EP-iphanies: Depeche Mode’s “World In My Eyes” [U.K. 7″]

As you probably know by now, The Analog Kid lives for b-sides and non-album cuts. In this continuing series, I will share some of my favorite EPs and 12″ singles from over the years in their entirety. And since it’s digital, you don’t have to worry about correctly setting the turntable speed to  or 33⅓ or 45!

“World In My Eyes” was the fourth and final single from Depeche Mode’s Violator album. Every single from Violator contained non-album tracks, and the band may have saved the best for last with the b-sides from “World In My Eyes.” Both “Happiest Girl” and “Sea Of Sin” would have fit beautifully on the Violator album, but were likely excluded due to time constraints.

[Begin rant] Remember when records used to be 40 minutes long and kicked ass from top-to-bottom? All killer. No filler. If you had a few songs left over, you would simply release them as b-sides and fans would cherish them for their uniqueness and collectability. And if a band was really on a creative roll, you could put out a double-album and add some really cool gatefold artwork and it would be considered your artistic masterpiece. Those days are long gone. Thanks to the CD, everybody now feels like they have to make every album 75 minutes long even if half of it is absolute crap. Van Halen’s Diver Down was only 30 minutes long, for crissakes– and half of it was made up of covers. And it still kicked ten thousand times more ass than anything the Red Hot Chilli Peppers have released since 1989. Arrrrrgggghhhhh! Arrrrrgggghhhhh! [End rant]

“World In My Eyes” may have been the lowest-charting single from Violator, but its b-sides (and abundant remixes) made the release a collector’s dream. I have included a few of these rarities as bonus tracks, including the super-rare Daniel Miller remix. Let me take you on a trip…

 

World In My Eyes [U.K. 7_]

Depeche Mode: World In My Eyes [U.K. 7″]

Mute Records, 1990

1. “World In My Eyes [7″ Version]” (Gore)

World In My Eyes [7″ Version]

2. “Happiest Girl [Jack Mix]” (Gore)

Happiest Girl [Jack Mix]

3. “Sea Of Sin [Tonal Mix]” (Gore)

Sea Of Sin [Tonal Mix]

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

world

Depeche Mode: “World In My Eyes [Daniel Miller Mix]” (Gore)

From a Mute Records promo cassette, 1990

Officially released in 2004 on Disc 3 of Remixes 81-04

World In My Eyes [Daniel Miller Remix]

sensoria

Depeche Mode: “Sea Of Sin [Sensoria Mix]” (Gore)

From the U.K. 12″ World In My Eyes

Mute Records, 1990

Sea Of Sin [Sensoria Mix]

world limited

Depeche Mode: “World In My Eyes [Mode To Joy]” (Gore)

World In My Eyes [Mode To Joy]

Depeche Mode:  “Happiest Girl [Pulsating Orbital Mix]” (Gore)

Happiest Girl [Pulsating Orbital Mix]

Both taken from the U.K. Ltd. Edition 12″ World In My Eyes

Mute Records, 1990

 

Diver Down

Van Halen: “Where Have All The Good Times Gone!” (Davies)

From the album Diver Down

Warner Brothers Records, 1982

Where Have All The Good Times Gone?

The Lost Boys: Hard-To-Find ’80s Albums (Scorpions’ “Savage Amusement”)

“The Lost Boys: Hard-To-Find ’80s Albums” gives you exactly what the title implies: a rare or out-of-print album from the ’80s in its entirety. Some will be from CD, but most will have been lovingly transferred from pristine vinyl culled directly from the Analog Kid’s vast collection. Whatever album I choose, it will be one that you can’t easily find a physical copy for sale on Amazon or in your local record store (if you even have one anymore). Death…by stereo!

When Savage Amusement was released in April of 1988, it had been more than four years since the release of the last studio album from the Scorpions (1984’s Love At First Sting). Four years between records may not seem like a huge gap by today’s standards, but back then it was almost unheard of (unless your name was Boston). The long wait for new Scorpions music was exacerbated by my age– I went from being a junior in high school to a junior in college during that time, and my musical tastes had evolved more drastically than Dennis Miller’s political views. In 1984, the cassette collection in my car was made up mostly of Journey, Night Ranger, and Asia. I was still listening to cassettes in the car on 1988 (only my rich friend Wade could afford a car CD player at that time), but the labels now read Talking Heads, Smithereens, and Midnight Oil. Where did the Scorpions fit into that musical landscape after four long years off of my radar?

On the day Savage Amusement was released, I made a specific trip to Waterloo Records (the old location on Lamar next to the Taco Bell) to buy the CD. I couldn’t find a copy in the racks, so I had to ask for it at the counter. Hipster-ism was already alive and well in Austin in 1988, and I can still remember the condescending tone from the too-cool-for-Klaus Waterloo employee as he said this to one of his co-workers:

“Hey, this guy wants to buy the new Scorpions album (snicker snicker). Did we bother to order any?”

Remember the scene in The Last American Virgin when the guys had to embarrassingly ask the pharmacist for an ointment to cure their crabs? This felt kind of like that. Actually, it felt exactly like that.

Waterloo did have a copy of Savage Amusement, and I paid my $14.99 (plus tax and shame) and huried home to listen. At first, I was a little dismayed by the production. It was a lot slicker than Love At First Sting, but I suppose I should have expected that. Def Leppard and Aqua Net now ruled the hard rock world, and the Scorpions had to compete with the young guns (and their even younger hair follicles). Savage Amusement didn’t exactly floor me, but it did have some fantastic moments (“Believe In Love” and “Don’t Stop At The Top,” in particular, took me right back to 11th grade and I mean that in the best way possible). The album sold reasonably well, but overall it was considered a bit of a disappointment at the time.

Looking back now at Savage Amusement, it fits in wonderfully with the rest of the Scorps catalog and has even managed to become a fan favorite over the years. I cranked it at a very heavy volume this morning, and I can’t even remember the last time I listened to Midnight Oil. Klaus, it looks like I’m still loving you…

Savage Amusement

Scorpions: Savage Amusement

Mercury Records, 1988

 

1. “Don’t Stop At The Top” (Meine/Rarebell/Schenker)

Don’t Stop At The Top

2. “Rhythm Of Love” (Meine/Schenker)

Rhythm Of Love

3. “Passion Rules The Game” (Meine/Rarebell)

Passion Rules The Game

4. “Media Overkill” (Meine/Schenker)

Media Overkill

5. “Walking On The Edge” (Meine/Schenker)

Walking On The Edge

6. “We Let It Rock…You Let It Roll” (Meine/Schenker)

We Let It Rock…. You Let It Roll

7. “Every Minute Every Day” (Meine/Schenker)

Every Minute Every Day

8. “Love On The Run” (Meine/Rarebell/Schenker)

Love On The Run

9. “Believe In Love” (Meine/Schenker)

Believe In Love

______________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Frontiers

Journey: “After The Fall” (Perry/Cain)

From the album Frontiers

Columbia Records, 1983

After The Fall

Midnight Madness

Night Ranger: “(You Can Still) Rock In America” (Blades/Gillis)

From the album Midnight Madness

MCA Records, 1983

(You Can Still) Rock In America

Alpha 2

Asia: “Don’t Cry” (Wetton/Downes)

From the album Alpha

Geffen Records, 1983

Don’t Cry

Naked 2

Talking Heads: “Totally Nude” (Byrne/Frantz/Harrison/Weymouth)

From the album Naked

Warner Brothers Records, 1988

Totally Nude

Green Thoughts

The Smithereens: “Only A Memory” (DiNizio)

From the album Green Thoughts

Enigma/Capitol Records, 1988

Only A Memory

Diesel And Dust

Midnight Oil: “The Dead Heart” (Hirst/Garrett/Moginie)

From the album Diesel And Dust

Columbia Records, 1987

The Dead Heart

Hysteria

Def Leppard: “Hysteria” (Clark/Collen/Elliott/Savage/Lange)

From the album Hysteria

Mercury Records, 1987

Hysteria

Love At First Sting

Scorpions: “Still Loving You” (Meine/Schenker)

From the album Love At First Sting

Mercury Records, 1984

Still Loving You

 

 

EP-iphanies: Tom Petty’s “You Don’t Know How It Feels” European CD Single

As you probably know by now, The Analog Kid lives for b-sides and non-album cuts. In this continuing series, I will share some of my favorite EPs and 12″ singles from over the years in their entirety. And since it’s digital, you don’t have to worry about correctly setting the turntable speed to  or 33⅓ or 45!

2014 marks the 20th anniversary of Wildflowers, Tom Petty’s second solo album. It’s really a solo album in name only, as the Heartbreakers formed the core of the backing band for most of the record (minus drummer Stan Lynch, who left the band in ’94). Wildflowers reached #3 on the Billboard album chart, and went on to sell over three million copies domestically.

“You Don’t Know How It Feels” was the lead single from Wildflowers, and the video became an MTV staple (and helped push the song to #1 on the Billboard Mainstream Rock chart). The b-side of the single was “Girl On LSD,” a song that Warner Brothers refused to allow on the album due to its explicit drug references. “Girl On LSD” has since become one of Petty’s most-cherished (and rarest!) b-sides, and I was lucky enough to hear him play it live at my very first Heartbreakers concert back in 1995. They opened the show that night with “Love Is A Long Road,” which may be my favorite Tom Petty song (although “Listen To Her Heart” might have something to say about that).

There are rumors of a 20th anniversary deluxe reissue for Wildflowers floating around, but nothing definitive has been announced yet. We can assume “Girl On LSD” would certainly be included on any reissue that comes to pass, but in the meantime you can roll it up right here on the Analog Kid blog!

You Don't Know How It Feels [European CD Single]

Tom Petty: You Don’t Know How It Feels [European CD Single]

Warner Brothers Records, 1994

1. “You Don’t Know How It Feels” (Petty)

You Don’t Know How It Feels

2. “House In The Woods” (Petty)

House In The Woods

3. “Girl On LSD” (Petty)

Girl On LSD

_______________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Full Moon Fever

Tom Petty: “Love Is A Long Road” (Petty/Campbell)

From the album Full Moon Fever

MCA Records, 1989

Love Is A Long Road

You're Gonna Get It!

Tom Petty & The Heartbreakers: “Listen To Her Heart” (Petty)

From the album You’re Gonna Get It!

Shelter/MCA Records, 1978

Listen To Her Heart

 

Groovy Tuesday: Tavares

Every Tuesday, the Analog Kid blog goes back in time and features some of the best groovy R&B/soul songs from the ’60s, ’70s, and ’80s. Sometimes you’ll hear songs from individual artists or from a specific year, and other times you’ll get an entire full-length classic LP ripped directly from the Analog Kid’s vast vinyl vault. Warning: by R&B/soul, I also mean disco. I could go all Linda Clifford on your ass at any given moment, so just be ready!

When it’s not college football season, I spend most of my Saturdays rehearsing with my band Diamondbag. Our drummer owns a farm up in Trenton (about 60 miles northeast of Dallas), and we can go up and there and make all of the noise we want without disturbing anyone (unless you count the goats). One of my favorite parts of the day is the drive itself, as we always listen to the replay of Casey Kasem’s American Top 40 countdown on SiriusXM’s ’70s on 7 station. I love trying to guess which songs will be in the top 10 for that specific week, but I also really enjoy hearing some of the deep cuts in the bottom reaches of the countdown.

This last Saturday, the AT40 replay was from the week of May 21, 1977. My guess for the #1 song that week was Fleetwood Mac’s “Dreams,” but I was off by about a month (“Dreams” was #6 that week, and it would reach #1 on June 18th). The actual #1 song was Stevie Wonder’s “Sir Duke,” but it was another R&B song that stirred the interest of my fellow band members in the car: “Whodunit” by Tavares.

“Who the %$#* is Tavares?” asked Matt, our super-funky-despite-his-dorky-whiteness bass player.

“They had a million hits!” I replied.

“Like what?”

“Ummmmmmmm…”

I had to think for a second. I blurted out “Disco Inferno,” but of course that was the right movie soundtrack (Saturday Night Fever) but the wrong band that starts with T (The Trammps). I eventually came up with “It Only Takes A Minute” and “Heaven Must Be Missing An Angel,” to which Matt replied, “So two is a million now?”

OK, so Tavares didn’t have a “million” hits. But they had more success than you might remember– the band scored eight Top 40 hits on the Hot 100, and a whopping 20 top 40 hits on the R&B chart. I’m also of the opinion that their version of “More Than A Woman” is better than the Bee Gees’ original, and that is high praise indeed…

Let’s take a listen to some of the best of Tavares on this expanded edition of Groovy Tuesday!

Check It Out

Tavares: “Check It Out” (Butler/Osborne)

From the album Check It Out

Capitol Records, 1973

Check It Out

Tavares consisted of five brothers from New Bedford, Massachusetts: Ralph, Pooch, Chubby, Butch and Tiny. Their first hit was 1973’s “Check It Out,” which reached #35 on the Billboard Hot 100.

Hard Core Poetry

Tavares: “Remember What I Told You To Forget” (Lambert/Potter)

Remember What I Told You To Forget

Tavares: “She’s Gone” (Hall/Oates)

She’s Gone

Tavares: “Too Late” (Lambert/Potter)

Too Late

From the album Hard Core Poetry

Capitol Records, 1974

Tavares’ second record had three songs reach the R&B Top 10, including their cover of the little-known Hall & Oates song (at that time, anyways) “She’s Gone.”

In The City

Tavares: “It Only Takes A Minute” (Potter/Lambert)

From the album In The City

Capitol Records, 1975

It Only Takes A Minute

Little eight-year-old Analog Kid had “It Only Take A Minute” on 45, as did a lot of other folks apparently– “It Only Takes A Minute” was Tavares’ first Top 10 hit on the pop charts.

Sky-High!

Tavares: “Heaven Must Me Missing An Angel” (Perren/St. Lewis)

Heaven Must Be Missing An Angel

Tavares: “Don’t Take Away The Music” (Perren/Perren/St. Lewis)

Don’t Take Away The Music

From the album Sky-High!

Capitol Records, 1976

“Heaven Must Be Missing An Angel” didn’t quite make the Top 10 (it peaked at #15), but I can still remember staring at the fantastic cover art for Sky-High! down at The Wherehouse. Even at the age of 9, I understood the awesomeness of the Capitol Records building. I had this one on 45 as well.

Love Storm

Tavares: “Whodunit” (Perren/St. Lewis)

From the album Love Storm

Capitol Records, 1977

Whodunit

“Whodunit” was Tavares’ third #1 R&B single, and it also peaked at #22 on the Hot 100 on May 21, 1977 (as we learned from Casey on our way to band practice last week).

Saturday Night Fever

Tavares: “More Than A Woman” (Barry, Robin & Maurice Gibb)

From the soundtrack album Saturday Night Fever

RSO Records, 1977

More Than A Woman

As I mentioned earlier, I actually prefer Tavares’ version of “More Than A Woman” to the Bee Gees’ original. Both were included on the Saturday Night Fever soundtrack, and Tavares actually charted higher (#32 on the Hot 100) than the Bee Gees with the song. How, you ask? The Bee Gees never actually released “More Than A Woman” as a single in the United States! Mind blown.

Madam Butterfly

Tavares: “Never Had A Love Like This Before” (Grey/Hanks)

From the album Madam Butterfly

Capitol Records, 1978

Never Had A Love Like This Before

“Never Had A Love Like This Before” didn’t make the Hot 100, but it did peak at #5 on the R&B chart. I vividly remember this song from the radio, so I guess my taste in L.A. radio stations must have been pretty eclectic in 1978.

Supercharged

Tavares: “Bad Times” (McMahon)

From the album Supercharged

Capitol Records, 1979

Bad Times

“Bad Times” was another Top 10 R&B hit from Tavares, and it also cracked the Top 50 on the pop charts.

New Directions

Tavares: “A Penny For Your Thoughts” (Nolan)

From the album New Directions

RCA Records, 1982

A Penny For Your Thoughts

Tavares reached the Top 40 on the pop charts for the last time with 1982’s “Penny For Your Thoughts.” The song was written by Kenny Nolan, who had his own his own Top 10 hit with 1977’s “I Like Dreamin'” (and also co-wrote “Lady Marmalade” and “My Eyes Adored You” with Bob Crewe, which both went to #1 in consecutive weeks in 1975).

___________________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Rumours 2

Fleetwood Mac: “Dreams” (Nicks)

From the album Rumours

Warner Brothers Records, 1977

Dreams

Stevie Wonder_ Singles & B-Sides

Stevie Wonder: “Sir Duke” (Wonder)

From the album Songs In The Key Of Life

Tamla Records, 1976

Sir Duke

Saturday Night Fever

The Trammps: “Disco Inferno”(Green/Kersey)

From the soundtrack album Saturday Night Fever

RSO Records, 1977

Disco Inferno

Abandoned Luncheonette

Hall & Oates: “She’s Gone” (Hall/Oates)

From the album Abandoned Luncheonette

Atlantic Records, 1973

She’s Gone

Saturday Night Fever

Bees Gees: “More Than A Woman” (Barry, Robin & Maurice Gibb)

From the soundtrack album Saturday Night Fever

RSO Records, 1977

More Than A Woman

kenny

Kenny Nolan: “I Like Dreamin'” (Nolan)

From the album Kenny Nolan

20th Century Records, 1977

I Like Dreamin’

Nightbirds 1

LaBelle: “Lady Marmalade” (Nolan/Crewe)

From the album Nightbirds

Epic Records, 1974

Lady Marmalade

Closeup 1

Frankie Valli: “My Eyes Adored You” (Nolan/Crewe)

From the album Closeup

Private Stock Records, 1974

My Eyes Adored You

EP-iphanies: The Smiths’ “Girlfriend In A Coma” U.K. 12″

As you probably know by now, The Analog Kid lives for b-sides and non-album cuts. In this continuing series, I will share some of my favorite EPs and 12″ singles from over the years in their entirety. And since it’s digital, you don’t have to worry about correctly setting the turntable speed to  or 33⅓ or 45!

It’s Smiths/Morrissey week here on the Analog Kid blog! Why, you ask?

Because there must be something horribly wrong with me…

We’ve reached the last day of Smiths/Morrissey week here on the Analog Kid blog, and to say that I’m still on a high from last night’s show would be an understatement. Morrissey was in fine voice, and he seemed genuinely touched as he collected armloads of birthday gifts from the fans down front. He shocked me by playing Smiths classics “Hand In Glove” and “Asleep,” but my highlight was a note-perfect version of the early solo b-side “Yes I Am Blind.”  Thanks for the ticket, Matt!

For the final entry of Smiths/Morrissey week, I have decided to feature the U.K. 12″ single for “Girlfriend In A Coma.” This single includes the non-album tracks “I Keep Mine Hidden” and “Work Is A Four-Letter Word,” and these two songs are the last recordings the band made together. As a bonus track, I have included a rare unreleased demo version of “Girlfriend In A Coma.”

Let’s whisper our last goodbyes to Smiths/Morrissey week. I’m just glad that I started something I could actually finish!

Girlfriend In A Coma [U.K. 12_]

The Smiths: “Girlfiend In A Coma” [U.K. 12″]

Rough Trade, 1987

1. “Girlfriend In A Coma” (Morrissey/Marr)

Girlfriend In A Coma

2. “Work Is A Four-Letter Word” (Woolfenden/Black/Black)

Work Is A Four-Letter Word

3. “I Keep Mine Hidden” (Morrissey/Marr)

I Keep Mine Hidden

_________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Girlfriend In A Coma [U.K. 12_]

The Smiths: “Girlfriend In A Coma [Demo]” (Morrissey/Marr)

Previously unreleased

Girlfriend In A Coma [Demo]

Hand In Glove [U.K. 7_]

The Smiths: “Hand In Glove” (Morrissey/Marr)

Rough Trade, 1983

Hand In Glove

Ouija Board, Ouija Board [U.K. 12_]

Morrissey: “Yes I Am Blind” (Morrissey/Rourke)

From the U.S. 12″ single Ouija Board, Ouija Board

Sire Records, 1989

Yes, I Am Blind

The World Won't Listen 1

The Smiths: “Asleep” (Morrissey/Marr)

From the compilation album The World Won’t Listen

Rough Trade, 1985

Asleep

Strangeways, Here We Come

The Smiths: “I Started Something I Couldn’t Finish” (Morrissey/Marr)

From the album Strangeways, Here We Come

Rough Trade, 1987

I Started Something I Couldn’t Finish