The Lost Boys: Hard-To-Find ’80s Albums (“White City: A Novel” & “Under A Raging Moon”)

“The Lost Boys: Hard-To-Find ’80s LPs” gives you exactly what the title implies: a rare or out-of-print album or EP from the ’80s in its entirety. Some will be from CD, but most will have been lovingly transferred from pristine vinyl culled directly from the Analog Kid’s vast collection. Whatever album I choose, it will be one that you can’t easily find for sale on Amazon or in the iTunes store. Death…by stereo!

 

TheWho-LiveAid

1985 was the year that I really discovered The Who. I bought my first two Who albums in the spring (Live At Leeds and Greatest Hits), and over the summer I acquired budget MCA cassette versions of Who’s Next and Who Are You. By the start of my freshman year at UT-Austin in August, I was almost obsessed. I spent the better part of that school year acquiring the entire Who catalog, including some of my very first CD purchases (It’s Hard, The Who By Numbers, and Tommy among them).

The Who may have officially disbanded after their 1982 Farewell (ha ha) tour, but they were now my favorite band. I couldn’t get enough, and thankfully both Roger Daltrey and Pete Townshend put out great solo records in 1985 to help supply my fix. Townshend had written “After The Fire” for The Who to perform at Live Aid during their one-off reunion show, but the band didn’t have time to learn it. Townshend gave the song to Daltrey instead, and “After The Fire” became one of Roger’s biggest solo hits. Daltrey had intentionally stayed away from aping The Who’s sound on his prior solo albums, but he fully embraced his rock and roll heritage on Under A Raging Moon. The result was the best solo record of Roger’s career, and I assure you that my neighbors on the third floor of the Dobie dormitory still know most of the songs by heart.

 

Under A Raging Moon 1

Roger Daltrey: Under A Raging Moon

Atlantic Records, 1985

 

1. “After The Fire” (Townshend)

After The Fire

2. “Don’t Talk To Strangers” (Downes/Ryder/Daltrey)

Don’t Talk To Strangers

3. “Breaking Down Paradise” (Ballard)

Breaking Down Paradise

4. “The Pride You Hide” (Dalgleish/Daltrey/Tesco)

The Pride You Hide

5. “Move Better In The Night” (Thompson/Lange/McIntosh/Daltrey)

Move Better In The Night

6. “Love Me Like You Do” (Nye)

Love Me Like You Do

7. “Let Me Down Easy” (Adams/Vallance)

Let Me Down Easy

8. “Fallen Angel” (Hain)

Fallen Angel

9. “It Don’t Satisfy Me” (Shacklock/Daltrey)

It Don’t Satisfy Me

10. “Rebel” (Adams/Vallance)

Rebel

11. “Under A Raging Moon” (Downes/Parr)

Under A Raging Moon

 

With White City: A Novel, Pete Townshend continued his long history of writing concept-based albums. Unlike Tommy or Quadrophenia, though, there was no real narrative to White City. The album’s songs simply represented different sketches of life in White City, a low-income housing area located in West London. “Face The Face” became one of Townshend’s most-popular solo songs, and David Gilmour’s guitar work helped elevate “Give Blood” and “White City Fighting” to near-classic status. For me, “Brilliant Blues” and its melancholy goodbye to Daltrey and The Who will always hold a special place. I had just arrived at the party, and the damn cops had already busted it up.

Like most of Pete and Roger’s solo outings, Under A Raging Moon and White City: A Novel are currently out of print. Perhaps there’s an 18-year-old down in Austin right now who is discovering Townshend and The Who for the first time– if that happens to be you, welcome to the camp. I guess you all know why we’re here.

 

White City_ A Novel [160 kbps] 1

Pete Townshend: White City: A Novel

Atco Records, 1985

 

1. “Give Blood” (Townshend)

Give Blood

2. “Brilliant Blues” (Townshend)

Brilliant Blues

3. “Face The Face” (Townshend)

Face The Face

4. “Hiding Out” (Townshend)

Hiding Out

5. “Secondhand Love” (Townshend)

Secondhand Love

6. “Crashing By Design” (Townshend)

Crashing By Design

7. “I Am Secure” (Townshend)

I Am Secure

8. “White City Fighting” (Townshend/Gilmour)

White City Fighting

9. “Come To Mama” (Townshend)

Come To Mama

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

quicksilver

Roger Daltrey: “Quicksilver Lightning” (Moroder/Pitchford)

From the soundtrack album Quicksilver

Atlantic Records, 1986

Vinyl rip courtesy of The Analog Kid

Quicksilver Lightning

 

Pete Townshend_ Singles & B-Sides 3

Pete Townshend: “Face The Face” [Long Version] (Townshend)

From the U.K. 12″ single Face The Face

Atco Records, 1985

Vinyl rip courtesy of the Analog Kid

Face The Face [Long Version]

 

Pete Townshend_ Singles & B-Sides 1

Pete Townshend: “Magic Bus” [Live]

From the 12″ single Give Blood

Atco Records, 1986

Magic Bus [Live]

 

Pete Townshend_ Singles & B-Sides

Pete Townshend: “Hiding Out” [12″ Mix]

From the 12″ single Hiding Out

Atco Records, 1986

Hiding Out [12″ Mix]

 

White City_ A Novel [160 kbps] 1

Pete Townshend: “Night School” (Townshend)

Night School

Pete Townshend: “Save It For Later” (Wakeling/Steele/Cox/Morton/Charlery)

Save It for Later

From the album White City: A Novel (2006 Remaster]

Hip-O Records, 1006

 

Pete Townshend_ Singles & B-Sides 2

Pete Townshend: “Life To Life” (Townshend)

From the soundtrack album Playing For Keeps

Atlantic Records, 1986

Vinyl rip courtesy of the Analog Kid

Life To Life

I will…I will…I will…I won’t.

The sad news that the Captain & Tennille will definitely not be doin’ it one more time has left me feeling quite depressed. In a way, the shocking news almost makes some sort of twisted sense. Divorce rates skyrocketed in the ’70s, so maybe it’s fitting that one of the most iconic couples of that decade is finally calling it quits. Still, their divorce has left me questioning many of the beliefs that I’ve held since childhood:

Does Mikey really hate everything?

Is three really the magic number?

Is H.R. Pufnstuf really going to be my friend when things get rough?

Do M&Ms really melt in my mouth and not in my hands?

Did my dog Snowball really go off to live on a farm?

Are the Bugaloos really in the air and everywhere?

Is it really not nice to fool Mother Nature?

Is “Grease” really the word?

Are these really not the droids I’m looking for?

Is Saturday Night Live really live from New York?

Am I really a part of the Pepsi Generation, or have I been relegated to the R.C. Summer League team?

Will love really keep us together?

Love Will Keep Us Together

Captain & Tennille: “Love Will Keep Us Together” (Neil Sedaka)

From the album Love Will Keep Us Together

A&M Records, 1975

That Neil Sedaka guy is full of shit– perhaps Toni and Daryl should have recorded “Bad Blood” instead. You know who really gets the last laugh in all of this? Smokey Robinson, that’s who:

Song Of Joy

Captain & Tennille: “Shop Around” (Smokey Robinson/Barry Gordy)

From the album Song Of Joy

A&M Records, 1976

Apparently, Smokey (and Mama) knows best…

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Make Your Move

Captain & Tennille: “Do That To Me One More Time” (Toni Tennille)

From the album Make Your Move

Casablanca Records, 1979

The Hungry Years

Neil Sedaka: “Bad Blood” (Neil Sedaka/Phil Cody)

From the album The Hungry Years

Rocket Records, 1975

Should Have Been Huge: ‘Til Tuesday

In this continuing series, the Analog Kid blog takes a look at songs that should have (in my humble opinion) been much bigger on the charts than they actually were. Maybe they were released as singles and never quite caught on, or perhaps they were buried on side four of a double album and left to obscurity. Maybe the bands’ record labels were run by cocaine-fueled monkeys. Whatever the reasons, it’s time to give these great tunes their just due. One thing’s for sure: they were all hits in my house…

I still can’t figure out why ‘Til Tuesday didn’t make it big. They had a great ’80s look, MTV loved them, and they backed up that support with a killer collection of pop songs. Things started out great for the band with the Top 10 single “Voices Carry” in 1985, but after that the public seemed to lose interest. ‘Til Tuesday’s last two albums were two of the best records of the ’80s, but nobody bought them and the band split up.

Of course, singer/songwriter Aimee Mann continued on to a superbly eclectic solo career after ‘Til Tuesday called it quits. Still, she must often wonder why a song as amazing as “Coming Up Close” barely scraped the Top 60. I know I sure do…

Welcome Home

‘Til Tuesday: “Coming Up Close” (Mann)

From the album Welcome Home

Epic Records, 1986

“What About Love” was the first single from Welcome Home, and it was a decent-sized hit (it peaked at #26 on the Billboard Hot 100). “What About Love” was a great choice for a first single, and it should have set the stage perfectly for its follow-up: the majestic “Coming Up Close.”

The Analog Kid isn’t going to bullshit you: “Coming Up Close” is a perfect song. I am still blown away every single time I hear it. Mann’s songwriting took a giant leap forward between ‘Til Tuesday’s first and second records, and this song is the proof. The lyrics. The chorus. The production. As I said: perfection.

Why, then, did this pop masterpiece not even make the Top 40? You could argue that “Coming Up Close” was simply too sophisticated for a radio audience that was really into Starship and Bon Jovi at the time, but both “Don’t Dream It’s Over” and “(I Just) Died in Your Arms” took similar approaches into the Top 10 that spring. I just can’t explain it.

Everything's Different Now

‘Til Tuesday: “(Believed You Were) Lucky” (Mann/Shear)

From the album Everything’s Different Now

Epic Records, 1988

“Coming Up Close” was a smash hit compared to “(Believed You Were) Lucky,” the first single from 1988’s Everything’s Different Now. Aimee wrote another stellar pop song (co-authored by Jules Shear, her ex-boyfriend), and again nobody seemed to pay attention. “(Believed You Were) Lucky” did receive some airplay on alternative radio, but it stalled at #96 on the Billboard Hot 100.

#96.

Sometimes I am ashamed to be a fan of pop music. Hell, “(Believed You Were) Lucky” should have gone Top 10 based on the strength of Mann’s brilliant use of the word “acquiesce” alone. But again, the single floundered and the band broke up shortly afterwards.

Eventually, the music world did finally catch on to Mann’s fantastic songwriting via her solo career. I suppose this does makes me feel a bit better about ‘Til Tuesday’s lack of success, but I still will never understand a world where Samantha Fox can go Top 5 and Aimee Mann can’t…

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Voices Carry

‘Til Tuesday: “Voice Carry” (‘Til Tuesday)

From the album Voices Carry

Epic Records, 1985

'Til Tuesday_ Singles & B-Sides

‘Til Tuesday: “What About Love” [Long Version] (Mann)

from the 12″ single What About Love

Epic Records, 1986

Vinyl rip courtesy of DjPaulT and his amazing site:  http://burningtheground.net/

Crowded House

Crowded House: “Don’t Dream It’s Over” (Finn)

From the album Crowded House

Capitol Records, 1986

Broadcast

Cutting Crew: “(I Just) Died In Your Arms” (Van Eede)

From the album Broadcast

Virgin Records, 1986

Touch Me

Samantha Fox: “Touch Me (I Want Your Body)” (Astrop/Shreeve/Harris)

From the album Touch Me

Jive Records, 1986

Groovy Tuesday: 1972

Every Tuesday, the Analog Kid blog goes back in time and features some groovy R&B/soul songs from a specific year. Sometimes you’ll hear songs from individual artists, and other times you’ll get an entire full-length classic LP ripped directly from the Analog Kid’s vast vinyl vault. Warning: by R&B/soul, I also mean disco. I could go Patrick Hernandez on your ass at any given moment, so just be ready!

Groovy Tuesday: 1972

Genesis

The Soul Children: “Hearsay” (West/Colbert)

From the album Genesis

Stax Records, 1972

The Soul Children had a string of minor hits for Stax Records in the late ’60s and early ’70s. “Hearsay” was one of their best-known songs, reaching #5 on the Billboard R&B charts and almost hitting the Top 40 on the pop charts. The Soul Children carried on until 1979, but sadly they never achieved the level of popularity that their talents warranted.

Round 2

The Stylistics: “You’ll Never Get To Heaven (If You Break My Heart)” (Bacharach/David)

From the album Round 2

Avco Records, 1972

Russell Thompkins, Jr. had one of the most recognizable voices in  ’70s pop, and his amazing falsetto helped to establish The Stylistics as one of the most successful soul bands of the era. “You’ll Never Get To Heaven (If You Break My Heart)” was written by Burt Bacharach and Hal David, and it peaked at #23 on the Billboard Hot 100 in 1972.

Superfly

Curtis Mayfield: “Freddie’s Dead” (Mayfield)

From the album Super Fly

Curtom/Buddah Records, 1972

“Freddie’s Dead” was the lead single from Super Fly, one of the most influential records of the ’70s. The song went all the way to #4 on the Billboard Hot 100, and also earned Mayfield a Grammy nomination for Best Rhythm & Blues song.

Sad but true: my first exposure to “Freddie’s Dead” came via Fishbone and their Truth And Soul album. I imagine a lot of college kids from the late ’80s could make the same claim.

Roberta Flack & Donny Hathaway 3

Roberta Flack & Donny Hathaway: “Where Is The Love” (MacDonald/Salter)

From the album Roberta Flack & Donny Hathaway

Atlantic Records, 1972

It took almost three years for Roberta Flack’s 1969 version of “The First Time Ever I Saw Your Face” to reach #1. An edited version of the song was released as a single after its popularity soared due to its inclusion in Clint Eastwood’s Play Misty For Me, and “The First Time Ever I Saw Your Face” finally hit #1 in April of 1972. “Where Is The Love” capitalized on Flack’s new-found success and soared into the Top 10 in July. Flack and Hathaway would team up again for “The Closer I Get To You,” a #2 single from 1978. Sadly, the long-troubled Hathaway committed suicide shortly after the song’s success.

Cornelius Brothers & Sister Rose

Cornelius Brothers & Sister Rose: “Too Late To Turn Back Now” (Cornelius)

From the album Cornelius Brothers & Sister Rose

United Artists Records, 1972

I will always have a soft spot for Cornelius Brothers & Sister Rose (and for sister Billie Jo as well, who somehow was left out of the band’s name!). The group only made two proper albums before disbanding, but those albums contained some of the top soul singles of the ’70s. “Too Late To Turn Back Now” peaked at #2 on the Billboard Hot 100 in the summer of 1972, and I love the song so much that I surprised my wife with a live version of it at our wedding reception. My band still drops “Too Late To Turn Back Now” into our set on occasion, and I always see at least a few people in the audience recognize it and smile whenever we play this classic track.

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Fishbone_TruthAndSoul

Fishbone: “Freddie’s Dead” (Mayfield)

From the album Truth And Soul

Columbia Records, 1988

First Take

Roberta Flack: “The First Time Ever I Saw Your Face” (MacColl)

From the album First Take

Atlantic Records, 1969

Blue Lights In The Basement

Roberta Flack & Donny Hathaway: “The Closer I Get To You” (Mtume/Lucas)

From the album Blue Lights In The Basement

Atlantic Records, 1977

“…and may your dreams be realized…”

“Pride (In The Name Of Love)” was the first import 12″ single I ever purchased. I bought it at Sound Warehouse on Belt Line Road in North Dallas in September of 1984, and it cost me $7.99. A week or so earlier, I had purchased The Unforgettable Fire album (on the day of its release, of course) for a mere $5.99. Thanks, Q Card!

q-card

I had discovered a new vice: the import single, and with it the glory of owning non-album b-sides. Life– and my wallet– would never be the same again. Soon I was regularly shelling out $7.99 to get my hands on one non-album Iron Maiden track, but I didn’t mind because I had something none of my friends had. The artwork was pretty kick-ass, too!

The single version of “Pride (In The Name Of Love)” is notable in that it is actually longer than the version on The Unforgettable Fire. If you think Bono tears his vocal cords to shreds on the album version, just wait until you hear this one! “Boomerang I” and “Boomerang II” are outtakes from The Unforgettable Fire sessions, and the 12″ also includes a slightly longer version of the 1980 single “11 O’Clock Tick Tock” (along with its original b-side “Touch”).

The Analog Kid hopes you enjoy this classic U2 release on this very special holiday.

U2_ Singles & B-Sides

U2: Pride (In The Name Of Love)

Island Records, 1984

1. “Pride (In The Name Of Love)” [Single Version] (U2)

2. “Boomerang I” (U2)

3. “Boomerang II” (U2)

4. “11 O’Clock Tick Tock” [Long Version] (U2)

5. “Touch” (U2)

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

U2_ Singles & B-Sides 2

U2: “4th Of July” [Long Version] (U2)

From the 12″ single Pride (In The Name Of Love)

Island Records, 1984

greenpeace

U2: “Pride (In The Name Of Love” [Live] (U2)

From the album Greenpeace: Rainbow Warriors

Geffen Records, 1989

Live From Paris 1

U2: Live From Paris (July 4, 1987)

iTunes Exclusive, 2008

“MLK” (U2)

“The Unforgettable Fire” (U2)

iron_maiden trooper

Iron Maiden: “Cross-Eyed Mary” (Anderson)

From the 12″ single The Trooper

EMI Records, 1983