You gotta be out of your mind not to like Icehouse.

You remember Icehouse, You just may not remember that you remember Icehouse. The Australian band had two Top 20 singles in 1987/88 and was a staple of rock radio throughout the ’80s, but right now not a single Icehouse album is in print in the United States.  You can’t even download any of their output.

This truly baffles me. Hold on a second, OK? I’m going to try an experiment. Be right back. While I’m gone, check out this Icehouse classic:

Man Of Colours

Icehouse: “Electric Blue” (Iva Davies/John Oates)

From the album Man Of Colours

Chrysalis Records, 1987

Electric Blue

Ok, I’m back. While you were listening, I tried to think of one of the most obscure one-hit wonder albums of the ’80s. My brain spit out soap star Jack Wagner’s 1984 album All I Need. Off to Amazon I went. Sure enough, you can buy a lovely brand-new remastered CD copy of All I Need for a mere $15.23. If you want to add Man Of Colours to your basket, that will cost you an additional $79.99.

As I said, I am baffled. Icehouse was a great band. If you are anywhere near my ripe old age of mid-fortysomething, I know you were singing along to “Electric Blue” within seconds. Why is it so hard to find this song? It’s not like it was a minor hit: “Electric Blue” made it all the way to #7 on the Billboard Hot 100 in early 1988, and the video was all over MTV. It was even co-written by none other than John Oates, who apparently had a thing for working with guys with tremendous mullets:

daryl hall    ivadavies7

Daryl Hall                                                          Iva Davies

Iva Davies formed the band Flowers in Sydney in 1977, and by 1981 they had changed their name to Icehouse. From the beginning, they embraced the atmospheric synth sounds heard in the music of Roxy Music and Ultravox. Their first album produced some big hits in their native Australia, and this song that made it up to #62 in the United States:

Icehouse

Icehouse: “We Can Get Together” (Iva Davies)

From the album Icehouse

Chrysalis Records, 1981

We Can Get Together

In 1982, Icehouse released Primitive Man. It was at this point that I saw the video for “Great Southern Land” on MTV, and I was hooked. Primitive Man remains one of my favorite albums of the ’80s.

Primitive Man

Icehouse: “Great Southern Land” (Iva Davies)

From the album Primitive Man

Chrysalis Records, 1982

Great Southern Land

Another great atmospheric track from the same album:

Icehouse: “Hey Little Girl” (Iva Davies)

Hey Little Girl

1984’s Sidewalk didn’t produce as many hits as Primitive Man, but “Don’t Believe Anymore” gets me every time.

Sidewalk

Icehouse: “Don’t Believe Anymore” (Iva Davies)

From the album Sidewalk

Chrysalis Records, 1984

Don’t Believe Anymore

And here we are. “No Promises.” Simply put, one of the best songs of the ’80s. Pop music doesn’t get any better than this.

Measure For Measure

Icehouse: “No Promises” (Iva Davies/Robert Kretschmer)

From the album Measure For Measure

Chrysalis Records, 1986

No Promises

Brian Eno contributed keyboards to the Measure For Measure album, and the presence of one of their heroes clearly elevated Icehouse to new levels. They quickly followed up Measure For Measure with what was to become their most successful album: 1987’s Man Of Colours. In addition to “Electric Blue,” this song also hit the Top 20 in the United States.

Man Of Colours

Icehouse: “Crazy” (Iva Davies/Robert Kretschmer/Andy Qunta)

From the album Man Of Colours

Chrysalis Records, 1987

Crazy

“Crazy” made it all the way up to #14 on the Billboard Hot 100. Like “Electric Blue,” it was all over the radio and MTV in late 1987/early 1988. In 2013, you have to pay $79.99 to buy it– or can you listen to it for free on The Analog Kid blog. You’re welcome.

Here’s one more great song from the Man Of Colours album. The title track wasn’t released as a single in America, but it’s one of my favorite tracks from the record. Another moody masterpiece:

Icehouse: “Man Of Colours” (Iva Davies)

Man Of Colours

Look, I could go on all day about this band. I kinda like ’em a lot, so I’ll go ahead and save some songs for another future blog entry. Icehouse recently performed together for the first time in years in their native Australia, and they were greeted like conquering heroes. In America, we have to settle for an occasional airing of “Electric Blue” on Sirius.

Crazy.

I wanna tell ya about Texas radio and the big beat.

I spent my teenage years in Plano, a suburb just north of Dallas. There wasn’t a lot for kids to to do in Plano. We went to school. We watched football. We played video games. We went to the mall. Sometimes we got crazy and played video games at the mall. Whoa.

And we listened to the radio.

North Texas was fortunate enough to have three rock stations after KEGL arrived on the scene in 1981. Each one of them played a lot of the same songs, but somehow they each had their own unique personality.

First up: 102.1 KTXQ.

Q102

Q102. Texas’ Best Rock. Home of the semi-famous DJ Redbeard, Triple Shot Thursday, and the best damn rock star promos in the history of the universe:

“Hello this is Klaus Meine from Scorpions we come from Germany to rock your world we love Texas because in Texas you really know how to paaaaarrrr-taaaaaayyyy when you listen to Q102 Texas Best Rooooooooocccckkkkkkkkkkkkkkk!”

Breathe, Klaus. BREATHE. Klaus was like Speed Racer actually on speed.

Next up: 98.7 KZEW.

987kzew

The Zoo. The burner station. For years, I thought KZEW t-shirts came off the rack with a pack of Marlboro Reds tucked into the sleeve. The first station I ever heard play the “Who the fuck are you?” version of “Who Are You.” At 4 pm. On a Tuesday.

Finally, we had 97.1 KEGL.

kegl7

The Eagle. This was the station you had to listen to if you were at a girl’s house. I rarely was invited into the house of an actual girl, so I rarely listened to the Eagle. No one I knew really listened to the Eagle, and yet somehow it is the only station still broadcasting. This makes me very sad.

Like a lot of you, I rarely listen to music on traditional radio stations anymore. But back in 1981, my radio was always on. Of course I bought records– but how many records could a ninth grader really afford? The three radio stations were our lifeblood to music, and their effect on our lives went far beyond the bumper stickers on our cars and the t-shirts on our backs.

Sure, there were certain bands who were perhaps slightly overplayed: Journey. Foreigner. ZZ Top. REO Speedwagon. Styx. And hey, there was nothing wrong with that. I still enjoy all of these bands to this day. However, there was one band that always seemed to be on at least one of the three stations at any given moment. Radio ruined this band for me. To this day, I cannot listen to this band. I cannot listen to anyone talk about this band. I cannot even write the name of this band. I will invite you in the comments section to guess the name of this band if you dare. Someone will certainly guess correctly, because I am sure there were many like me who were permanently scarred by the overexposure of the band that shall remain nameless…

OK, so perhaps I heard “Too Much Time On My Hands” and “Shake It Up” more times than I really needed to. But I do have to give Q102 and The Zoo and The Eagle credit: they exposed me to a ton of new music. For every “Working for The Weekend,” there was a “Trouble.” For every “Juke Box Hero,” there was a “Lunatic Fringe.” Album tracks. New artists. Deep cuts. That’s what made classic rock radio in the early ’80s so great.

Remember, this was 1981. MTV launched in August of that year, but Plano might as well have been on Pluto in regards to cable TV access. The only way we heard a new band was on the radio. Many of these great songs and bands have drifted from our memories over the years. My task here at the Analog Kid Blog is to bring them back…one blog post at a time.

So here we go: five long-forgotten classic rock flashbacks from the year 1981. I’ll post additional cuts from different years on future posts, so keep checking back. May you find your own inner “Sausalito Summernight” somewhere along the journey…

Balance

Balance: “Breaking Away” (Peppy Castro)

From the album Balance

Portrait Records, 1981

Breaking Away

Balance only made two records, but they had the classic AOR format down from the start. Guitarist Bob Kulick’s brother Bruce went on to join KISS after they took off the makeup.

 

Wanna Be A Star

Chilliwack: “My Girl (Gone, Gone, Gone)” (Bill Henderson/Brian MacLeod)

From the album Wanna Be A Star

Millennium Records, 1981

My Girl (Gone, Gone, Gone)

Chilliwack’s story is a fascinating one, and probably deserves an entire blog of its own someday. They were huge in their native Canada, but only had a few minor hits in the States. This song almost reached the top 20, and it was all over Q102. Warning: this song will stick in your head for the next 72 hours.

 

Small Change

Prism: “Don’t Let Him Know” (Bryan Adams /Jim Vallance)

From the album Small Change

Capitol Records, 1981

Don’t Let Him Know

Another Canadian band with a fascinating history. Producer Bruce Fairbairn got his start in this band, as did Jim Vallance. Both had left by this point, but Vallance wrote this song with an up-and-coming Bryan Adams and gave it to his former group. A great slice of early ’80s rock.

 

Sneaker

Sneaker: “More Than Just The Two Of Us” (Michael Schneider/Mitch Crane)

From the album Sneaker

Handshake Records, 1981

More Than Just The Two Of Us

If you went to a high school dance in 1981, you slow-danced to “More Than Just The Two Of Us.”  You can’t really tell from this song, but the band wore its Steely Dan influences squarely on its sleeve. Becker and Fagan even wrote a song for the album, and the self-titled debut was produced by former Dan and Doobie Brothers guitarist Jeff “Skunk” Baxter. “More Than Just Two Of Us” made it up to #34 on the Billboard Hot 100, but it was a smash hit in Plano.

 

King Cool

Donnie Iris: “Love Is Like A Rock” (Donnie Iris/Mark Avsec/Marty Lee, Albritton McClain/Kathy Valentine)

From the album King Cool

MCA Records, 1981

Love Is Like A Rock

Everybody remembers “Ah! Leah!” from 1980, and that song still receives regular airplay on classic rock stations all around the country. Donnie Iris is thought of as a one-hit wonder, but he actually had a long a career in the business. Do you remember “The Rapper,” a 1970 #2 hit from The Jaggerz? That’s Iris. MIND BLOWN. I found this out a few years ago as I was enjoying a delicious Primanti Brothers cheesesteak in Pittsburgh (egg and slaw on the sandwich, please!). The shop had a huge mural of Pittsburgh legends on the wall, and Donnie Iris was right up front with Roberto Clemente. That seemed a little skewed to me, so I consulted my tiny phone-like computer for a little googling. As I said, MIND BLOWN. Iris even spent a couple years in the band Wild Cherry, but it was after “Play That Funky Music” had been released. Good thing, as my brain might have exploded if Donnie had been the one dancin’ and singin’ and movin’ to the groovin’.

“Love Is Like A Rock” made it up to #37 on the Billboard Hot 100, only 8 spots behind the highest position for “Ah! Leah.” Time has forgotten this one. The Analog Kid has not.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Who Are You

The Who: “Who Are You” (Pete Townshend)

From the album Who Are You

MCA Records, 1978

Who Are You

 

Paradise Theater

Styx: “Too Much Time On My Hands” (Tommy Shaw)

From the album Paradise Theater

A&M Records, 1981

Too Much Time On My Hands

 

Shake It Up

The Cars: “Shake It Up” (Ric Ocasek)

From the album Shake It Up

Elektra Records, 1981

Shake It Up

 

Get Lucky

Loverboy: “Working For The Weekend” (Mike Reno/Paul Dean/Matt Frenette)

From the album Get Lucky

Columbia Records, 1981

Working For The Weekend

 

Law And Order

Lindsey Buckingham: “Trouble” (Lindsey Buckingham)

From the album Law And Order

Asylum Records, 1981

Trouble

 

4

Foreigner: “Juke Box Hero” (Mick Jones/Lou Gramm)

From the album 4

Atlantic Records, 1981

Juke Box Hero

 

As Far As Siam

Red Rider: “Lunatic Fringe” (Tom Cochrane)

From the album As Far As Siam

Capitol Records, 1981

Lunatic Fringe

 

Watts In A Tank

Diesel: “Sausalito Summernight” (Mark Boon/Rob Vunderink)

From the album Watts In A Tank

Atco Records, 1981

Sausalito Summernight

 

Back On The Streets

Donnie Iris: “Ah! Leah!” (Donnie Iris/Mark Avsec)

From the album Back On The Streets

MCA Records, 1980

Ah! Leah!

 

We Went To Different Schools Together

The Jaggerz: “The Rapper” (Dominic Ierace)

From the album We Went To Different Schools Together

Buddah Records, 1970

The Rapper

 

Wild Cherry

Wild Cherry: “Play That Funky Music” (Rob Parissi)

From the album Wild Cherry

Epic Records, 1976

Play That Funky Music

Bruce offers some “Protection” to Donna Summer

The Analog Kid blog has only been in existence for two days, and I am already receiving requests. One such request asked for something “obscure.” Would a Bruce Springsteen song that has never been officially released qualify as obscure? I certainly hope so!

In 1982, Springsteen was already deep into work on the record that would eventually become Born In The USA. As always, the prolific Boss was producing more material than he could ever hope to use. Bruce’s manager Jon Landau asked Bruce if he would consider writing a song for Donna Summer– a song that would incorporate rock elements with Donna’s trademark dance rhythms. Bruce quickly wrote the song and the E Street Band recorded a demo for Donna.

This is that demo:

Cover Me

I know what you’re thinking: isn’t this the same version of “Cover Me” that you heard 10,000 times on the radio in 1984? Why yes. Yes it is.

When Springsteen finished recording the demo, Landau took one listen to the song and said, “You’re not giving that one away to anyone. Write another one just like that, but different.” Landau obviously knew a hit song when he heard one, as evidenced by the fact that Bruce’s untouched demo recording of “Cover Me” reached #7 on the Billboard Hot 100 in the summer of 1984. The demo had been recorded so quickly that Garry W. Tallent didn’t even have the chance to put a proper bass line on the recording. No matter; a great song is a great song, and Landau clearly earned his 10% when he insisted Bruce hold on to the track.

Bruce then went back to work and recorded another new song for Donna. It had a very similar sound and feel to “Cover Me,” and this time the song did make its way to Summer. She recorded “Protection” in 1982 with Quincy Jones behind the board, and Springsteen himself on guitar (check out the killer solo at the end!) and backing vocals. E Street Band member Roy Bittan also added keyboards. “Protection” was released on Summer’s self-titled 1982 album, and she received a Grammy nomination for Best Female Rock Vocal Performance for the track.

Donna Summer

Donna Summer: “Protection” (Bruce Springsteen)

From the album Donna Summer

Geffen Records, 1982

Protection

Bruce’s version of “Protection” has never been released on an official recording, although it was considered a candidate for inclusion on Born In The USA up until the very end. Speculation is high that we may see a 30th Anniversary Born In The U.S.A. box set sometime next year, and I’m betting “Protection” will be on it. But surprise! You don’t have to wait until next year to hear it, thanks to my vast vault of Springsteen rarities and bootlegs.

So here you go: a completely unreleased Bruce Springsteen song from 1982 with the full E Street Band. I hope this adequately fulfills the request for something obscure!

Bruce Springsteen1

Bruce Springsteen & The E Street Band: “Protection” (Bruce Springsteen)

Previously Unreleased, 1982

Protection

Bruce supposedly recorded almost 100 songs during the two years he worked on Born In The U.S.A., and to date only about 35 have seen the light of day. If the rest of the outtakes are as good as “Protection,” it should be one hell of a 30th Anniversary box set.

Thanks to Dave Marsh and his great book Glory Days for providing information used in today’s blog.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

If you put out big records in the ’80s, you had to put out 12″ singles too. Bruce was no exception. Here is the “Radio” mix of “Cover Me,” which I can damn well guarantee that I never heard even once “On The Radio.”

Bruce Springsteen_ Singles & B-Sides 3

Bruce Springsteen: “Cover Me (Radio)” (Bruce Springsteen)

From the 12″ single Cover Me

Columbia Records, 1984

Cover Me [Radio]

 

On The Radio_ Greatest Hits Volumes I & II

Donna Summer: “On The Radio” (Donna Summer/Giorgio Moroder)

From the album On The Radio: Greatest Hits Volumes I & II

Casablanca Records, 1979

On The Radio

Love to hear percussion.

If this blog is going to succeed, I feel that it is important for you to trust me. You need to know that what I am writing is true, and that it comes from the heart. Therefore, I feel I must go ahead and come clean about something right up front: I love disco.

There, I said it. And I can’t take it back. I grew up in the 70s and listened to the radio 24/7, so how could I not love disco? It was the soundtrack to my youth. Critics love to make fun of the genre, and often for good reason. Many of the songs of the era were indeed truly, truly awful. Take this one, for example:

DISCO DUCK - RICK DEES

Rick Dees & His Cast Of Idiots: “Disco Duck” (Rick Dees)

From the album The Original Disco Duck

RSO Records, 1976

Disco Duck, Part 1

At this point, I would usually tell you something about Rick Dees and how he was a DJ and wrote this song in an hour blah blah blah. But I just can’t do it. The less said about “Disco Duck,” the better. [More disclosure: my disdain for the song cannot obscure the fact that I have three different versions of “Disco Duck” in my iTunes music library, including an extended disco mix and an instrumental version with nothing but quacks. Yes, I know I need help. You are not the first person to point this out.]

Let’s cleanse the palate, shall we? Have a cracker. Have some sorbet. Better? OK, good. Now let’s move on to a song that epitomizes everything that is right and good about disco.

vicki

Vicki Sue Robinson: “Turn The Beat Around” (Gerald & Peter Jackson)

From the album Never Gonna Let You Go

RCA Records, 1976

Turn The Beat Around

Vicki Sue Robinson was already an accomplished Broadway performer when she released “Turn The Beat Around” back in 1976, and the song made it all the way to #10 on the Billboard Hot 100 (and to #1 on the Dance charts). This version is the hard-to-find full-length album version, ripped just last night by yours truly from my original vinyl. Love to hear percussion indeed!

Vicki never had another hit song, and she succumbed to cancer at the age of 45 in 2000. Rick Dees went on to host Solid Gold and even had his own late-night talk show, and he is still very much among the living. That shit is quack.

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Bonus tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

vickisuerobinson45

Vicki Sue Robinson: “Turn The Beat Around” [Single Version] (Gerald & Peter Jackson)

RCA Records, 1976

Turn The Beat Around [Single Version]

 

Disco Duck 3

Rick Dees & His Cast Of Idiots: “Disco Duck [Disco Version]” (Written by Rick Dees)

RSO Records, 1976

Disco Duck [Disco Version]

 

disco duck 2

Rick Dees & His Cast Of Idiots: “Disco Duck [Part 2]” (Written by Rick Dees)

RSO Records, 1976

Disco Duck, Part II [Instrumental]

I apologize for posting the last two. I just couldn’t help myself.

Let’s start at the very beginning. A very good place to start.

This is it. The first 45 I ever owned:

elton-john-lucy-in-the-sky-with-diamonds

Elton John: “Lucy In The Sky With Diamonds” (John Lennon/Paul McCartney)

MCA Records, 1974

Lucy In The Sky With Diamonds

Did I buy it with my own money? I doubt it. After all, I was only six years old. Even though I was only in the first grade, music had already captured my imagination. Before I entered kindergarten, I had destroyed a great portion of my parents’ record collection. My favorites were Revolver (“Yellow Submarine”!!) and Aftermath (“Stupid Girl” struck a chord with me for what I assume are fairly obvious reasons). I also remember loving Creedence, particularly “Graveyard Train” from the Bayou Country album.

bayoucountry

Creedence Clearwater Revival: “Graveyard Train” (John Fogerty)

From the album Bayou Country

Fantasy Records, 1969

Graveyard Train

Yes, one of my favorite songs as a five-year-old was a nearly nine minute dirge about a grief-stricken man who commits suicide by standing in front of a train carrying the corpse of his dead lover, In retrospect, I suppose that explains a whole hell of a lot about my future musical leanings (John Fogerty was, like, SO goth!). Of course, like any self-respecting kid I also had a large collection of classic Walt Disney soundtrack LPs to help counteract my interest in graveyards and death.  “Little April Shower” was a perfectly pleasant tune and I liked it very much, but I loved “Taxman” even more. It was all about rock and roll to me, even at age of five.

I’m not really sure where and when my infatuation with Elton John began. My parents didn’t own any Elton albums, so it must have developed via radio and television. I’m pretty sure I saw him sing on one of the late-night music shows of the era like Midnight Special or Don Kirshner’s Rock Concert (but don’t tell my parents I snuck out of bed to watch them, OK?) I don’t think I even knew that “Lucy In The Sky WIth Diamonds” was a Beatles song at the time, or that John Lennon actually played on the track (under the pseudonym Dr. Winston O’Boogie). I just knew that I loved the magical imagery of the song, and I really loved the black MCA rainbow label.

Critics were not particularly kind to Elton’s radically different take on the song, but that didn’t keep “Lucy” from hitting number one on the Billboard Hot 100 the week of January 4, 1975. The song was only available as a single, and didn’t appear on an Elton album until Greatest Hits Volume II was released in September of 1977.

The b-side of the 45 was a song called “One Day At A Time,” another Lennon-penned tune that had originally appeared on his 1973 album Mind Games. As on the a-side, Dr. O’Boogie added additional vocals and guitar. All music-collecting dorks like me love non-album b-sides, and apparently this trait becomes apparent at a young age as I played “One Day At A Time” every bit as often as its more-famous flip side.  The collaborative version squashes Lennon’s half-hearted solo original like a grape, and to this day it remains one of my favorite Elton tracks.

eltonlucymca

Elton John: “One Day (At A Time)” (John Lennon)

B-side of the 7″ single Lucy In The Sky With Diamonds

MCA Records, 1974

One Day (At A Time)

As the years went by, I lost track of my original 45, and “One Day At A Time” seeped out of my memory. In 1990, MCA Records released a five-disc Elton John box set entitled To Be Continued. As I settled in to listen to the box set for the first time, I saw “One Day At A Time” listed on packaging and thought, “Hmmmmm, that song title sounds familiar.”

Indeed it was. I was instantly transported back to 1974 and that beautiful black MCA rainbow label. I played “One Day At A Time” at least ten times in a row that night. I remembered every word and sound from the song. The only thing missing were the crackIes and pops.

I was only twenty-three at the time so it sounds weird to say this now, but it made me feel like a kid again. And that is just one of the many reasons that I love music. I look forward to sharing that love with you on this blog.

Thanks for stopping by!

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

beatles-revolver

The Beatles: “Taxman” (George Harrison)

From the album Revolver

Capitol Records, 1966

Taxman

 

Aftermath

The Rolling Stones: “Stupid Girl” (Mick Jagger/Keith Richards)

From the album Aftermath

London Records, 1966

Stupid Girl

 

bambi

“Little April Shower” (Frank Churchill/Larry Morey)

From the album Walt Disney’s Story And Songs From Bambi

Disneyland Records, 1969 (original version released in 1942)

Little April Shower (Bambi)

 

Mind Games

John Lennon: “One Day (At A Time)” (John Lennon)

From the album Mind Games

Capitol Records, 1973

One Day (At A Time)