Billboard Top 5: August 15, 1964

Thanks to the Gulf of Tonkin incident (and the resulting Congressional resolution), the Vietnam War essentially began in August of 1964. Hey, at least the music was good!

Billboard Top 5: August 15, 1964

#5:

Under The Boardwalk

The Drifters: “Under The Boardwalk” (Young/Resnick)

From the album Under The Boardwalk

Atlantic Records, 1964

On the night before The Drifters were to record “Under The Boardwalk,” lead singer Rudy Davis died from a suspected heroin overdose. You’d never know it from listening to the song, which was recorded the next day as scheduled with former Drifters member Johnny Moore on lead vocals. Moore had left the band after being drafted in 1957, and took over again as lead singer after Davis’ death.

#4:

Rag Doll

The Four Seasons: “Rag Doll” (Crewe/Gaudio)

From the album Rag Doll

Phillips Records, 1964

“Rag Doll” spent two weeks at #1 in July of 1965, and remained in the Top 5 until the week of August 15. The song was primarily written by Bob Gaudio, and was inspired by a young girl who washed his windshield during a long wait at a stoplight in Hell’s Kitchen. Gaudio didn’t have any change, so he gave her a $10 bill. The look of astonishment on the little girl’s face stayed with Gaudio all the way to the studio, and “Rag Doll” was born.

#3:

The Beatles_ Singles & B-Sides

The Beatles: “A Hard Day’s Night” (Lennon/McCartney)

From the album A Hard Day’s Night

Capitol Records, 1964

Only one hit in the Top 5 this week, Fab Four? Back in April, your songs occupied all of  the top five slots! It looks like your meteoric rise to fame is quickly coming to an end. Nobody will even remember who you are by 1965, so I hope you enjoyed your brief moment in the sun.

#2:

Where Did Our Love Go

The Supremes: “Where Did Our Love Go” (Holland/Dozier/Holland)

From the album Where Did Our Love Go

Motown Records, 1964

Their first eight singles had only achieved minimal success on the Billboard charts, but “Where Did Our Love Go” turned The Supremes into superstars. The song would rise to #1 on August 22, and would become the first of five consecutive #1 hits for Diana Ross, Mary Wilson, and Florence Ballard.

#1:

Everybody Loves Somebody

Dean Martin: “Everybody Loves Somebody” (Coslow/Taylor/Lane)

From the album Everybody Loves Somebody

Reprise Records, 1964

See, Beatles? “A Hard Day’s Night” was #1 last week, and you just got replaced by Dean Martin. DEAN MARTIN!  This guy hasn’t even sniffed a hit since the ’50s. The writing’s on the wall, lads– it’s time to go look for some real jobs.

In all seriousness, I think it is so cool that Dean Martin came out of nowhere to reclaim the top spot on the Hot 100 after a nine-year absence. The unexpected smash revitalized Dean’s career, and led to the genius of The Dean Martin Show in 1965.

dean

I’ll drink to that!

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

John Mellencamp_ Singles & B-Sides

John Mellencamp: “Under The Boardwalk” (Young/Resnick)

From the 12″ single R.O.C.K. In The U.S.A.

Riva Records, 1985

Soft Cell_ Singles & B-Sides

Soft Cell: “Tainted Love/Where Did Our Love Go” (Cobb/Holland/Dozier/Holland)

From the 12″ single Tainted Love

Sire Records, 1982

Ultra Rare Trax, Vol. 2

The Beatles: “A Hard Day’s Night” (Lennon/McCartney)

From the bootleg CD Ultra Rare Trax, Vol. 2

The Swingin’ Pig Records, 1988

Note: I bought Volumes 1 and 2 of the Ultra Rare Trax in the spring of 1989. They were my first 2 bootleg CDs, and they will always hold a special place in this collector’s heart!

EP-iphanies: U2’s “Wide Awake In Europe”

As you probably know by now, The Analog Kid lives for b-sides and non-album cuts. In this continuing series, I will share some of my favorite EPs and 12″ singles from over the years in their entirety. And since it’s digital, you don’t have to worry about correctly setting the turntable speed to  or 33⅓ or 45!

 

360

Record Store Day is this Saturday, and as always there are a number of unique releases that the Analog Kid will feel compelled to add to his collection. I have a local store that I usually have tremendous luck at, so hopefully I won’t have any problems getting my hands on the new Bruce Springsteen EP (and a few other choice nuggets, of course). If I fail, though, that means eBay. And damn, do I hate dealing with money-grubbing record scalpers on eBay! Back in 2010, I had to pay over $50 for one of the 5000 copies of U2’s Record Store Day exclusive Wide Awake In Europe EP. In the end, it will likely prove to be a wise investment as U2 have never released two of the three songs in any other format– in other words, Wide Awake In Europe is one rare-ass U2 release!

Of course, the EP’s title (and artwork) is an ode to the band’s 1985 classic Wide Awake In America. I bought that record on the way home from my high school graduation (I’ll let you figure out the symbolism there), and it remains one of my favorite U2 releases. The 2010 Wide Awake… EP opens with “Mercy,” a fantastic new song that was played live a few times on the European leg of the U2360 tour. No studio version was ever recorded, so this EP is the only place you can hear the track. Wide Awake In Europe also includes two live staples from the U2360 tour: the dance version of “I’ll Go Crazy If I Don’t Go Crazy Tonight” (love the Frankie Goes To Hollwood excerpts!), and the show-closing “Moment Of Surrender.” If only all Record Store Day releases were this good…

Since only 5000 copies of Wide Awake In Europe were printed and it isn’t even available for download, I’m doing something I rarely do here on the Analog Kid blog: I am adding a download link for each song. I’m sure many fans around the world would love to hear these songs, and hopefully U2 won’t sue me for making them available (especially since you can’t buy them legitimately even if you wanted to!). I hope you enjoy the music, and happy hunting on Saturday!

Wide Awake In Europe

U2: Wide Awake In Europe

Interscope Records, 2010

New 320 kbps rip courtesy of The Analog Kid (uploaded 12/24/2015)

 

1. “Mercy” [Live From Brussels] (U2)

Listen:

 

Download (right-click and save link as):

Mercy [Live From Brussels]

2. “I’ll Go Crazy If I Don’t Go Crazy Tonight” [Live U2360 Remix] (U2/Eno/Lanois)

Listen:

 

Download:

I’ll Go Crazy If I Don’t Go Crazy Tonight [Live U2360 Remix]

3. “Moment Of Surrender” [Live From Paris] (U2)

Listen:

 

Download:

Moment Of Surrender [Live From Paris]

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Wide Awake In America

U2: “Bad” [Live] (U2)

From the EP Wide Awake In America

Island Records, 1985

Bad

The Lost Boys: Hard-To-Find ’80s Albums (“Enuff Z’Nuff”)

“The Lost Boys: Hard-To-Find ’80s Albums” gives you exactly what the title implies: a rare or out-of-print album from the ’80s in its entirety. Some will be from CD, but most will have been lovingly transferred from pristine vinyl culled directly from the Analog Kid’s vast collection. Whatever album I choose, it will be one that you can’t easily find a physical copy for sale on Amazon or in your local record store (if you even have one anymore). Death…by stereo!

 

Everyone has that one bar that served as your home-away-from-home during college– for me, that bar was Austin’s Back Room. I lived in various super-cheap apartments off of East Riverside during my final few years in school, and the biggest benefit of slummin’ it was the close (i.e. within walking distance) proximity of Austin’s best (and only) dive metal bar.

back room

When you entered the Back Room, you had to choose your path for the evening. On the right, there was live music featuring an assortment of the best (and the worst) hard rock music in Austin. The Back Room also booked road shows, and I saw an amazing assortment of great bands there over the years (including Warren Zevon, The Alarm. The Rainmakers, Faith No More, and Too Much Joy). On the left, the Back Room featured an enormous  space filled with pool tables, video games, giant TVs, and really cheap beer. As you might imagine, we veered to the left on most nights.

Mondays were our favorite night at the Back Room, especially during football season. Monday Night Football was always on the big screen, and the bar generously provided 25-cent beer and 10-cent hot dogs. It was a college student’s dream: $3 got you stuffed and drunk, and you could stumble home on foot afterwards. We rarely missed out on this tremendous gift from the Gods.

If there wasn’t a football game going on, the big screens on the left side of the Back Room always featured an assortment of hard rock/metal videos. Most of the time, these videos were promotional VHS tapes and featured an incredible assortment of awful late-’80s crap. Many of these bands were so bad that they were almost good (think Danzig), and we never tired of laughing at them while piling up a huge stack of Lone Star cups. Every now and then, though, we’d stumble upon something really cool and new on these tapes– great bands like Voivoid and King’s X (who we saw live many times on the right side of the bar). I think my favorite Back Room discovery was Chicago’s Enuff Z’Nuff– they looked glam and presented themselves as a hard rock band, but they weren’t fooling me. This was a power-pop band that did what they had to do to get by in a metal world, and they were freaking fantastic. MTV even picked up on “Fly High Michelle,” and it seemed like Enuff Z’Nuff might make it big at one point. It never really happened, but the band continues on to this day and still has a huge cult following.

The Back Room is gone now, and I can proudly say that I helped close it down on its final night. The beers were no longer a quarter and there were no hot dogs, but the Iron Maiden t-shirts, big hair, and nasty bathrooms were still in place. It felt like home.

Enuff Z'nuff

Enuff Z’Nuff: Enuff Z’Nuff

Atco Records, 1989

1. “New Thing” (Vie/Z’Nuff)

2. “She Wants More” (Vie/Z’Nuff)

3. “Fly High Michelle” (Vie)

4. “Hot Little Summer Girl” (Vie/Fajerstein)

5. “In The Groove” (Vie/Z’Nuff)

6. “Little Indian Angel” (Vie/Z’Nuff)

7. “For Now” (Vie/Z’Nuff)

8. “Kiss The Clown” (Vie)

9. “I Could Never Be Without You” (Vie)

10. “Finger On The Trigger” (Vie/Frigo)

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Gretchen Goes To Nebraska

King’s X: “Over My Head”

From the album Gretchen Goes To Nebraska

Megaforce Records, 1989

Voivod: “Astronomy Domine” (Barrett)

From the album Nothingface

Mechanic Records, 1989

Sentimental Hygiene

Warren Zevon: “Boom Boom Mancini” (Zevon)

From the album Sentimental Hygiene

Virgin Records, 1987

Eye Of The Hurricane

The Alarm: “Rescue Me” (Peters/MacDonald)

From the album Eye Of The Hurricane

IRS Records, 1987

The Rainmakers

The Rainmakers: “Long Gone Long” (Walkenhorst)

From the album The Rainmakers

Mercury Records, 1986

The Real Thing

Faith No More: “Falling To Pieces” (Gould/Bottum/Martin)

From the album The Real Thing

Slash Records, 1989

Cereal Killers

Too Much Joy: “Susquehanna Hat Company” (Too Much Joy)

From the album Cereal Killers

Giant Records, 1991

Danzig: “Mother” (Danzig)

From the album Danzig

Def American Records, 1988

 

Ride On.

I ain’t too young to worry

And I ain’t too old to cry…

Dirty Deeds Done Dirt Cheap

AC/DC: “Ride On” (Young/Young/Scott)

From the album Dirty Deeds Done Dirt Cheap

Atlantic Records, 1976

EP-iphanies: The Cult’s “Revolution”

As you probably know by now, The Analog Kid lives for b-sides and non-album cuts. In this continuing series, I will share some of my favorite EPs and 12″ singles from over the years in their entirety. And since it’s digital, you don’t have to worry about correctly setting the turntable speed to  or 33⅓ or 45!

The Cult’s Love album is one of my all-time favorite records. It’s part punk, part goth, part new-wave, and it’s the one album the band made that sounds uniquely like The Cult. Electric rocks, but it’s AC/DC meets Zeppelin. Sonic Temple is a superbly constructed hard rock album, but twenty other bands from the era could have made a similar record. Love, on the other hand, is pure Cult.

The band was on such a roll during the Love sessions that you could make a fantastic album from the songs that didn’t even make the finished record. Many of these cuts were released as b-sides on the various 7″ and 12″ singles drawn from Love, and three of them appear on the Revolution EP. All three of these songs would have fit beautifully on Love— in fact, “Judith” actually was included as an extra track on the European CD version of the album (along with “Little Face,” the b-side of “Rain”).

I first acquired the Revolution EP at Waterloo Records in Austin somewhere around 1987. I must have taped it for a lot of friends, as evidenced by the fact that my original vinyl is a bit of a crackly mess. The EP has never been released on CD in its original format, but all of its tracks have appeared on various compilation discs. I used these sources to put together this digital copy of a truly classic EP.

 

Revolution E.P.

The Cult: Revolution E.P.

Beggars Banquet, 1985

1. “Revolution” [Full Length Re-Mix] (Astbury/Duffy)

2. “All Souls Avenue” (Astbury/Duffy)

3. “Judith” (Astbury/Duffy)

4. “Sunrise” (Astbury/Duffy)

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Rain

The Cult: “Little Face” (Astbury/Duffy)

From the 12″ single Rain

Beggars Banquet, 1985