Jimi Jamison (1951-2014)

I never owned any Survivor records back in the ’80s because I thought I was too cool for that. My college roommate Chester owned a CD copy of Vital Signs, though, and I would crank that shit up and rock out when he wasn’t home. If I heard “Burning Heart” on the car radio, I felt like driving into a brick wall– no, not because I hated it, but because the song made me believe I could kick the wall’s ass.

Over the years, I have acquired just about every Survivor album. Most of them are on vinyl, and I have taken the time to carefully rip them into digital format. I am no longer embarrassed to say that I really like Survivor. I am also not embarrassed to admit that I got a little misty yesterday when I heard about the death of singer Jimi Jamison– fittingly, I received the sad news via a tweet from Martha Quinn.

Jamison had a great rock and roll voice, and his passing came way too early. Rest in peace, Jimi.

survivor

Survivor: “High On You” (Peterik/Sullivan)

From the album Vital Signs

Scotti Bros. Records, 1984

High On You

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Rocky IV_ Original Motion Picture Soundtrack

Survivor: “Burning Heart” (Peterik/Sullivan)

From the soundtrack album Rocky IV

Scotti Bros. Records, 1985

Burning Heart

EP-iphanies: Radiohead’s “Creep” [French Ltd. Edition CD Single]

As you probably know by now, The Analog Kid lives for b-sides and non-album cuts. In this continuing series, I will share some of my favorite EPs and 12″ singles from over the years in their entirety. And since it’s digital, you don’t have to worry about correctly setting the turntable speed to 33⅓ or 45!

 

The French limited edition CD single for “Creep” might just be the rarest Radiohead collectible on the planet. Only 2,000 were pressed, and copies routinely fetch hundreds of dollars on the reseller market. I should know– I sold mine on eBay for over $300 in late 2005. It is a very rare day indeed when the Analog Kid parts with any part of his collection, but sometimes you simply must yield to common sense (and to a passion for all things burnt orange…).

I found my copy of the French Creep single in the used bin at a local CD store sometime in 2003. It immediately caught my eye, as I am a really big Radiohead fan and I had no idea this particular release even existed. I knew it had to be rare, but I had no idea how rare until I got it home and did some internet research. And how much did I pay for this ultimate Radiohead rarity, you ask? A whopping $4.99.

Treasure Bath

The fact that only 2,000 copies of the single were pressed certainly is the major reason for its high resale value, but another big attraction is the first appearance of a song that would go on to become the title track for Radiohead’s second album. This version (entitled “The Benz”) was recorded in February of 1993 during the so-called “Black Sessions” for Radio France, as were the live versions of  “Prove Yourself” and “Creep” (both originally released on Pablo Honey). These three cuts have never appeared on any other release, making this CD the crown jewel of any Radiohead collection.

Am I sad that I sold it? You bet I am, but it was truly necessary at the time. I was out of work in late 2005, and the $300 helped ensure my attendance at the legendary Texas-USC national championship game at the Rose Bowl in January of 2006. Was it worth it?

vince

You bet your sweet ass it was. Besides, I made a high-quality copy of the disc so that I could still listen to it– and share it with you, of course.  Hook ’em!!

 

Creep [French Ltd. Edition CD]

Radiohead: Creep [French Ltd. Edition CD Single]

EMI France, 1993

 

1. “Creep” (Radiohead)

Creep

2. “The Benz” [Black Sessions] (Radiohead)

The Benz [Black Session Version]

3. “Prove Yourself” [Black Sessions] (Radiohead)

Prove Yourself [Black Session Version]

4. “Creep” [Black Sessions] (Radiohead)

Creep [Black Session Version]

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

The Bends

Radiohead: “The Bends” (Radiohead)

From the album The Bends

Capitol Records, 1995

The Bends

45 RPM: The Who’s “Pinball Wizard” [German 7″]

Here’s your ticket to some of the best (or, perhaps, most infamous) 7″ singles ever released! No adapter is required, although in my opinion the device pictured below is right up there with velcro as one of the best inventions of the 20th century.

45_adapter

 

“Pinball Wizard” was released as a single in March of 1969, about two months before the classic Tommy album hit the shelves. The lyrical references to “that deaf, dumb and blind kid” caused quite a stir with the British press, many of whom labelled the song “sick.”  Pete Townshend responded to the controversy by using it as an opportunity to explain the song’s meaning within the context of the entire rock opera, and all seemed to be forgiven by the time Tommy was released on May 23.

The controversy certainly didn’t hurt sales of “Pinball Wizard”– the song peaked at #4 in the United Kingdom, and it also became only the second Who song to reach the Top 20 in the United States (“I Can See For Miles” went to #9 in 1967). “Pinball Wizard” was certainly the perfect choice to introduce the public to the complicated Tommy premise– it was short, it was catchy, and it sounded great on AM radio.

The b-side of “Pinball Wizard” is certainly one of the sillier songs in The Who catalog, but it still rocks with a vengeance. It was drummer Keith Moon’s turn to reap the benefits of a songwriting credit on a 45, and he contributed the wonderfully wacky “Dogs Part Two.” The song was technically credited to Moon along with Jason and Towser, who also happened to be John & Pete’s pet pooches. The Who had released a bizarre non-album single entitled “Dogs” in 1968, but this was no sequel– instead, “Dogs Part Two” was a sneak peek into the massive live sound that the group would soon unleash on stages across the globe. The Who were about to become one of the biggest acts in the world, and they can thank “Pinball Wizard” for leading the disciples in– the band, of course, did the rest.

 

Pinball Wizard [German 7_]

The Who: Pinball Wizard [German 7″]

Polydor Records, 1969

 

A-side: “Pinball Wizard” (Townshend)

Pinball Wizard

B-side: “Dogs Part Two” (Moon/Towser/Jason)

Dogs, Part Two

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

The Who_ Singles & B-Sides 5

The Who: “I Can See For Miles” (Townshend)

Original version from the album The Who Sell Out

Polydor Records, 1967

I Can See For Miles

 

The Who_ Singles & B-Sides 2

The Who: “Dogs” (Townshend)

Polydor Records, 1968

Dogs

Groovy Tuesday: Sheila E.’s “Romance 1600”

Every Tuesday, the Analog Kid blog goes back in time and features some of the best groovy R&B/soul songs from the ’60s, ’70s, and ’80s. Sometimes you’ll hear songs from individual artists or from a specific year, and other times you’ll get an entire full-length classic LP ripped directly from the Analog Kid’s vast vinyl vault. Warning: by R&B/soul, I also mean disco. I could go all Linda Clifford on your ass at any given moment, so just be ready!

 

Sheila E. is often lumped into the same category as other lovely Prince protégés such as Vanity, Apollonia, and Carmen Electra. Anyone who makes this assumption is woefully mistaken– simply put, Sheila E. is one bad-ass musician. See for yourself:

Can Neil Peart work a kick drum like that in high heels? I THINK NOT.

Sheila may be a monster musician, but even monsters need a little help now and then. No one can really say for sure how much Prince contributed to Romance 1600, her 1985 follow-up to her debut smash The Glamorous Life. Sheila is credited as the sole writer on seven of the album’s eight tracks, but Wikipedia will tell you that Prince wrote the whole thing  himself. Wikipedia might be right, but then again Wikipedia also told me that U.S. goalkeeper Tim Howard was a member of President Obama’s cabinet after his stellar performance at this year’s World Cup (he was the Secretary of Defense, naturally).

We can say for sure that Prince wrote and performed on “A Love Bizarre,” the album’s biggest hit. It reached #11 on the Billboard Hot 100, and it just might be my favorite non-Prince Prince track. The rest of Romance 1600 smokes as well, and the Analog Kid hopes you enjoy this fresh vinyl rip of an out-of-print classic!

 

Romance 1600

Sheila E.: Romance 1600

Paisley Park Records, 1985

Vinyl rip courtesy of the Analog Kid

 

1. “Sister Fate” (Sheila E.)

Sister Fate

2. “Dear Michaelaneglo” (Sheila E.)

Dear Michaelangelo

3. “A Love Bizarre” (Prince/Sheila E.)

A Love Bizarre

4. “Toy Box” (Sheila E.)

Toy Box

5. “Yellow” (Sheila E.)

Yellow

6. “Romance 1600” (Sheila E.)

Romance 1600

7. “Merci For The Speed Of A Mad Clown In Summer” (Sheila E.)

Merci For The Speed Of A Mad Clown In Summer

8. “Bedtime Story” (Sheila E.)

Bedtime Story

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Sheila E._Singles & B-Sides

Sheila E.: “The Glamorous Life” [Single Version] (Prince)

Warner Brothers Records, 1984

The Glamorous Life [Single Version]

 

Songs From The Edge: 1991, Pt. 2

94.5 The Edge was the greatest radio station I have ever heard. It debuted in Dallas in the summer of 1989, and for five years it exposed me to more new alternative music than I could have ever imagined. In this continuing series, we’ll take a look back at the songs that made the Edge required listening for anyone with a musical pulse in North Texas in the late ’80s and early ’90s.

 

Songs From The Edge: 1991, Pt. 2

Spartacus

The Farm: “Groovy Train” (Grimes/Hooton)

From the album Spartacus

Sire Records, 1991

Groovy Train

greg-brady-johnny-bravo

GROOVY.

 

Space I'm In

The Candy Skins: “For What It’s Worth” (Stills)

From the album Space I’m In

Records, 1991

For What It’s Worth

Neil Young is often cited as a key influence by many alternative bands, but Neil’s Buffalo Springfield bandmate Stephen Stills had quite an impact as well. The Candy Skins’ version of the Stills classic “For What It’s Worth” was a staple on The Edge in the summer of 1991, as was Candy Flip’s cover of The Beatles’ “Strawberry Fields Forever. ” I guess that made 1991 my own personal Summer Of Love…

Note: this is the first song on today’s list to blatantly steal from the Stones classic “Sympathy For The Devil.” Can you guess what the next one will be?

 

Real Life

Simple Minds: “See The Lights” (Kerr/Burchill)

From the album Real Life

A&M Records, 1991

See The Lights

“Let There Be Love” was the biggest hit around the world from Real Life, the ninth album from Simple Minds. The Edge, however, focused its attention on “See The Lights” instead. I remember that that the station received a flood of calls asking about the release date for the new U2 album after it first played “See The Lights” in April of 1991. Charlie Burchill’s guitar does have a definite Edge (the Dave Evans variety) tone to it, but the U2 comparisons were a bit unfair– after all, Simple Minds had been crafting alternative anthems for more than twelve years by that point.

Useless fact that for some reason I remember: Real Life was the first CD I purchased after my college graduation in May of 1991. Just thought you might like to know…

 

Screamadelica

Primal Scream: “Movin’ On Up” (Gillespie/Innes/Young)

From the album Screamadelica

Sire Records, 1991

Movin’ On Up

Singer Bobby Gillespie really channeled his inner Jagger on “Movin’ On Up,” and comparisons to the Rolling Stones were inevitable after the song reached #2 on the U.S. Modern Rock Charts in 1991. I certainly hear the Stones in the song (dig that “Sympathy” guitar solo!), but I think another major influence has been overlooked– yes, we have circled back to our old friend Stephen Stills once again. The vocals on “Movin’ On Up” may be all Jagger, but the song structure is directly lifted from the 1971 Stills hit “Love The One You’re With.” Do do do…do do do!

 

Woodface 2

Crowded House: “Fall At Your Feet” (N. Finn)

From the album Woodface

Capitol Records, 1991

Fall At Your Feet

I understand that chart impact is not a basis for assessing the worthiness of a song, but sometimes I just have to shake my head (and then perhaps bash it into a brick wall four or five times). Case in point: “Fall At Your Feet” peaked at #75 on the Billboard Hot 100 right around the time that Bryan Adams’ “(Everything I Do) I Do It For You” was at #1– FOR SEVEN STRAIGHT WEEKS.

Picard-Facepalm

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Madstock...

Candyflip: “Strawberry Fields Forever” (Lennon/McCartney)

From the album Madstock…The Continuing Adventures Of Bubblecar Fish

Atlantic Records, 1991

Strawberry Fields Forever

 

The Beatles_ Singles & B-Sides 1

The Beatles: “Strawberry Fields Forever” (Lennon/McCartney)

EMI/Parlophone Records, 1967

Strawberry Fields Forever

 

Beggars Banquet

The Rolling Stones: “Sympathy For The Devil” (Jagger/Richards)

From the album Beggars Banquet

London Records, 1968

Sorry guys, there used to be a link to a Stones song right here– until I got a notice that said, “You’re a very naughty boy, Mr. Analog Kid, Please remove our song from your site. Love, Mick & Keef.” I’m a little bummed, but also very honored to be sent a legal notice from the Stones!

 

Buffalo Springfield

Buffalo Springfield: “For What It’s Worth” (Stills)

From the album Buffalo Springfield

Atco Records, 1967

For What It’s Worth

 

Real Life

Simple Minds: “Let There Be Love” (Kerr/Burchill)

From the album Real Life

A&M Records, 1991

Let There Be Love

 

Stephen Stills

Stephen Stills: “Love The One You’re With” (Stills)

From the album Stephen Stills

Atlantic Records, 1970

Love The One You’re With

 

Waking Up The Neighbours

Bryan Adams: “(Everything I Do) I Do It For You” (Adams/Lange/Kamen)

From the album Waking Up The Neighbors

A&M Records, 1991

(Everything I Do) I Do It for You