Songs From The Edge: 1989, Pt. 2

94.5 The Edge was the greatest radio station I have ever heard. It debuted in Dallas in the summer of 1989, and for five years it exposed me to more new alternative music than I could have ever imagined. In this continuing series, we’ll take a look back at the songs that made the Edge required listening for anyone with a musical pulse in North Texas in the late ’80s and early ’90s.

Songs From The Edge: 1989, Pt. 2

Depeche Mode_ Singles & B-Sides

Depeche Mode: “Dangerous” [7″ Version] (Gore)

From the 12″ single Personal Jesus

Sire Records, 1989

It’s hard for me to even believe this now, but there was actually a time when I didn’t like Depeche Mode. Hated ’em, in fact. The Edge changed all of that for me. “Personal Jesus” received a ton of airplay on the station in 1989, but the b-side “Dangerous” was the song that really caught my ear. By the time Violator was released in early 1990, I was no longer making fun of my little brother for his extensive Depeche Mode import single collection.

Cross That Line

Howard Jones: “Everlasting Love” (Jones)

From the album Cross That Line

Elektra Records, 1989

It was almost the ’90s, but Howard Jones managed to take us all right back to 1985 with the effervescent “Everlasting Love.” The  song peaked at #12 on the Billboard Hot 100, making it one of Jones’ most-successful singles in the U.S. Surprisingly, “Everlasting Love” wasn’t even a hit in Jones’ native  U.K.

Pure

The Primitives: “Secrets” (Court)

From the album Pure

RCA Records, 1989

I’m a sucker for bands with bubbly female singers, so I absolutely adored The Primitives. “Sick Of It” was the big single off of Pure, the band’s second album, but the insanely catchy “Secrets” was also very popular on The Edge (and on my stereo).

Mr. Music Head

Adrian Belew: “Oh Daddy” (Belew)

From the album Mr. Music Head

Atlantic Records, 1989

Adrian Belew spent a lot of time in the ’80s working with Talking Heads and Tom Tom Club, and he put that experience to good use on his first solo hit single. “Oh Daddy” reached #5 on the Modern Rock chart in 1989, and featured an adorable vocal (and video appearance) from Belew’s 11-year-old daughter Audie.

Audie is now 36. Ugh, I hate math.

9

Public Image Ltd.: “Disappointed” (P.I.L.)

From the album 9

Virgin Records, 1989

I may be one of the few longtime P.I.L. fans to readily admit that the band’s late-80s “commercial” era was my favorite. 1987’s Happy? was my first P.I.L. purchase, and that led me directly to the amazing Album (and the rest of the band’s earlier work). I love all of it, but “Disappointed” will always be my favorite P.I.L. song. It deservedly reached #1 on the Billboard Modern Rock chart in July of 1989.

Johnny Lydon and P.I.L. were responsible for one of my all-time favorite concert moments. It was early 1988, and P.I.L. was opening for INXS at Dallas’ Reunion Arena. INXS was exploding in popularity at the time, and the venue was full of teenage girls all ready to go crazy for Michael Hutchence. Johnny took the stage with multi-colored cornrow hair and proceeded to absolutely terrify the poor young ladies in the first few rows.

“It’s sing-a-long with Johnny time, little girls! Don’t be afraid!!”

But they were afraid. They were very, very afraid. I think most of them were in tears by the time the band encored with “Holidays In The Sun.” I eventually saw the Sex Pistols live in the late ’90s, but that night in 1988 was my favorite Sex Pistols moment.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Pure

The Primitives: “Sick Of It” (Court)

From the album Pure

RCA Records, 1989

Happy_

Public Image Ltd.: “Seattle” (P.I.L.)

From the album Happy?

Virgin Records, 1987

Album

Public Image Ltd.: “Home” (Lydon/Laswell)

From the album Album

Elektra Records, 1986

Never Mind The Bollocks Here's The Sex Pistols

Sex Pistols: “Holidays In The Sun” (Sex Pistols)

From the album Never Mind The Bollocks Here’s The Sex Pistols

Warner Brothers Records, 1977

Devil Inside

INXS: “Devil Inside” [Remix Version] (Hutchence/Farriss)

From the 12″ single Devil Inside

Original version from the album Kick

Atlantic Records, 1988

 

EP-iphanies: Iron Maiden’s “The Evil That Men Do”

As you probably know by now, The Analog Kid lives for b-sides and non-album cuts. In this continuing series, I will share some of my favorite EPs and 12″ singles from over the years in their entirety. And since it’s digital, you don’t have to worry about correctly setting the turntable speed to  or 33⅓ or 45!

 

I remember shelling out $14.99 for the import CD single of Iron Maiden’s “The Evil That Men Do” in the summer of 1988. That was a lot of money to me back then, but it was a necessary expenditure– I simply  had to get my hands on the two choice b-sides. Both “Prowler” and “Charlotte The Harlot” were originally released on Iron Maiden’s debut album back in 1980, but now Maiden had re-recorded them with Bruce Dickinson on vocals. Bruce had been in the band for seven years at that point, and it was a real treat to hear him sing songs that had originally featured vocalist Paul Di’Anno.

Are the 1988 versions of “Prowler” and “Charlotte The Harlot” better than the originals? Probably not, but I’ve included the originals as bonus tracks so that you can decide for yourself. I really loved Di’Anno-era Maiden — his voice had a punky edge that served the material quite well, but it wouldn’t have worked on the more progressive material that Maiden was moving towards. In the end, adding Bruce on vocals was probably the best decision the band ever made. That being said, Di’Anno’s Killers is still my favorite Iron Maiden record. Up the Irons!

The Evil That Men Do

Iron Maiden: The Evil That Men Do

EMI Records, 1988

 

1. “The Evil That Men Do” (Smith/Dickinson/Harris)

The Evil That Men Do

2. “Prowler ’88” (Harris)

Prowler ’88

3. “Charlotte The Harlot ’88” (Murray)

Charlotte The Harlot ’88

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Iron Maiden

Iron Maiden: “Prowler” (Harris)

Prowler

Iron Maiden: “Charlotte The Harlot” (Murray)

Charlotte The Harlot

Both taken from the album Iron Maiden

Harvest/Capitol Records, 1980

 

Iron Maiden_ Singles & B-Sides 1

Iron Maiden: “Wrathchild” [1999 New Vocal Version]

Portrait Records, 1999

Wrathchild

 

Killers 1

Iron Maiden: “Killers” (Di’Anno/Harris)

From the album Killers

Harvest/Capitol Records, 1981

Killers

 

The Lost Boys: Hard-To-Find ’80s Albums (Diesel’s “Watts In A Tank”)

“The Lost Boys: Hard-To-Find ’80s Albums” gives you exactly what the title implies: a rare or out-of-print album from the ’80s in its entirety. Some will be from CD, but most will have been lovingly transferred from pristine vinyl culled directly from the Analog Kid’s vast collection. Whatever album I choose, it will be one that you can’t easily find a physical copy for sale on Amazon or in your local record store (if you even have one anymore). Death…by stereo!

 

If you listened to album rock radio at any point in 1981, you remember the Dutch band Diesel. I’d say that “Sausalito Summernight” is an unforgettable power pop masterpiece, but unfortunately most people actually seem to have forgotten about it. I love playing the song for friends and watching their eyes immediately light up in recognition of this classic song from their teenage years.

I have a challenge for you: play “Sausalito Summernight” (loudly!) and try to be in a bad mood afterwards. You simply can’t do it. The song peaked at #25 on the Billboard Hot 100 in 1981, but it was on FM album rock radio where “Sausalito Summernight” really made its impact. The group’s vocal harmonies often drew comparisons to the Steve Miller Band, but overall Diesel’s sound was much more akin to Cheap Trick (“Alibi”) and Big Star (“Bite Back”) to my ears. No matter the influences, Watts In A Tank is a power pop classic that has been out of print on CD for way too long. All aboard!

 

Watts In A Tank

Diesel: Watts In A Tank

Regency Records, 1981

 

1. “Sausalito Summernight” (Boon/Vunderink)

Sausalito Summernight

2. “Goin’ Back To China” (Koopman)

Goin’ Back To China

3. “Alibi” (Boon/Vunderink)

Alibi

4. “My Kind Of Woman” (Koopman)

My Kind Of Woman

5. “All Because Of You” (Boon/Vunderink)

All Because Of You

6. “Down In The Silvermine” (Boon/Vunderink)

Down In The Silvermine

7. “Good Mornin’, Day” (Boon/Vunderink/Koopman)

Good Mornin’, Day

8. “Ready For Love” (Koopman)

Ready For Love

9. “The Harness” (Boon/Vunderink)

The Harness

10. “Remember The Romans” (Boon/Vunderink)

Remember The Romans

11. “Bite Back” (Koopman)

Bite Back

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

 

Fly Like An Eagle

Steve Miller Band: “Rock ‘N Me” (Miller)

From the album Fly Like An Eagle

Capitol Records, 1976

Rock’n Me

 

Book of Dreams

Steve Miller Band: “Swingtown” (Miller/McCarty)

From the album Book Of Dreams

Capitol Records, 1977

Swingtown

 

Heaven Tonight

Cheap Trick: “On The Radio” (Nielsen)

From the album Heaven Tonight

Epic Records, 1978

On The Radio

 

#1 Record

Big Star: “In The Street” (Bell/Chilton)

From the album #1 Record

Ardent Records,  1972

In The Street

 

Groovy Tuesday: “Marvin Sease”

Every Tuesday, the Analog Kid blog goes back in time and features some groovy R&B/soul songs from a specific year. Sometimes you’ll hear songs from individual artists, and other times you’ll get an entire full-length classic LP ripped directly from the Analog Kid’s vast vinyl vault. Warning: by R&B/soul, I also mean disco. I could go all K.C. & The Sunshine Band on your ass at any given moment, so just be ready!

Gary ain’t got no job, baby. Gary ain’t got no bills. While your husband is on his job, thinkin’ about the bills, you know where Gary is girl? Gary’s at his house– writin’ his blog, and giving you a thrill. And I’m Gary.

Note to readers: please proceed directly to “Candy Licker” (track 7) and enjoy. I could tell you all sorts of fun stuff about Marvin Sease and the path that led him to create this ’80s dance-floor classic, but sometimes it’s best to let the music do the talkin’. I will say that I didn’t even know this existed until about three or four years ago, and now I wonder how I made it through the ’80s without it…

 

Marvin Sease

Marvin Sease: Marvin Sease

London/Polygram Records, 1987

1. “Double Crosser” (Sease)

2. “Let’s Get Married Today” (Sease)

3. “Love Me Or Leave Me” (Sease)

4. “Ghetto Man” (Sease)

5. “You’re Number One” (Sease)

6. “Dreaming” (Sease)

7. “Candy Licker” (Sease)

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Breakfast

Marvin Sease: “I Ate You For My Breakfast” (Sease)

From the album Breakfast

London/Polygram Records, 1987

EP-iphanies: Madonna’s “Dress You Up”

As you probably know by now, The Analog Kid lives for b-sides and non-album cuts. In this continuing series, I will share some of my favorite EPs and 12″ singles from over the years in their entirety. And since it’s digital, you don’t have to worry about correctly setting the turntable speed to  or 33⅓ or 45!

 

The Analog Kid really wasn’t a very big Madonna fan in the beginning. In fact, the distinctive synthesizer riff that opened up the video for “Lucky Star” was just about the only thing that could get me to turn off MTV in 1984. I started warming up to Madonna when I first heard “Material Girl,” and I can honestly say that I really enjoyed “Dress You Up.” I’d like to say that it was because “Dress You Up” was catchy and fun, but it was really the video that did it. I liked the fact that it was “live,” but mostly I liked Madonna’s legs in that green skirt and purple tights. Yikes.

“Bless me father, for I have sinned. It has been almost thirty years since I started liking Madonna, but I didn’t admit this to anyone until the ’90s . I even made fun of my college roommate for owning the Virgin Tour VHS, but I secretly watched the tape many times when he wasn’t home. For these and all of my sins, I am sorry.”

 

Dress You Up

Madonna: Dress You Up [12″ Single]

Sire Records, 1985

Vinyl rip courtesy of the Analog Kid

1. “Dress You Up” [The 12″ Formal Mix] (LaRusso/Stanziale)

2. “Dress You Up” [The Casual Instrumental Mix] (LaRusso/Stanziale)

3. “Shoo-Bee-Doo” (Madonna)

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Like A Virgin

Madonna: “Dress You Up” (LaRusso/Stanziale)

From the album Like A Virgin

Sire Records, 1984

Like A Prayer

Madonna: “Act Of Contrition” (Madonna/Patrick Leonard)

From the album Like A Prayer

Sire Records, 1989