45 RPM: Blondie’s “The Tide Is High” [U.S. 7″]

Here’s your ticket to some of the best (or, perhaps, most infamous) 7″ singles ever released! No adapter is required, although in my opinion the device pictured below is right up there with baseball cards as one of the best inventions of the 20th century.

45_adapter

I bought the 45 for Blondie’s “The Tide Is High” at the Woolco in Plano in late 1980. Woolco was located at the corner of Parker and Custer, about two miles or so from our house. I used to spend hours in that store during seventh and eighth grade, as it was the closest business to our home and it had a little bit of everything for sale. The record section was the main draw for me, though, and I purchased many 45s there during 1979 and 1980. And then a crazy thing happened…

The Woolco turned into a Home Depot. Oh, how I hate Home Depot. But wait– that didn’t happen until the ’90s, so I am getting a little ahead of myself. The crazy thing that happened in early 1981 was that I stopped buying 45s. <GASP> And you can blame Debbie Harry for it.

It’s not that I didn’t love “The Tide Is High”– I did. I played it hundreds of times, and even listened to the non-LP b-side “Suzy And Jeffrey” on a regular basis. In fact, I liked “The Tide Is High” so much that I rode my bike back to Woolco a few weeks later and bought the Autoamerican album. This event was a major milestone for the Analog Kid: I was growing up, and I had now officially made the transition from 45s to LPs.

Of course, I had purchased albums before in certain circumstances (Rumours, Songs Of Joy, the Grease soundtrack, and Barry Manilow II were a few of my ’70s-era acquisitions), but 45s had always been my preferred method of listening to music. I had giant stacks of 7″ singles all over my room, and I still played them on my crappy little portable record player with the spindle that could hold 15 of them at a time. My purchase of Autoamerican changed all of that: no more 45s, and no more crappy turntable. No, it was time to move on to the big boy record player in the den. I can’t remember the make of the turntable, but the receiver was a Kenwood model TK-55. I know this because I still have it!

Kenwood

From that point forward, it was all about the album for me. I didn’t buy “Fire And Ice” on 45 that summer– I bought Precious Time. “Who’s Crying Now” was all over the radio, but I had to wait for the release of Escape. “Stop Draggin’ My Heart Around” meant that Bella Donna would soon be a fixture on my turntable. Of course, I still purchased 45s on occasion (usually when a non-LP track like “Suzy And Jeffrey” was on the b-side), but my days as an album collector had arrived. That summer, I even joined Columbia House for the first time and got my ten records for a penny!

columbia house

Thirty three (and a third?) years later, I own about 6,000 of them– and I still think I owe Columbia House some money. Here’s looking at you, Debbie!

 

The Tide Is High [U.S. 7_]

Blondie: The Tide Is High [U.S. 7″]

Chrysalis Records, 1980

 

A-side: “The Tide Is High [7″ Version]” (John Holt)

The Tide Is High

B-side: “Suzy And Jeffrey” (Debbie Harry/Nigel Harrison)

Suzy And Jeffrey

___________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Rumours 2

Fleetwood Mac: “You Make Loving Fun” (Christine McVie)

Alternate version from the album Rumours

Warner Brothers Records, 2004

You Make Loving Fun

 

Song Of Joy

Captain & Tennille: “Lonely Night (Angel Face)” (Neil Sedaka)

From the album Song Of Joy

A&M Records, 1976

Lonely Night (Angel Face)

 

Grease

Olivia Newton-John: “Hopelessly Devoted To You” (John Farrar)

From the original soundtrack Grease

RSO Records, 1978

Hopelessly Devoted To You

 

Barry Manilow II

Barry Manilow: “Mandy”

From the album Barry Manilow II (Scott English/Richard Kerr)

Bell Records, 1974

Mandy

 

Precious Time

Pat Benatar: “Fire And Ice” (Tom Kelly/Scott Sheets/Pat Benatar)

From the album Precious Time

Chrysalis Records, 1981

Fire And Ice

 

Escape

Journey: “Who’s Crying Now” (Jonathan Cain/Steve Perry)

From the album Escape

Columbia Records, 1981

Who’s Crying Now

 

Bella Donna

Stevie Nicks: “Stop Draggin’ My Heart Around” (Tom Petty/Mike Campbell)

From the album Bella Donna

Modern Records, 1981

Stop Draggin’ My Heart Around

 

Autoamerican

Blondie: “Here’s Looking At You” (Debbie Harry/Chris Stein)

From the album Autoamerican

Chrysalis Records, 1980

Here’s Looking At You

 

Lost In The Flood: Hard-To-Find ’70s Albums (ABBA’s “Greatest Hits”)

The Analog Kid blog has been featuring out-of-print ’80s albums on “The Lost Boys” series for quite a while, and now it’s time for the ’70s to join the party! “Lost In The Flood: Hard-To-Find ’70s Albums” will give you the chance to listen to some great music from the ’70s that can no longer be easily acquired on-line or at your local record store (especially since many of you probably no longer even HAVE a local record store!).

 

The Analog Kid loves ABBA, but you wouldn’t necessarily know it if you examined my iTunes library. The only CD I own from the band is the Gold compilation, so my digital ABBA library was actually a bit underwhelming…until yesterday, that is! I spent a big chunk of the day ripping most of my ABBA LPs to digital format, and I am not ashamed to admit that I had a fabulous time in doing so. I even discovered a number of great songs from my childhood that I had forgotten about, and many of those songs are featured on the 1976 Greatest Hits compilation.

I was nine when I first heard “Fernando” on the radio, and in my mind that’s where my love of ABBA began. Can I admit something? As a kid, the song always made me think about the classic children’s book (and cartoon) Ferdinand The Bull. Remember Ferdinand? He liked to sit and smell the flowers!

ferdinand 3

Of course, the song “Fernando” had absolutely nothing to do with Ferdinand and his love of blossoms– but that didn’t matter to my young brain. ABBA had made a connection with me, and that connection became cemented with my purchase of the “Dancing Queen” single later that year. I still own that original 45, although I would not dare play it for fear that it would annihilate my stylus.

rudy

“That 45 is like Jimmy Carter in a disco: NO GROOVES.”

Although “Fernando” turned me into an ABBA fan, some of their earlier tracks obviously made an impression on me as well. As I was ripping the Greatest Hits record yesterday, I was surprised to find myself singing along to “Ring Ring” and “Honey Honey” even though I didn’t know that I knew them.

The version of Greatest Hits featured below is the U.S. vinyl version from 1976. The track listing differs from its European counterpart, as does the cover art. Greatest Hits was released on CD in the U.S. back in the ’80s, but it has been out of print for years. Take a moment to sit, smell the flowers, and listen to “Fernando”– it will become immediately clear why ABBA were already European superstars by the time I “discovered” this legendary pop music machine.

 

Greatest Hits [320 kbps Vinyl]

ABBA: Greatest Hits [U.S. Version]

Atlantic Records, 1976

Vinyl rip courtesy of the Analog Kid

 

1. “S.O.S.” (Benny Andersson/Björn Ulvaeus/Stig Anderson)

S.O.S.

2. “He Is Your Brother” (Benny Andersson/Björn Ulvaeus)

He Is Your Brother

3. “Ring Ring” (Benny Andersson/Björn Ulvaeus/Stig Anderson/Neil Sedaka/Phil Cody)

Ring Ring

4. “Another Town, Another Train” (Benny Andersson/Björn Ulvaeus)

Another Town, Another Train

5. “Honey Honey” (Benny Andersson/Björn Ulvaeus/Stig Anderson)

Honey Honey

6. “So Long” (Benny Andersson/Björn Ulvaeus)

So Long

7. “Mamma Mia” (Benny Andersson/Björn Ulvaeus/Stig Anderson)

Mamma Mia

8. “I Do, I Do, I Do, I Do, I Do” (Benny Andersson/Björn Ulvaeus/Stig Anderson)

I Do, I Do, I Do, I Do, I Do

9. “People Need Love” (Benny Andersson/Björn Ulvaeus)

People Need Love

10. “Waterloo” (Benny Andersson/Björn Ulvaeus/Stig Anderson)

Waterloo

11. “Nina, Pretty Ballerina” (Benny Andersson/Björn Ulvaeus)

Nina, Pretty Ballerina

12. “Bang-A-Boomerang” (Benny Andersson/Björn Ulvaeus/Stig Anderson)

Bang-A-Boomerang

13. “Dance (While The Music Still Goes On)” (Benny Andersson/Björn Ulvaeus)

Dance (While The Music Still Goes On)

14. “Fernando” (Benny Andersson/Björn Ulvaeus)

Fernando

_________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Arrival

ABBA: “Dancing Queen” (Benny Andersson/Björn Ulvaeus/Stig Anderson)

From the album Arrival

Atlantic Records, 1976

Dancing Queen

The Lost Boys: Hard-To-Find ’80s Albums (Journey’s “Dream After Dream”)

“The Lost Boys: Hard-To-Find ’80s Albums” gives you exactly what the title implies: a rare or out-of-print album from the ’80s in its entirety. Some will be from CD, but most will have been lovingly transferred from pristine vinyl culled directly from the Analog Kid’s vast collection. Whatever album I choose, it will be one that you can’t easily find a physical copy for sale on Amazon or in your local record store (if you even have one anymore). Death…by stereo!

 

Back in July, I wrote a blog post about the 7″ single for Journey’s “Open Arms.” Here’s an excerpt from that entry:

The b-side of “Open Arms” was “Little Girl,” a song that virtually no one in the U.S. had heard at the time. “Little Girl” was originally released on the Japanese-only Dream After Dream record in 1980, an album that featured the last recorded output from founding member Gregg Rolie. Somehow, I talked my mother into buying me a $20 import copy of Dream After Dream at the Camelot Music in Collin Creek Mall sometime in 1982. I still have that piece of vinyl, but it has more crackles than a bowl of Rice Krispies and it’s just not in good enough shape to warrant a rip. Dream After Dream is still available only as an expensive CD import, and someday I will break down and buy it. It’s a really cool record that sounds a lot like Journey’s pre-Perry days, although “Little Girl” certainly has the Perry magic in spades.

Journey - Dream, After Dream

Well, I finally did it– I shelled out $35  for a copy of the Japanese Dream After Dream CD. I feel like a 300-pound (and thirty-year-long) weight has been lifted off of my shoulders. Most casual Journey fans don’t even know this record exists, so I will consider my money very well-spent if I can turn just a few folks onto this lost classic. Maybe they’ll like it enough to check out some of the band’s early (and pre-Perry) material– I have included a couple of those songs as bonus tracks for those who might be interested.

Given Journey’s place in rock history, I am still amazed that Dream After Dream had never been given a proper U.S. release. I’m glad I finally stopped waiting for one. Enjoy!

 

Dream After Dream [320 kbps]

Journey: Dream After Dream

CBS/ Sony Japan, 1980

 

1. “Destiny” (Neal Schon/Steve Perry)

Destiny

2. “Snow Theme” (Ross Valory)

Snow Theme

3. “Sandcastles” (Gregg Rolie/Steve Perry)

Sandcastles

4. “A Few Coins” (Gregg Rolie/Steve Perry/Neal Schon/Steve Smith/Ross Valory)

A Few Coins

5. “Moon Theme” (Neal Schon/Steve Perry)

Moon Theme

6. “When The Love Has Gone” (Neal Schon)

When The Love Has Gone

7. “Festival Dance” (Gregg Rolie/Steve Perry/Neal Schon/Steve Smith/Ross Valory)

Festival Dance

8. “The Rape” (Ross Valory)

The Rape

9. “Little Girl” (Neal Schon/Steve Perry/Gregg Rolie)

Little Girl

_______________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Journey_-_Journey

Journey: “Of A Lifetime” (Gregg Rolie/Neal Schon/George Tickner)

From the album Journey

Columbia Records, 1975

Of A Lifetime

 

Look Into The Future

Journey: “(She Makes Me) Feel Alright” (Gregg Rolie/Alex Cash/Neal Schon)

From the album Look Into The Future

Columbia Records, 1976

She Makes Me (Feel Alright)

EP-iphanies: Sugar’s “Helpless” [U.S. CD Single]

As you probably know by now, The Analog Kid lives for b-sides and non-album cuts. In this continuing series, I will share some of my favorite EPs and 12″ singles from over the years in their entirety. And since it’s digital, you don’t have to worry about correctly setting the turntable speed to 33⅓ or 45!

 

Paul McCartney told a story a few years ago about a crazy fan he met in Japan during a Wings tour. The young lady was an absolute Wings fanatic– she knew every song, and she attended multiple shows on the tour. During their conversation, Paul realized something truly amazing about the girl– she may have loved Wings, but she had absolutely no idea who the Beatles were.

stewart

Not that this is really on the same level, but I had similar feelings about the band Sugar. Sure, I knew about Hüsker Dü in the ’80s, but I never really listened to them in college. I would see their records in the shops on the Drag or at Waterloo, but for some reason I never really heard much by them other than “Makes No Sense At All”. By the time I graduated, the Dü were no more and Bob Mould had moved on to Sugar. I heard the song “Helpless” on 120 Minutes in 1992, and I was instantly hooked.

Sugar’s debut album Copper Blue is easily one of my five favorite ’90s records, and over the years I have acquired virtually every Sugar single (all of which are loaded with non-album b-sides). The U.S. CD single for “Helpless” contains a fantastic acoustic version of the Copper Blue track “If I Can’t Change Your Mind,” and non-album cuts “Needle Hits E” and “Try Again” were concert favorites for the band.

Sugar only made two proper albums before Mould returned to solo work, but I was lucky enough to see them live a few times. They always blasted through their set at warp speed, just like Hüsker Dü used to do. Over the years, I have learned to appreciate Mould’s other band– I still don’t own any Hüsker Dü CDs, but I do have most of their catalog on vinyl. I can’t lie, though: I still listen to Sugar on a more regular basis. I still think that little girl in Japan was slightly insane, but at least I can see where she was coming from…

 

Helpless [U.S. CD Single]

Sugar: Helpless [U.S. CD Single]

Rykodisc, 1992

 

1. “Helpless” (Bob Mould)

Helpless

2. “Needle Hits E” (Bob Mould)

Needle Hits E

3. “If I Can’t Change Your Mind [Solo Mix]” (Bob Mould)

If I Can’t Change Your Mind [Solo Mix]

4. “Try Again” (Bob Mould)

Try Again

_________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Copper Blue

Sugar: “If I Can’t Change Your Mind” (Bob Mould)

From the album Copper Blue

Rykodisc, 1992

If I Can’t Change Your Mind

 

Venus And Mars

Paul McCartney & Wings: “Listen To What The Man Said” (Paul & Linda McCartney)

From the album Venus And Mars

Capitol Records, 1975

Listen to What the Man Said

 

Flip Your Wig

Hüsker Dü: “Makes No Sense At All” (Bob Mould)

From the album Flip Your Wig

SST Records, 1985

Makes No Sense At All

EP-iphanies: Garbage’s “Only Happy When It Rains” [U.K. CD Single]

As you probably know by now, The Analog Kid lives for b-sides and non-album cuts. In this continuing series, I will share some of my favorite EPs and 12″ singles from over the years in their entirety. And since it’s digital, you don’t have to worry about correctly setting the turntable speed to 33⅓ or 45!

 

I often like to joke that I lost all interest in popular music somewhere around 1995, but there is some actual truth to the statement. There are really only a few bands that have come along since the mid-’90s that I really love, and one of those bands is Garbage. I bought the band’s self-titled debut album almost  immediately after its release in late 1995 based on two things:

a) a favorable article about the band that I had read in a local newspaper during a visit to their hometown of Madison, Wisconsin

b) the presence of Butch Vig on drums.

I loved Butch’s production work with Smashing Pumpkins and you-know-who, and I was dying to hear what his own music would sound like. Of course, Garbage wasn’t just about Butch. Duke Erikson had played with Vig in the bands Fire Town and Spooner, Steve Marker had engineered and produced records from L7 and the Heart Throbs, and Shirley Manson had released a great record the year before with her band Angelfish.

My decision to purchase Garbage without hearing a single song in advance was  immediately rewarded– I loved the record from the very first listen. I liked it so much, in fact, that I started buying Garbage’s import singles just so that I could get my hands on all of the previously unreleased b-sides. Some of these b-sides were every bit as good as the songs on the album, and many were even better. The CD single for “Only Happy When It Rains” contained two fantastic new tracks in “Girl Don’t Come” and “Sleep,” and I was very pleasantly surprised to hear the band perform “Girl Don’t Come” live when I saw them live for the first time in Dallas in early 1996. Garbage also played “Trip My Wire” that night, a b-side from the “Queer” single and– in my opinion–  the best song the band has ever released.

The show that I had attended in Dallas was in a small club with a capacity of well under 1,000 people.  When I saw Garbage again later that year, they were opening for Smashing Pumpkins (at the height of their fame) in a 17,000 seat arena, and the Austin crowd cheered just as loudly for Garbage that night as they did for the Pumpkins. And whadda you know– they shocked me by playing “Trip My Wire” again even though their set lasted less than an hour. Butch and Shirley and Duke and Steve know what a good song sounds like, even when it’s only a b-side…

 

Only Happy When It Rains [U.K. CD Single]

Garbage: Only Happy When It Rains [U.K. CD Single]

Mushroom Records, 1995

 

1. “Only Happy When It Rain” (Garbage)

Only Happy When It Rains

2. “Girl Don’t Come” (Garbage)

Girl Don’t Come

3. “Sleep” (Garbage)

Sleep

________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Queer [U.K. CD #1]

Garbage: “Trip My Wire” (Garbage)

From the U.K. CD single Queer

Mushroom Records, 1995

Trip My Wire

 

The Good Life [320 kbps]

Fire Town: “She Reminds Me Of You” [Duke Erikson]

From the album The Good Life

Atlantic Records, 1989

She Reminds Me of You

 

Gish 1

Smashing Pumpkins: “I Am One” (Billy Corgan/James Iha)

From the album Gish

Caroline Records, 1991

I Am One

 

Bricks Are Heavy

L7: “Pretend We’re Dead” (Donita Sparks)

From the album Bricks Are Heavy

Slash Records, 1992

Pretend We’re Dead

 

Angelfish

Angelfish: “Suffocate Me” (Angelfish)

From the album Angelfish

Radioactive/MCA Records, 1994

Suffocate Me