45 RPM: The Cult’s “Lil’ Devil” [U.K. 7″]

Here’s your ticket to some of the best (or, perhaps, most infamous) 7″ singles ever released! No adapter is required, although in my opinion the device pictured below is right up there with velcro as one of the best inventions of the 20th century.

45_adapter

45 RPM: The Cult’s “Lil’ Devil” [U.K. 7″]

The Cult’s Electric LP is a hard rock masterpiece, but it almost didn’t exist– at least not in the form that we know and love. After the success of the Love album, The Cult once again returned to the studio to work with producer Steve Brown. The band wasn’t happy with the resulting record, and ultimately decided to scrap the entire project. Ian Astbury and Billy Duffy were after a harder sound, and they decided to start fresh in New York City with a young Rick Rubin behind the board. The back-to-basics approach was exactly what songs like “Love Removal Machine” and “Wild Flower” needed, and soon The Cult would be headlining arenas across the United States.

As much as I like “Love Removal Machine” and “Wild Flower,” “Lil’ Devil” has always been my favorite song from Electric. It’s two minutes and forty-five seconds of pure, complete ass-kicking rock. It’s so simple that even I could play the bass line– hell, a second grader could probably play the bass line. That’s not meant as an insult to bassist Jamie Stewart, as it’s the song’s simplicity that makes it work so well. Throw in Duffy’s muscular guitar and Astbury’s gritty howl, and you have a perfect rock song. Even the tambourine sounds pissed off.

Flip the “Lil’ Devil” 45 over, and you’ll find one of The Cult’s greatest b-sides. “Zap City” was one of the songs originally recorded with Steve Brown during the 1986 Manor sessions, and the band knew it was too good to leave in the can. Virtually every song recorded at Manor was re-recorded with Rubin in New York, but history has shown no record of a second attempt at “Zap City.” Ian and Billy must have known that they got it right the first time.

Lil' Devil [U.K. 7_]

The Cult: Lil’ Devil [U.K. 7″]

Beggars Banquet Records, 1987

 

A-side: “Lil’ Devil” (Astbury/Duffy)

Lil’ Devil

B-side: “Zap City” (Astbury/Duffy)

Zap City

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

 

The Manor Sessions

The Cult: “Love Removal Machine” (Astbury/Duffy)

Love Removal Machine

The Cult: “Wild Flower” (Astbury/Duffy)

Wild Flower

Both taken from the U.K. EP The Manor Sessions

Beggars Banquet Records, 1988

Electric

The Cult: “Love Removal Machine” (Astbury/Duffy)

Love Removal Machine

The Cult: “Wild Flower” (Astbury/Duffy)

Wild Flower

Both taken from the album Electric

Sire Records, 1987

 

Lost In The Flood: Hard-To-Find ’70s Albums (“Buckingham Nicks”)

The Analog Kid blog has been featuring out-of-print ’80s albums on “The Lost Boys” series for quite a while, and now it’s time for the ’70s to join the party! “Lost In The Flood: Hard-To-Find ’70s Albums” will give you the chance to listen to some great music from the ’70s that can no longer be easily acquired on-line or at your local record store (especially since many of you probably no longer even HAVE a local record store!).

buck-nicks-single

First of all, please allow me to apologize for the lack of a blog post yesterday. After the exhausting two hours I spent switching back and forth between the U.S-Germany and Portugal-Ghana games, I was simply too worn out to even contemplate a blog. Also, the two super-strong margaritas that I had for breakfast may have slightly contributed to my day of slack. I don’t usually consume tequila before noon, but it was a necessary evil yesterday in order to keep my systolic level under 200. I promise that I will prepare blog entries in advance for the remaining four days on which the Yanks will play in this World Cup! (Do you see what I did there?)

Speaking of 200, today’s post is my 200th entry on the Analog Kid Blog! And they said it wouldn’t last…

Since it is an anniversary of sorts and I owe you one for blowing off yesterday’s entry, the Analog Kid has a very special post for you today: a brand-new vinyl rip of 1973’s Buckingham Nicks album, truly one of the most famous albums never to have been released digitally (CD or download).

Lindsey Buckingham and Stevie Nicks had been playing music together for years, starting in the San Francisco-based band Fritz. After the duo relocated to Los Angeles, their high-quality demos landed them a deal with Polydor Records. Keith Olsen produced the Buckingham Nicks album at the now-legendary Sound City Studios, and Lindsey and Stevie felt like they were about to hit the big time. Unfortunately, Polydor didn’t promote the record and sales were very poor– as were Lindsey and Stevie. So poor, in fact, that Nicks had just about made up her mind to quit music and return home to go back to school.

Fleetwood Mac was a band used to personnel changes, so Bob Welch’s surprise departure in late 1974 simply meant that the group had to once again find a new guitar player. Mick Fleetwood was at Sound City Studios to check the place out as a possible recording option, and Olsen played him Buckingham Nicks’ “Frozen Love” as an example of what the studio could do. Mick was blown away by Lindsey’s guitar on the track, and immediately asked him to join the band. Buckingham agreed, but on one condition: he and Stevie were a package deal.

Lindsey and Stevie officially joined Fleetwood Mac on New Year’s Eve, 1974. The new five-piece lineup immediately went into the studio and recorded the classic Fleetwood Mac album, which included a remake of the Buckingham Nicks track “Crystal.” When the new band hit the road for the first time, two Buckingham Nicks tracks occasionally made appearances in the set: “Frozen Love,” and the insanely catchy “Don’t Let Me Down Again.” Constant touring slowly built up album and 45 sales, and Fleetwood Mac finally hit #1 on the Billboard album charts more than a year after its initial release. The album also spawned three Top 20 singles in the U.S. for the band: “Over My Head” (#20), “Rhiannon” (#11), and “Say You Love Me” (#11). It was an amazing feat for a band that had scored only one Top 100 U.S. hit during its previous six years of existence (“Oh Well” had reached #55 in 1969).

Considering the important place it holds in rock and roll history, it really is hard to understand why Buckingham Nicks has never been released on CD. Both Lindsey and Stevie are justifiably proud of the record, and have often expressed an interest in a reissue of their one and only album as a duo. It seems bound to happen someday, but until then we’ll just have to make do with high-quality vinyl rips. I created the new rip featured below earlier this week, and I think it sounds pretty damn great. There are some clicks and pops present (especially on side two), but I think they only add additional charm to one of the most underrated albums of the ’70s.

 

Buckingham Nicks [320 kbps] 1

Buckingham Nicks: Buckingham Nicks

Polydor Records, 1973

320 kbps vinyl rip courtesy of the Analog Kid*

 

1. “Crying In The Night” (Nicks)

Crying In The Night

2. “Stephanie” (Buckingham)

Stephanie

3. “Without A Leg To Stand On” (Buckingham)

Without A Leg To Stand On

4. “Crystal” (Nicks)

Crystal

5. “Long Distance Winner” (Nicks)

Long Distance Winner

6. “Don’t Let Me Down Again” (Buckingham)

Don’t Let Me Down Again

7. “Django” (Lewis)

Django

8. “Races Are Run” (Nicks)

Races Are Run

9. “Lola (My Love)” (Buckingham)

Lola (My Love)

10. “Frozen Love” (Buckingham/Nicks)

Frozen Love

*  Note from The Analog Kid: I replaced the original 192 kbps rip on this post with a brand-new 320 kbps rip on 9/2/2015. This rip fixes a slight speed issue, and also incorporates better noise removal software. Enjoy!

__________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

 

Fleetwood Mac

Fleetwood Mac: “Crystal” (Nicks)

From the album Fleetwood Mac

Reprise Records, 1975

Crystal

 

Live [Disc 1]

Fleetwood Mac: “Don’t Let Me Down Again [Live]” (Buckingham)

Don’t Let Me Down Again

Fleetwood Mac: “Oh Well [Live]” (Green)

Oh Well

Both taken from the album Fleetwood Mac Live

Warner Brothers Records, 1980

Vinyl rips courtesy of the Analog Kid

 

Fleetwood Mac_ Singles & B-Sides 6

Fleetwood Mac: “Over My Head [Single Version]” (McVie)

Original version from the album Fleetwood Mac

Reprise Records, 1975

Over My Head [Single Version]

 

Fleetwood Mac_ Singles & B-Sides 8

Fleetwood Mac: “Say You Love Me [Single Version]” (McVie)

Original version from the album Fleetwood Mac

Reprise Records, 1975

Say You Love Me [Single Version]

 

Fleetwood Mac_ Singles & B-Sides 7

Fleetwood Mac: “Rhiannon (Will You Ever Win) [Single Version]” (Nicks)

Original version from the album Fleetwood Mac

Reprise Records, 1976

Rhiannon (Will You Ever Win) [Single Version]

 

45 RPM: Journey’s “Separate Ways (Worlds Apart)” [U.S. 7″]

Here’s your ticket to some of the best (or, perhaps, most infamous) 7″ singles ever released! No adapter is required, although in my opinion the device pictured below is right up there with the polio vaccine as one of the best inventions of the 20th century.

45_adapter

45 RPM: Journey’s “Separate Ways (Worlds Apart)” [U.S. 7″]

“Separate Ways (Worlds Apart)” was the lead single from Frontiers, Journey’s eighth studio album. The 45 was released on January 5, 1983, about a month in advance of the LP. I can still remember the day Frontiers was released– I called my mother at work at least five times to remind her that she had promised to stop at the mall and buy a copy for me on her way home.

Mom delivered, and so did the album.

“Separate Ways” was all over the radio by the time Frontiers was released. I only had access to MTV during my summer vacations with Dad in L.A. (Plano wasn’t wired for cable until 1986– the horror!), so I didn’t see the video for “Separate Ways” until June. The band had decided to make their first concept video for the song, and to say that the concept was a bad one would be a grand understatement. I myself am a master of air guitar and air drums, but my wife insists that air bass is actually my best instrument. Unfortunately, no one in Journey was a master of his own air instrument domain…

airinstruments

OK, OK, so the video sucks and has been the butt of jokes for more than two decades now. But the unfortunate video doesn’t in any way diminish the awesomeness of “Separate Ways,” a song that went all the way to #8 on the Billboard Hot 100 and has become a Journey classic over the years. Jonathan Cain’s opening synth riff immediately signaled a new era for the band– Cain’s keyboard sound on 1981’s Escape (his first album with the group after a stint with The Babys) had consisted mostly of a straight-forward grand piano sound, but that all changed on Frontiers. Electronic keys were now in play, and the modernized sound helped produce one of Journey’s most memorable songs. I would also like to point out that while Neal Schon may suck at air guitar, he can play the absolute shit out of a real one. Same thing goes for Steve Smith and Ross Valory on drums and bass.

The 7″ version of “Separate Ways” is an edit of the album version, and to my knowledge it has not been released on an album or as a download– and trust me, I’ve looked. You might also remember this version from the radio, and it was also the take used in the video. I ripped the copy featured below directly from my original 7″ single from 1983, which somehow still looks and sounds great. Too bad you can’t say that about the video…

steve

I still love you, Steve. I really love you, Steve.*

 

Separate Ways (Worlds Apart) [U.S. 7_] [320 kbps]

Journey: Separate Ways (Worlds Apart) [U.S. 7″]

Columbia Records, 1983

 

A-side: “Separate Ways (Worlds Apart)” [7″ Version] (Perry/Cain)

Separate Ways (Worlds Apart) [7″ Version]

B-side: “Frontiers” (Perry/Cain/Schon/Smith)

Frontiers

 

* the lyric this references is edited out of the 7″ version. But have no fear, for I have included the full-length album version as a bonus track!

____________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Escape

Journey: “Still They Ride” (Perry/Cain/Schon)

From the album Escape

Columbia Records, 1981

Still They Ride

Union Jacks

The Babys: “Midnight Rendezvous” (Waite/Cain)

From the album Union Jacks

Chrysalis Records, 1980

Midnight Rendezvous

Frontiers

Journey: “Separate Ways (Worlds Apart)” (Perry/Cain)

From the album Frontiers

Columbia Records, 1983

Separate Ways (Worlds Apart)

Groovy Tuesday: Eddie Murphy’s “Party All The Time” [U.S. 12″]

Every Tuesday, the Analog Kid blog goes back in time and features some of the best groovy R&B/soul songs from the ’60s, ’70s, and ’80s. Sometimes you’ll hear songs from individual artists or from a specific year, and other times you’ll get an entire full-length classic LP ripped directly from the Analog Kid’s vast vinyl vault. Warning: by R&B/soul, I also mean disco. I could go all Weather Girls on your ass at any given moment, so just be ready!

 

“We were wrong, terribly wrong. We owe it to future generations to explain why.”

-Robert McNamara, writing about the management of the Vietnam War in his 1995 memoir.

“We were wrong, terribly wrong. We owe it to future generations to explain why.”

-Rick James, in a failed attempt to explain just what the hell he was thinking when he went into the studio with Eddie Murphy in 1985.

“Cocaine is a hell of a drug.”

-Dave Chappelle as Rick James, with a very concise explanation of what went horribly wrong in that studio.

Party All The Time [U.S. 12_]

Eddie Murphy: Party All The Time [U.S. 12″]

Columbia Records, 1985

 

1. “Party All The Time” (Rick James/Eddie Murphy)

Party All The Time

2. “Party All The Time [Instrumental]” (Rick James/Eddie Murphy)

Party All The Time [Instrumental]

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Heartbeat

Don Johnson: “Heartbeat” (Eric Kaz/Wendy Waldman)

From the album Heartbeat

Epic Records, 1986

Heartbeat

The Lost Boys: Hard-To-Find ’80s Albums (U2’s “Under A Blood Red Sky”)

“The Lost Boys: Hard-To-Find ’80s Albums” gives you exactly what the title implies: a rare or out-of-print album from the ’80s in its entirety. Some will be from CD, but most will have been lovingly transferred from pristine vinyl culled directly from the Analog Kid’s vast collection. Whatever album I choose, it will be one that you can’t easily find a physical copy for sale on Amazon or in your local record store (if you even have one anymore). Death…by stereo!

U2’s 1983 live EP Under A Blood Red Sky isn’t exactly rare– you can go buy the CD on Amazon right now, and you can also download the album from multiple music stores. There’s even a deluxe edition available that contains a second disc of live recordings from the War tour, but even that fantastic package doesn’t offer Under A Blood Red Sky as it was originally released on vinyl back in 1983. During the song “Electric Co.,” Bono throws in a few lines from “America” (West Side Story “America,” not Neil Diamond “America”– but damn, that would have been awesome!), and also adds a verse from “Send In The Clowns.” When Under A Blood Red Sky was issued on CD in 1986, this portion of “Electric Co.” had been magically excised. I guess U2 forgot to pay Stephen Sondheim his songwriter royalties, and as a result the original LP version of “Electric Co.” has never been digitally released in the United States.

This has bothered me for years, and I am not exaggerating when I say this. I listened to this album every day for two years back in high school, and simultaneously wore out a VHS copy of the legendary Red Rocks show. Under A Blood Red Sky is the release that turned me into a U2 fanatic, and the entire record is completely ingrained in my subconscious. I still remember coming back to my dorm from Sound Warehouse with the newly-issued CD in 1986, and I was furious before I even played the CD. What was this cheap paper casing holding the disc? Paper sleeves are obviously quite commonplace now in this lovely green world that we live in, but in 1986 I was really not down with the concept. Needless to say, I still have that CD. And the cover, of course, is in fantastically shitty condition:

2014-06-23_14-35-09_525

My already sour mood was immediately worsened when I hit play for the first time. I noticed the edit to “Electric Co.” immediately, as you would expect given my familiarity with every note on the record. That was 28 years ago, and this CD has been sitting on my shelf virtually unplayed ever since. And yet, somehow it still looks like I ran over it with my ’79 Ford T-Bird sometime in the late ’80s. Thanks a lot, you damn tree-huggers.

Disclaimer: I am kidding. I love hippies– honest! My wife works for the EPA, and I truly value the works she and her colleagues do for our environment. But I still want my $14.99 back, Island Records!

As I was attempting to occupy my brain while anxiously awaiting the start of yesterday’s U.S.-Portugal match, I decided that it was time to finally do a proper high-quality rip of my original vinyl copy of Under A Blood Red Sky. Hold on a second– I have to run outside for a moment.

[Mother@#$@!! G*d%#$&&# stupid e$#^# give away the ball at midfield %%#$#& Ronaldo $@%^# arrrrgggggggghhhhh #$#&$&#%#%# Bradley!!! &&#%$% crap!!!!!!!!!!!!!]

Ok, I feel better. So here ya go, sports fans: my original 1983 copy of Under A Blood Red Sky, lovingly transferred from vinyl on a day that was almost one of the greatest sports days in our nation’s history. We are still in good shape to advance, though, so life is still alright in America!

 

Under A Blood Red Sky [Original U.S. LP]

U2: Under A Blood Red Sky [U.S. Mini LP]

Island Records, 1983

1. “Gloria” (U2)

Gloria

2. “11 O’Clock Tick Tock” (U2)

11 O’Clock Tick Tock

3. “I Will Follow” (U2)

I Will Follow

4. “Party Girl” (U2)

Party Girl

5. “Sunday Blood Sunday” (U2)

Sunday Bloody Sunday

6. “The Electric Co.” (U2/Sondheim/Bernstein)

The Electric Co.

7. “New Year’s Day” (U2)

New Year’s Day

8. “40” (U2)

“40”

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

sweetest2

U2: “Twilight [Live From Red Rocks]” (U2)

Twilight [Live From Red Rocks]

U2: “An Cat Dubh [Live From Red Rocks]” (U2)

An Cat Dubh [Luve From Red Rocks]

Both taken from the European CD Single Sweetest Thing

Island Records, 1998

West Side Story_ Original Motion Picture Soundtrack

Rita Moreno & George Chakiris: “America” (Sondheim/Bernstein)

From the motion picture soundtrack West Side Story

Sony Classical, 1961

America

Judith 2

Judy Collins: “Send In The Clowns” (Sondheim)

From the album Judith

Elektra Records, 1975

Send In The Clowns

The Jazz Singer

Neil Diamond: “America” (Diamond)

From the album The Jazz Singer

Capitol Records, 1980

America