U2: “The Joshua Tree” B-sides

U2 actually released two great albums in 1987. In addition to the eleven songs on The Joshua Tree, the band released ten more fantastic songs as single b-sides or as parts of compilations. Did you ever used to make tapes for your friends? I think I made at least 100 copies of The Joshua Tree that year, and they all included the following songs as bonus tracks. Friends kept requesting new copies because theirs had been stolen. Sorry for the loss in royalties, Bono, but I think I’ve more than made it up to you over the years…

U2_ Singles & B-Sides

U2: “Luminous Times (Hold On To Love)” (U2/Brian Eno)

Luminous Times (Hold On To Love)

U2: “Walk To The Water” (U2)

Walk To The Water

From the 12″ single With Or Without You

Island Records, 1987

With Or Without You was the first CD single I ever purchased. As I recall, I shelled out $14.99 for the German paper-sleeve import. It was worth it. Two weeks later, I got to tell Adam Clayton in person how much I liked the b-sides. I felt so hip and cool…

 

U2_ Singles & B-Sides 5

U2: “Spanish Eyes” (U2)

Spanish Eyes

U2: “Deep In The Heart” (U2)

Deep In The Heart

From the 12″ single I Still Haven’t Found What I’m Looking For

Island Records, 1987

I actually saw U2 play “Spanish Eyes” at the Frank Erwin Center in Austin in November of 1987. They also played “One Tree Hill” that night, and I didn’t realize until the internet age just how lucky we were to hear that live.

 

U2_ Singles & B-Sides 1

U2: “Where The Streets Have No Name” [Single Edit] (U2)

Where The Streets Have No Name [Single Edit]

U2: “Race Against Time” (U2)

Race Against Time

U2: “Silver And Gold” (Bono)

Silver and Gold

U2: “Sweetest Thing” (U2)

Sweetest Thing [Original Version]

From the 12″ single Where The Streets Have No Name

Island Records, 1987

Forget the remake for 1990’s greatest hits album: THIS is the definitive version of “Sweetest Thing.” Rarely has a U2 song been so stupidly happy! The EP also included the band’s version of “Silver And Gold,” a concert staple that Bono had originally recorded for the Sun City album with Keith Richards and Ron Wood.

 

U2_ Singles & B-Sides 6

U2: “Christmas (Baby Please Come Home)” (Jeff Barry/Elle Greenwich/Phil Spector)

From the album A Very Special Christmas

A&M Records, 1987

Christmas (Baby Please Come Home)

A Christmas classic. U2 recorded it during a soundcheck in Scotland in the middle of July– I hope knowing that doesn’t reduce its awesome Christmas-y power for you.

 

U2_ Singles & B-Sides 4

U2: “Maggie’s Farm” [Live] (Bob Dylan)

From the album Live For Ireland

MCA Records, 1987

Maggie’s Farm [Live]

This live version of Bob Dylan’s “Maggie’s Farm” was recorded during U2’s performance at Self-Aid in May of 1986. U2 went on to perform the song many times that summer during Amnesty International’s “Conspiracy Of Hope” tour.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Sun City

Bono, Keith Richards & Ron Wood: “Silver And Gold” (Bono)

from the album Sun City

EMI Manhattan Records, 1985

Silver & Gold

 

The Best Of 1980-1990 [Disc 1]

U2: “Sweetest Thing” (U2)

From the album The Best Of 1980 – 1990

Island Records, 1998

Sweetest Thing [The Single Mix]

 

The Joshua Tree

U2: “One Tree Hill” (Written By U2)

From the album The Joshua Tree

Island Records, 1987

One Tree Hill

 

Bringing It All Back Home

Bob Dylan: “Maggie’s Farm” (Bob Dylan)

From the album Bringing It All Back Home

Columbia Records, 1965

Maggie’s Farm

Groovy Tuesday: Maxine Nightingale’s “Lead Me On”

Last week, I led off my “Groovy Tuesday” post with this disclaimer:

Every Tuesday, the Analog Kid blog goes back in time and features five groovy R&B/soul songs from a specific year. Warning: by R&B/soul, I also mean disco. I could go Maxine Nightingale on your ass at any given moment, so just be ready!

Well, are you ready? I am following through on my threat from last week–it’s Maxine Nightingale time! In 1978, Maxine released her third album, Love Lines, in the UK. The album didn’t perform well in her native England, but that all changed when the album was rechristened as Lead Me On for release in the United States. The title track went all the way to #1 on the Billboard Adult Contemporary chart, and also went as high as #3 on the Hot 100. Of course, “Lead Me On” was Maxine’s second U.S. Top Ten hit–“Right Back Where We Started From” had reached #2 in the spring of 1976.

For years, you couldn’t get the Lead Me On album on CD. When it was finally released in 2004, the disc used a sub-par mix that left fans of this R&B classic severely disappointed. To remedy this injustice, the Analog Kid is happy to present the entire Lead Me On album, ripped directly from my original vinyl copy just yesterday.

The Analog Kid will always need you. And I’ll never leave you.

Lead Me On 1

Maxine Nightingale: Lead Me On

Windsong Records, 1979

1. “Hideaway” (Ellison/Brown)

2. “(Bringing Out) The Girl In Me” (Parker, Jr.)

3. “Darlin’ Dear” (Sawyer/McCleod)

4. “Love Me Like You Mean It” (Parker, Jr.)

5. “Lead Me On” (Willis/Lasley)

6. “No One Like My Baby” (Bliffert)

7. “You Got To Me” (Boone)

8. “Ask Billy (They Tell Me)” (Bell/James)

9. “You Are The Most Important Person In Your Life” (Sawyer/McCleod)

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Right Back Where We Started From

Maxine Nightingale: “Right Back Where We Started From”

From the album Right Back Where We Started From

United Artists, 1976

The Lost Boys: Hard-To-Find ’80s LPs (“Maiden Japan”)

Welcome to another new recurring feature on the Analog Kid blog! “The Lost Boys: Hard-To-Find ’80s LPs” will give you exactly what the title implies: a rare or out-of-print album or EP from the ’80s in its entirety. Some will be from CD, but most will have been lovingly transferred from pristine vinyl culled directly from the Analog Kid’s vast collection. Whatever album I choose, it will be one that you can’t easily find for sale on Amazon or in the iTunes store. Death…by stereo!

Iron Maiden released the live EP Maiden Japan in September of 1981. The album was original vocalist Paul Di’Anno’s last appearance on an Iron Maiden recording. All five tracks were recoded live at Kosei Nenkin Hall in Nagoya on May 23, 1981. By October, Di’Anno was gone and Maiden were already playing shows with Bruce Dickinson in preparation for the recording of The Number Of The Beast.

The original cover of Maiden Japan (created months before Di’Anno’s eventual departure) featured Maiden mascot Eddie holding Di’Anno’s severed head:

MaidenJapan-alt

The band decided to go with the now-lengendary samurai cover instead, but clearly Di’Anno must have realized that his tenure in the band would soon come to an end.

Maiden Japan has never been released on CD in the United States, and was only issued on CD briefly in Europe in the late ’80s. That CD single now goes for obscene amounts of money on eBay, but you can check out this metal classic for free here on the Analog Kid blog. Up the Irons!

Maiden Japan

Iron Maiden: Maiden Japan

Capitol Records, 1981

Vinyl rip courtesy of the Analog Kid

1. “Running Free” (Written By Steve Harris & Paul Di’Anno)

2. “Remember Tomorrow” (Written By Steve Harris & Paul Di’Anno)

3. “Wrathchild” (Written By Steve Harris)

4. “Killers” (Written By Steve Harris & Paul Di’Anno)

5. “Innocent Exile” (Written By Steve Harris & Paul Di’Anno)

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Bruce Dickinson left Iron Maiden in 1993, but he returned in 1999 and has been back with them ever since. The first recording Iron Maiden released after Dickinson’s return was this remake of the Di’Anno-era classic “Wrathchild.”

Iron Maiden_ Singles & B-Sides 1

Iron Maiden: “Wrathchild” [1999 New Vocal Version] (Written By Steve Harris)

Portrait Records, 1999

Sunday Morning Sundays

It was Sunday, October 25, 1992. My band Zen Pirates had been on tour for only two days, but it seemed like it had been two weeks. We had piled our gear into a rented van in Dallas on Friday morning, drove all day to Memphis, and played a show that night at a place called Poor Red’s Corner Cafe. Remember that scene in The Blues Brothers where Bob tells Jake and Elwood that they made $200 but drank $300 worth of beer? Yeah, that was us in Memphis. As we left the bar, a man who had earlier introduced himself to us as “The King Of The Delta Blues” was on stage singing Journey’s “Walks Like A Lady.” It seemed appropriate.

We hit the road at 2 AM for our next stop: Pittsburgh. One problem: we didn’t realize until that point that it was 771 miles to the Iron City from Memphis. We probably should have fired our booking agent at that point, but since he was also our drummer it complicated things a bit. I guess it really didn’t matter, as we didn’t have enough  money to stay in a hotel anyways. We drove all night and all day, and finally arrived in Pittsburgh about 6 PM. We had just enough time to shower and head over to our gig at a club called The Electric Banana (don’t look for it– it’s not there anymore). Our sound man was out on work-release prison furlough. During sound check, I politely asked for more reverb in the monitors.

“I don’t like reverb.”

We played without reverb. A guy named Mike was blowing me kisses from the audience while we were playing. Apparently Mike was pretty famous in the Pittsburgh alternative music scene, and everyone said I should take his interest as a compliment. Mike also apparently knew Cindy Crawford personally, so that was pretty cool. After the show, all 12 people inside the Electric Banana helped us load our gear back into the van. I guess they liked us.

We finally had a chance to eat, and I had my first Primanti Brothers sandwich and washed it down with Rolling Rock. I don’t care if that sounds like a generic Pittsburgh experience– it was bliss. We got to sleep (in a hotel!!!) about 6 AM, and were back up about 9 for the long drive to Philadelphia for yet another gig that night. But before we left, I popped into a record store near the Pitt campus and stumbled upon the brand new Sundays album.

As we piled back into the van on that chilly Sunday morning, I claimed the very back seat all to myself. We  jumped on I-76 for the long drive to Philly, and I put on my headphones and popped Blind into my Sony Discman. For the next five hours, I listened to Harriet’s angelic voice as we drove through the beautiful Pennsylvania countryside. No squabbling bandmates. No fourteenth listen to Simon’s Blind Melon CD. No worries about my upcoming bone marrow transplant. It was just me, the Sundays, the beautiful trees, and the last few ice-cold Rolling Rocks. It may have been the most relaxing five hours of my entire life. Now that, Jon Stewart, is a moment of zen…

Blind

The Sundays: “Love” (David Gavurin/Harriet Wheeler)

From the album Blind

Geffen Records, 1992

Love

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

 

Departure

Journey: “Walks Like A Lady” (Steve Perry)

From the album Departure

Columbia Records, 1980

Walks Like A Lady

 

The Blues Brothers Soundtrack

The Blues Brothers: “Theme From Rawhide” (Ned Washington/Dimitri Tiomkin)

From the soundtrack The Blues Brothers

Atlantic Records, 1980

Theme From Rawhide

10.15 Saturday Night: Happy Birthday, Miley!

Today is a very special day for all Americans: Miley Cyrus is celebrating her 21st birthday. To make it an even better day for all of us, I will post a song that is not by Miley Cyrus.

Right On The Tip Of My Tongue

Brenda And The Tabulations: “Right On The Tip Of My Tongue” (Written By Van McCoy)

From the album Right On The Tip Of My Tongue

Top And Bottom Records, 1971