The Lost Boys: Hard-To-Find ’80s Albums (Pat Benatar’s “Wide Awake In Dreamland”)

“The Lost Boys: Hard-To-Find ’80s Albums” gives you exactly what the title implies: a rare or out-of-print album or EP from the ’80s in its entirety. Some will be from CD, but most will have been lovingly transferred from pristine vinyl culled directly from the Analog Kid’s vast collection. Whatever album I choose, it will be one that you can’t easily find a physical copy for sale on Amazon or in your local record store (if you even have one anymore). Death…by stereo!

 

Pat Benatar released Wide Awake In Dreamland, her seventh studio album, in the summer of 1988. It had been nearly three years since 1985’s Seven The Hard Way, almost an eternity by ’80s release standards for any band not named Boston. Neil Giraldo’s guitar was once again in the forefront on the album, highlighted by lead single (and #19 hit) “All Fired Up.” For me, the album’s best track is the gorgeous “One Love”– I have no idea why this song wasn’t a huge hit (it didn’t chart in America, and only reached #59 in the U.K.). It’s probably my favorite Pat Benatar song, and I’ve been a huge fan since the day I first heard “We Live For Love” back in 1979.

Pat and Neil still tour frequently, and their long-lasting marriage is truly one of the best feel-good stories in music. They banter back and forth on stage like an old married couple, which makes sense because they are an old married couple. A few years ago, they played consecutive nights at the House Of Blues in Dallas. The first night was so good that I went back the second night, and I think Pat and Neil wanted to try a few different songs since there were clearly so many repeat attendees. About halfway through the show, Pat said, “We haven’t played this song in years, but we’re gonna try it for you now.”

To my surprise, they broke into “Sex As A Weapon,” a song that Benatar took a decent amount of heat for upon its release in 1985. The rust was obvious, though, and Pat forgot the words and stopped the song.

“I’m sorry,” she said. “We really messed that up.”

Neil’s response: “What do you mean, WE?”

They tried to play it again a couple more times, but by that point Pat was laughing so hard that they had to stop each time. They eventually moved on to the next song and finished the set, but they came back delivered a perfect laugh-free version of “Sex As A Weapon” in the encore.

“Wide Awake In Dreamland” has been out of print on CD for quite some time, so please enjoy listening to this copy of my original 1988 CD. And Pat, please play “One Love” live some day. It would make a certain Analog Kid very, very happy– and I won’t even mind if you mess up the words…

 

Wide Awake In Dreamland

Pat Benatar: Wide Awake In Dreamland

Chrysalis Records, 1988

 

1. “All Fired Up” (Tolhurst/Grombacher/Benatar)

All Fired Up

2. “One Love” (Giraldo/Grombacher)

One Love

3. “Let’s Stay Together” (Giraldo/Benatar)

Let’s Stay Together

4. “Don’t Walk Away” (Gilder/Hitchings)

Don’t Walk Away

5. “Too Long A Soldier” (Giraldo/Grombacher)

Too Long A Soldier

6. “Cool Zero” (Giraldo/Grombacher)

Cool Zero

7. “Cerebral Man” (Winfield/Schiff)

Cerebral Man

8. “Lift ‘Em On Up” (Giraldo/Grombacher/Benatar)

Lift ‘Em On Up

9. “Suffer The Little Children” (Giraldo/Benatar)

Suffer The Little Children

10. “Wide Awake In Dreamland” (Giraldo/Grombacher)

Wide Awake In Dreamland

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

In The Heat Of The Night

Pat Benatar: “We Live For Love” (Giraldo)

From the album In The Heat Of The Night

Chrysalis Records, 1979

We Live For Love

 

Seven The Hard Way

Pat Benatar: “Sex As A Weapon” (Kelly/Steinberg)

From the album Seven The Hard Way

Chrysalis Records, 1985

Sex As A Weapon

 

LetsStayTogether

Pat Benatar: “Let’s Stay Together” [12″ Mix] (Giraldo/Benatar)

From the promo 12″ Let’s Stay Together

Chrysalis Records, 1988

Vinyl rip courtesy of the Analog Kid

Let’s Stay Together [12″ Mix]

 

Best Shots

Pat Benatar: “Suffer The Little Children/Hell Is For Children” [Live] (Giraldo/Benatar/Capps)

From the album Best Shots

Chrysalis Records, 1989

Suffer The Little Children/Hell Is For Children [Live]

 

Pat Benatar_ Singles & B-Sides 1

Pat Benatar: “Sometimes The Good Guys Finish First” (Benatar/Knight/McDaniels)

From the original soundtrack The Secret Of My Success

MCA Records, 1987

Sometimes The Good Guys Finish First

99 Plus One: The Analog Kid Hits (Haircut) 100

This is my 100th post here on The Analog Kid Blog. They say that most bloggers quit during the first few months, so the fact that I have reached 100 posts seems worthy of a small celebration. Every day, I wake up and have no idea who or what I am going to write about. That doesn’t scare me, though, as I know that music will always provide me with a never-ending source of inspiration.

I want to thank all of you for reading, especially those of you who I’ve become friendly with. I may not know your faces (or even your real names in some instances), but your comments and correspondence and obvious passion for music make this all worthwhile. The internet can be a bizarre and very unfriendly place, but I am happy to report that no one has yet to leave any comments on this blog about Obama, their sister-in-law who earns big $$$ in her spare time, or my momma.

So what is the weirdest thing I have seen in my 100 posts, you ask? Well, WordPress shows you some cool analytics that let you know how many site visits you are receiving per day from various sources. Of course, Google is by far my number one source of hits. Unfortunately, Google keeps most of their search results private. That means I know someone visited the site via a Google search, but only rarely can I see what their search actually was. The searches that do slip through are often quite hilarious, but the best of the bunch has to be this “glorious” search that somehow led someone straight to my blog:

“Gloria Loring feet pic”

You people are twisted, and I love you for it.

Let’s celebrate 100 blog posts with one of my all-time favorite songs: “Love Plus One” from Nick Heyward and Haircut One Hundred. Of course, I am featuring the hard-to-find extended version because, like Terence Mann in Field Of Dreams, “It’s what I do.”

Here’s to the next 100!

loveplusone

Haircut One Hundred: “Love Plus One” [Extended Version] (Heyward)

From the 12″ single Love Plus One

Arista Records, 1982

Texas Radio & The Big Beat: 1980

This continuing series on the Analog Kid blog takes a look back at some of the best AOR songs from the ’70s and ’80s. All of these songs were radio favorites from my teenage years in Texas, but for some reason you just don’t seem to hear them much any more. I hope to change that.

Texas Radio & The Big Beat: 1980

1980 was a transitional year for the Analog Kid. In January, I still spent my Saturday mornings listening to Casey Kasem and his American Top 40 countdown. By December, I was blasting Back In Black into my giant Radio Shack headphones and playing drums on the living room carpet with my Mom’s kabob skewers.

 

The Tale Of The Tape

Billy Squier: “The Big Beat” (Squier)

From the album The Tale Of The Tape

Capitol Records, 1980

The Big Beat

Billy Squier hit the big time in 1981 with Don’t Say No, but I was already very familiar with him thanks to Dallas AOR radio. “You Should Be High, Love” received a large amount of local airplay in 1980, but it was the pounding “The Big Beat” that really caught my attention (along with the attention of every rap band that has ever existed). Drummer Bobby Chouinard passed away in 1997, so hopefully his family is still receiving some royalty checks from the still-rampant sampling of Bobby’s ultimate big beat.

 

Barnet Dogs

Russ Ballard: “On The Rebound” (Ballard)

From the album Barnet Dogs

Epic Records, 1980

On The Rebound

“On The Rebound” was Russ Ballard’s only Top 100 chart entry (it reached #58), but of course the former member of Argent’s true claim to fame was the vast number of hits he wrote for other artists.

Examples:

Ace Frehley’s “New York Groove”

Frida’s “I Know There’s Something Going On”

America’s “You Can Do Magic”

“On The Rebound” became an AOR hit for the second time when Uriah Heep covered it on their 1982 classic Abominog. That album cover still gives me nightmares.

 

kings_the_kings_are_here

The Kings: “This Beat Goes On/Switchin’ To Glide” (Diamond/Zero)

From the album The Kings Are Here

Elektra Records, 1980

This Beat Goes On/Switchin’ To Glide

Nothin’ matters but the weekend

From a Tuesday point of view…

The ultimate Friday afternoon song, and one of the best one-two radio punches of all time. You just can’t listen to one without the other– it’s like splitting up “We Will Rock You” and “We Are The Champions” or the Doublemint twins. Do NOT mess with perfection.

 

Roadie

Cheap Trick: “Everything Works If You Let It” (Nielsen)

From the original soundtrack Roadie

Warner Brothers Records, 1980

Everything Works If You Let It

I just realized that this is my 99th post on the Analog Kid blog, and I have yet to feature a single Cheap Trick song. I must formally apologize to Robin, Rick, Tom, and Bun for this egregious oversight. I promise that there will be a Cheap Trick-centric post in the very near future.

George Martin produced “Everything Works If You Let It,” which for years was only available on the soundtrack to the film Roadie (or as a stand-alone 45). The song peaked at #44 on the Billboard Hot 100, but to my ears it may just be the best Cheap Trick song ever.

 

Drama

Yes: “Tempus Fugit” (Squire/Horn/Downes/Howe/White)

From the album Drama

Atlantic Records, 1980

Tempus Fugit

The Drama album is an underrated gem in the Yes catalog. The band had recently lost singer Jon Anderson and keyboardist Rick Wakeman, so they recruited Buggles Trevor Horn and Geoff Downes to replace them. Horn and Downes had just scored a major hit with “Video Killed The Radio Star,” and they brought a distinct new wave flavor to the classic Yes sound.

Drama is a great record, but it didn’t sell particularly well and some fans had trouble accepting Horn as the new singer. Horn and Downes went back to being the Buggles after the Drama tour, and Yes decided to call it quits (for a very short time, of course). Downes subsequently formed Asia, and Horn went on to become one of the most successful producers in the industry (including 90125, Yes’ huge comeback album).

“Tempus Fugit” has always been one of my favorite Yes songs, and I finally got to see them play it live a few years ago. The band avoided the Drama material for years since Jon Anderson was not involved with the record, but he once again departed the group in 2008. Geoff Downes eventually rejoined the band on keyboards as well, so the current Yes lineup now contains four of the five members who recorded Drama. I missed Jon Anderson’s presence at the show I attended, but finally hearing “Machine Messiah” and “Tempus Fugit” live more than made up for it.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

 

Back In Black

AC/DC: “Shoot To Thrill” (Young/Young/Johnson)

From the album Back In Black

Atlantic Records, 1980

Shoot To Thrill

 

The Tale Of The Tape

Billy Squier: “You Should Be High, Love” (Squier/Child)

From the album The Tale Of The Tape

Capitol Records, 1980

You Should Be High, Love

 

Ace Frehley

Ace Frehley: “New York Groove” (Ballard)

From the album Ace Frehley

Casablanca Records, 1978

New York Groove

 

Something's Going On

Frida: “I Know There’s Something’s Going On” (Ballard)

From the album Something’s Going On

Atlantic Records, 1982

I Know There’s Something Going On

 

View From The Ground 1

America: “You Can Do Magic” (Ballard)

From the album View From The Ground

Capitol Records, 1982

You Can Do Magic

 

Abominog

Uriah Heep: “On The Rebound” (Ballard)

From the album Abominog

Mercury Records, 1982

Vinyl rip courtesy of the Analog Kid

On The Rebound

 

News of the World

Queen: “We Will Rock You” (May)

We Will Rock You

Queen: “We Are The Champions” (Mercury)

We Are the Champions

From the album News Of The World

Elektra Records, 1977

 

The Buggles_ Singles & B-Sides

The Buggles: “Video Killed The Radio Star” [Single Version] (Horn/Downes/Woolley)

Original version from the album The Age Of Plastic

Island Records, 1979

Video Killed The Radio Star [Single Version]

 

Drama

Yes: “Machine Messiah” (Squire/Horn/Downes/Howe/White)

From the album Drama

Atlantic Records, 1980

Machine Messiah

Groovy Tuesday: Sheila E.’s “The Glamorous Life”

Every Tuesday, the Analog Kid blog goes back in time and features some groovy R&B/soul songs from a specific year. Sometimes you’ll hear songs from individual artists, and other times you’ll get an entire full-length classic LP ripped directly from the Analog Kid’s vast vinyl vault. Warning: by R&B/soul, I also mean disco. I could go Village People on your ass at any given moment, so just be ready!

Sheila E. became famous seemingly overnight in 1984, but she had actually been playing drums in the big leagues for years. Some of her session credits include work with Diana Ross, Marvin Gaye, and Lionel Richie. Of course, it was her work with Prince that elevated Sheila Escovedo to star status. Her vocals on the epic Prince b-side “Erotic City” led to the full-length album The Glamorous Life, as well as a legendary opening slot on Prince’s Purple Rain tour. “The Glamorous Life” peaked at #7 on the Billboard Hot 100 in late 1984.

Do not make the mistake of lumping Sheila E. in with other Prince protégés such as Apollonia and Vanity. Simply put, she is one of the best drummers on the planet…even in high heels.

The Glamorous Life has been out of print on CD for quite a while, so the Analog Kid is happy to offer up this classic album on this extra-groovy Tuesday. You may now funk until the dawn!

Note: for further reading on Prince’s purple reign of 1984 (including more on Sheila E.), click here:

Groovy Tuesday: 1984 (Purple Reign Edition)

The Glamorous Life

Sheila E.: The Glamorous Life

Warner Brothers Records, 1984

1. “The Belle Of St. Mark” (Prince)

2. “Shortberry Strawcake” (Prince)

3. “Noon Rendezvous” (Prince/Sheila E.)

4. “Oliver’s House” (Prince)

5. “Next Time Wipe The Lipstick Off Your Collar” (Prince)

6. “The Glamorous Life” (Prince)

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Prince_ Singles & B-Sides 1

Prince & The Revolution: “Erotic City” (Prince)

B-side of the 7″ single Let’s Go Crazy

Warner Brothers Records, 1984

Sheila E._Singles & B-Sides

Sheila E: “The Glamorous Life” [Club Edit] (Prince)

From the 12″ single The Glamorous Life

Warner Brothers, 1984

Billboard Top 5: May 3, 1986

It was early May, 1986. I was just about to finish my freshman year at the University of Texas. Soon I would take down the U2 posters from my dorm wall, carefully pack up my awesome new stereo system (the girls at the co-ed dorm LOVED my fancy new CD player!), and load up the T-Bird for my summer trek to visit my Dad in sunny Corona del Mar. At this point, I owned about 40 CDs.  And that was considered a lot…

The Billboard Top 5: May 3, 1986

#5:

dirtywork

The Rolling Stones: “Harlem Shuffle” (Smith)

From the album Dirty Work

Rolling Stones Records, 1986

Sorry guys, there used to be a link to a Stones song right here– until I got a notice that said, “You’re a very naughty boy, Mr. Analog Kid, Please remove our song from your site. Love, Mick & Keef.” I’m a little bummed, but also very honored to be sent a legal notice from the Stones!

 

In February of 1986, the Rolling Stones were the recipients of the Grammy Lifetime Achievement Award. That was 28 years ago. At the time, it had been only 21 years since “(I Can’t Get No) Satisfaction” had been released. Feeling old? Me too. But not as old as the Stones!

During the Grammy telecast, the band debuted the video for “Harlem Shuffle,” the lead single from their new album Dirty Work. “Harlem Shuffle” eventually reached #5 on the Billboard Hot 100, and the Stones haven’t had a single surpass that success since (1989’s “Mixed Emotions” also peaked at #5).

#4:

5150

Van Halen: “Why Can’t This Be Love” (Van Halen/Anthony/Hagar/Van Halen)

From the album 5150

Warner Brothers Records, 1986

Why Can’t This Be Love

Only time will tell

If we stand the test of time

Ummmm….what?

Despite its lyrical deficiencies, the first single from the newly-christened Van Hagar was a rousing success. I wore out my store-bought cassette of 5150 in my car during the spring and summer of 1986, and to this day I still actually have trouble listening to the CD or album version. My mighty 1979 Ford Thunderbird had a tape deck that ran a bit too fast, and I became so accustomed to the sped-up versions that the songs still sound way too slow to me at their actual tempos.

Audiophile note: I very rarely purchased cassette releases of albums in the ’80s. My preferred method was to tape the vinyl (or CD, post-1985) onto a TDK SA90, with another appropriate record on the flip side. Since the T-Bird stereo played cassettes slightly faster than it should have, I reset the speed on my home deck to match it (all you needed to accomplish this was a very tiny screwdriver, a very good ear, and a hell of a lot of patience). Therefore, all of the tapes I made myself played at the proper speed in my T-Bird. 5150 came out while on I was on a road trip, and I bought the cassette version so that I could hear it immediately.

If you have the means, speed up “Why Can’t This Be Love” and give it a listen. It really does make it sound better, but unfortunately it doesn’t change the lyrics. That Sammy…he’s a gentleman and a scholar!

#3:

Prince_ Singles & B-Sides 2

Prince & The Revolution: “Kiss” [Single Version] (Prince)

Original version from the album Parade

Warner Brothers Records, 1986

Kiss [Single Version]

Did anyone else develop a severe crush on Wendy Melvoin after seeing the video for “Kiss?” Prince was actually dating Wendy’s twin sister Susannah at the time “Kiss” was released, and Susannah would soon join her sister as a member of the Revolution. The sister combination didn’t last very long, though– by the time of the Sign ‘o’ The Times tour the next year, only Dr. Fink would remain from the classic Purple Rain-era lineup.

“Kiss” was the third #1 single for Prince, and the first to be sung by Julia Roberts in a bathtub.

#2:

Pet Shop Boys_ Singles & B-Sides

Pet Shop Boys: “West End Girls” [7″ Version] (Lowe/Tennant)

Original version from the album Please

EMI America Records, 1986

West End Girls [7″ Version]

The Pet Shop Boys had first recorded “West End Girls” in 1984, but the single failed to chart in their native UK. Neil Tennant and Chris Lowe decided to re-record the song for their debut album Please, and the result was their only number one single in the United States.

Check the bonus tracks for “Inner City Pressure,” the fantastic “West End Girls” homage from Flight Of The Conchords. Hey man, I just want some muesli!

#1:

Robert Palmer_ Singles & B-Sides

Robert Palmer: “Addicted To Love” [Single Version] (Palmer)

Original version from the album Riptide

Island Records, 1986

Addicted To Love [Single Version]

Robert Palmer had been making records for years, but his decision to record an album with John and Andy Taylor was the spark his career needed. The success of The Power Station project brought Palmer to a new level of fame in the United States, and it also helped him find his signature sound– the pounding electronic drums and in-your-face guitar took The Power Station’s cover version of “Get It On (Bang A Gong)” into the Top 10, and Palmer knew he was onto something good.

Palmer had declined to tour with The Power Station so that he could get to work immediately on a new solo record, but apparently Andy Taylor wasn’t too angry over the snub. Taylor’s gritty guitar greatly enhanced “Addicted To Love,” as did the contributions from Power Station producer Bernard Edwards (who also played bass) and drummer Tony Thompson. “Addicted To Love” would have likely been a sizable hit on its own merits, but the song’s classic model-rific video (and massive MTV saturation) helped elevate “Addicted To Love” to the top of the charts. The song was so big that even Van Halen played it live on their tour in the fall of ’86, and of course Palmer revisited the models in his video for 1988’s “Simply Irresistible.”

Palmer was only 54 when he died from a heart attack in September of 2003. Yep, feeling old again…thank God for Mick and Keith and Charlie and Ron!

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

 

Out Of Our Heads

The Rolling Stones: “(I Can’t Get No) Satisfaction” (Jagger/Richards)

From the album Out Of Our Heads

London Records, 1965

(I Can’t Get No) Satisfaction

 

The Rolling Stones_ Singles & B-Sides 1

The Rolling Stones: “Mixed Emotions” [Single Version]  (Jagger/Richards)

Original version from the album Steel Wheels

Virgin Records, 1989

Mixed Emotions [Single Version]

 

Prince_ Singles & B-Sides 2

Prince: “Kiss” [Extended Version] (Prince)

Kiss [Extended Version]

Prince: “♥ or $” [Extended Version] (Prince)

♥ or $ [Extended Version]

From the U.S. 12″ single Kiss

Warner Brothers Records, 1986

Vinyl rip courtesy of the Analog Kid

 

Flight Of The Conchords

Flight Of The Conchords: “Inner City Pressure” (Clement/McKenzie)

From the album Flight Of The Conchords

Sub Pop Records, 2008

Inner City Pressure

 

The Power Station_ Singles & B-Sides

The Power Station: “Get It On (Bang A Gong)” [Single Version] (Bolan)

Original version from the album The Power Station

Capitol Records, 1985

Get It On (Bang A Gong) [Single Version]

 

heavy nova

Robert Palmer: “Simply Irresistible” (Palmer)

From the album Heavy Nova

EMI Records, 1988

Simply Irresistible