrap up this exciting first week of the Analog Kid blog with what I hope will become a cherished Sunday tradition: a fresh new rip of a rare or obscure piece of vinyl from my very own collection. I’ll try to keep the commentary to a minimum and let the music do the talking– after all, we should all be taking it easy on Sunday, And by taking it easy, of course I really mean watching football.

cropped-wallofvinyl.jpg

This is my vinyl collection– well, one wall of it at least. Overall, I estimate that I own over 5,000 records. I am slowly in the process of ripping all of the LPs that I don’t own on CD to digital. I rip them with tremendous love and care, and it takes a great deal of time to do it right (just ask my lovingly patient and forgiving wife). At the rate I am currently going, I estimate that I will finish the project just in time for the estate sale that will be held after the Analog Kid goes the way of the eight-track.

(Note: If you happen to be the one who someday ends up owning my autographed copy of Fleetwood Mac’s Rumours, please treat it well and assure it that sometimes great art can also sell 25,000,000 copies. It has never quite recovered from the whole Saturday Night Fever fiasco.]

Where was I? Oh yes: it has been decreed that Sunday morning shall be the time of vinyl on the Analog Kid blog. Every Sunday I shall present to you a lovely piece of hand-ripped wax for your digital enjoyment. Some songs will be sacred. Some songs will be crappy b-sides. Someday, it might even be a song or two from this 1974 masterpiece:

cybil

This album has been sitting in a stack next to my turntable for months, patiently waiting its turn for a majestic transformation into the digital age. I just haven’t had the strength (or courage) to do it yet. Whatever you do, please don’t tell Cybill that I have already ripped Bruce Willis’ The Return Of Bruno. She might never forgive me.

Didn’t I say I would let the music do the talking? I do believe I did. Without further ado, I present this week’s offering, hot off of my very own turntable!

Note: This is not Mel Tormé.

Top Secret!

Nick Rivers: “Skeet Surfing” (Brian Wilson/Chuck Berry/Mike Love/Nick Rivers)

From the album Top Secret! Songs From The Original Motion Picture Soundtrack

Passport Records, 1984

Skeet Surfing

This 6-song EP has never been released on CD, and I’ve only seen one copy of the vinyl in my life. Yep, the one you are listening to right now.

“Listen to me, Hillary. I’m not the first guy who fell in love with a woman that he met at a restaurant who turned out to be the daughter of a kidnapped scientist, only to lose her to her childhood lover who she last saw on a deserted island, who then turned out fifteen years later to be the leader of the French underground.”

“I know. It all sounds like some bad movie.”

Bad movie? The BEST movie. Val Kilmer rules.

________________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

The Return Of Bruno

Bruce Willis: “Respect Yourself” (Luther Ingram/Matt Rice)

From the album The Return Of Bruno

Motown Records, 1987

Respect Yourself

10.15 On A Saturday Night

I’m relatively new to this blogging thing (hey, I never claimed to be a trendsetter, now did I? I didn’t even own a cell phone until 2007). But I have noticed that many bloggers seem to shut down on the weekend. Perhaps they simply have better things to do, or maybe they found their hits went down when a big chunk of their audience simply wasn’t trying to kill time at work.

Well, I can assure you that the Analog Kid certainly has nothing better to do. I also don’t have a real job, so the concept of “The Weekend” is lost on me. Every day is a music day here at the Analog Kid Blog, and I promise you that there will be a brand-spankin’-new blog post ready to go each and every day. Yes, even at 10:15 on a Saturday night…

The Cure_ Singles & B-Sides

The Cure: “10.15 Saturday Night” (Robert Smith/Michael Dempsey/Lol Tolhurst)

B-side of the U.K. 7″ single Killing An Arab

Small Wonder Records, 1978

10.15 Saturday Night

I was a late arrival to The Cure party (or should I say funeral?). I remember first seeing the iconic t-shirts in high school– yes, goth was alive and well and living in Plano, Texas, in 1984. But it wasn’t until 1987 and the release of Kiss Me Kiss Me Kiss Me that The Cure’s music made a real impact on me, and even then I was really only into the uptempo stuff like “Why Can’t I Be You?” and “Just Like Heaven.” The mopey stuff just didn’t do it for me.

All of that changed with the release of Disintegration in the summer of 1989. It was, in fact, the perfect Cure storm for the Analog Kid. Consider the following:

1) Disintegration is a remarkable album.

2) Disintegration is a remarkably depressing album.

3) I had just been dumped by my girlfriend in remarkably depressing fashion.

Robert Smith, where had you been all my life?

I listened to Disintegration every night when I went to sleep (or, should I say, tried in vain to go to sleep). Songs like “Closedown” and “Pictures Of You” became the soundtrack to my lost summer. I also jumped into The Cure’s back catalog head-first. Faith. Pornography. Seventeen Seconds. Goddamn this was some agonizing stuff. I’ve always been an album guy as opposed to a singles guy (“Singles remind me of kisses, albums remind me of plans”), but the greatest hits compilation Standing On A Beach made quite an impression on me as well. One song in particular stood out in my current state of emotional wreckage: “10.15 Saturday Night.”

“Drip, drip, drip, drip, drip, drip, drip…”

A guy sits alone in his kitchen, waiting for the girl to call. She doesn’t call. All he hears is the leaky faucet.

“Drip, drip, drip, drip, drip, drip, drip…”

She doesn’t call.

“Drip, drip, drip, drip, drip, drip, drip…”

I was one messed-up kid that summer, and The Cure was my prozac, Sure, I was depressed as hell– but at least I wasn’t as depressed as THIS guy:

Robert-smith

His pain somehow made me feel better. I didn’t have to listen to the leaky faucet– I had The Cure. And it didn’t hurt that the band also had some kick-ass t-shirts that immediately attracted the cute goth girls to the sad, lonely guy wearing them. I said it before and I’ll say it again: Robert Smith, where had you been all my life?

Obviously, this story is not a unique one. Every Cure fan probably tells a similar tale, but that doesn’t lessen the importance of the band and its impact on me that long, lonely summer . I didn’t even realize at the time that “10.15 Saturday Night” was the b-side of “Killing An Arab,” the very first record The Cure ever released. Heck of a start, lads. They certainly went on to make better records, but “10.15 Saturday Night” will always be the one that keeps drip drip dripping back into my brain.

_______________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Kiss Me, Kiss Me, Kiss Me

The Cure: “Just Like Heaven” (Robert Smith/Simon Gallup/Porl Thompson/Boris Williams/Lol Tolhurst)

From the album Kiss Me Kiss Me Kiss Me

Elektra Records, 1987

Just Like Heaven

 

The Cure_ Singles & B-Sides

The Cure: “Why Can’t I Be You? [12″ Remix]” (Robert Smith/Simon Gallup/Porl Thompson/Boris Williams/Lol Tolhurst)

From the 12″ single Why Can’t I Be You?

Elektra Records, 1987

Vinyl rip courtesy of The Analog Kid

Why Can’t I Be You? [12″ Remix]

 

Disintegration

The Cure: “Closedown”

(Written By Robert Smith/Simon Gallup/Roger O’Donnell/Porl Thompson/Boris Williams/Lol Tolhurst)

From the album Disintegration

Elektra Records, 1989

Closedown

 

The Cure_ Singles & B-Sides 1

The Cure: “Pictures Of You [Remix]”

(Written By Robert Smith, Simon Gallup, Roger O’Donnell, Porl Thompson, Boris Williams & Lol Tolhurst)

From the U.S. CD single Pictures Of You

Elektra Records, 1989

Pictures Of You [Remix]

 

Argybargy

Squeeze: “If I Didn’t Love You” (Chris Difford/Glenn Tilbrook)

From the album Argybargy

A&M Records, 1980

If I Didn’t Love You

 

The Cure_ Singles & B-Sides

The Cure: “Killing An Arab” (Robert Smith/Michael Dempsey/Lol Tolhurst)

Small Wonder Records, 1978

Killing An Arab