The Lost Boys: Hard-To-Find ’80s Albums (Missing Persons’ “Spring Session M”)

“The Lost Boys: Hard-To-Find ’80s Albums” gives you exactly what the title implies: a rare or out-of-print album from the ’80s in its entirety. Some will be from CD, but most will have been lovingly transferred from pristine vinyl culled directly from the Analog Kid’s vast collection. Whatever album I choose, it will be one that you can’t easily find a physical copy for sale on Amazon or in your local record store (if you even have one anymore). Death…by stereo!

1982’s Spring Session M is one of the finest records of the early ’80s. The first full-length album from Missing Persons spawned four top 100 singles, and its videos received massive amounts of airplay on MTV. Unfortunately, the only things that anyone really seems to remember about the band are singer Dale Bozzio’s crazy hair and clothing choices:

Dale Bozzio Performing with Missing Persons

Dale’s platinum-pink hair and cone top may have received most of the attention, but she had an absolutely amazing band behind her. Dale met her husband Terry while he was playing drums for Frank Zappa, and Dale eventually joined Zappa’s band as well. Patrick O’Hearn was playing bass for Frank at the time, and guitarist Warren Cuccurullo would soon join as well (but not until after Terry and Patrick’s departure in 1978).

In early 1980, the four Zappa exes teamed up with keyboardist Chuck Wild to form Missing Persons. The band’s first EP was recorded in Zappa’s stuido, and the song “Mental Hopscotch” became a big hit in Los Angeles thanks to KROQ. Missing Persons signed with Capitol Records shortly thereafter, and released Spring Session M (an anagram of the band’s name) in October of 1982. The album didn’t have any huge hits on the charts, but four of its songs received major airplay on MTV and alternative radio: “Words,” “Destination Unknown” (my personal favorite!), “Windows,” and “Walking In L.A.”

Missing Persons recorded two more great albums for Capitol before the band (and the Bozzio’s marriage) splintered, and all three records are currently out of print. Dale continues to tour (with a new band) under the Missing Persons name, although her outfits aren’t quite as wild as they were during the band’s MTV heyday. Warren Cuccurullo went on to join Duran Duran after Andy Taylor’s departure from the group, and he was the primary composer of their comeback smash “Ordinary World.” Patrick Hearn has released 13 solo albums over the years, and Terry Bozzio is still widely hailed as one of the best drummers on the face of the planet. After all, Frank Zappa only worked with the best– one listen to Spring Session M proves that.

Spring Session M 1

Missing Persons: Spring Session M

Capitol Records, 1982

 

1. “Noticeable One” (Terry Bozzio/Warren Cuccurullo)

Noticeable One

2. “Windows” (Terry Bozzio/Dale Bozzio)

Windows

3. “It Ain’t None Of Your Business” (Terry Bozzio/Warren Cuccurullo)

It Ain’t None Of Your Business

4. “Destination Unknown” (Terry Bozzio/Dale Bozzio/Warren Cuccurullo)

Destination Unknown

5. “Walking In L.A.” (Terry Bozzio)

Walking In L.A.

6. “U.S. Drag” (Terry Bozzio/Warren Cuccurullo)

U.S. Drag

7. “Tears” (Terry Bozzio)

Tears

8. “Here And Now” (Terry Bozzio/Warren Cuccurullo)

Here And Now

9. “Words” (Terry Bozzio/Warren Cuccurullo)

Words

10. “Bad Streets” (Terry Bozzio)

Bad Streets

11. “Rock And Roll Suspension” (Terry Bozzio/Warren Cuccurullo)

Rock And Roll Suspension

12. “No Way Out” (Terry Bozzio/Warren Cuccurullo)

No Way Out

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Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Joe's Garage

Frank Zappa: “Catholic Girls” (Frank Zappa)

From the album Joe’s Garage

Barking Pumpkin Records, 1979

Catholic Girls

Missing Persons [U.S. 7_ EP]

Missing Persons: “Mental Hopscotch” (Terry Bozzio/Dale Bozzio/Warren Cuccurullo)

From the 7″ EP Missing Persons

Komos Records, 1980

Mental Hopscotch

Duran Duran [The Wedding Album]

Duran Duran: “Ordinary World” (Taylor/Le Bon/Rhodes/Cuccurullo)

From the album Duran Duran (The Wedding Album)

Capitol Records, 1993

Ordinary World

Groovy Tuesday: 1968

Every Tuesday, the Analog Kid blog goes back in time and features some of the best groovy R&B/soul songs from the ’60s, ’70s, and ’80s. Sometimes you’ll hear songs from individual artists or from a specific year, and other times you’ll get an entire full-length classic LP ripped directly from the Analog Kid’s vast vinyl vault. Warning: by R&B/soul, I also mean disco. I could go all Patrick Hernandez on your ass at any given moment, so just be ready!

I loved AM radio when I was a kid. Soul, pop, rock, country…it was all there, and all at the same spot on the dial. You didn’t think twice about hearing “Gypsys, Tramps & Thieves” right after “Won’t Get Fooled Again” on your favorite station, and radio was all the better for it. One direct result of this Top 40 melting pot was that a lot of rock and rollers would go on to perform some soul covers that might have surprised a few listeners. The truth is, a lot of Pat Benatar fans probably didn’t even know that “You Better Run” was a cover — and that’s just fine. After all, a great song is a great song…

Groovy Tuesday: 1968

I Thank You 1

Sam & Dave: “I Thank You” (Isaac Hayes/David Porter)

From the album I Thank You

Stax/Atlantic Records, 1968

I Thank You

Isaac Hayes and David Porter wrote “Soul Man” for Sam & Dave in 1967, and the songwriting team followed up that classic by contributing “Thank You” to Mr. Moore and Mr. Prater in 1968. “Thank You” was the last Top 10 hit for Sam & Dave, but Isaac Hayes was just getting started.

Degüello

ZZ Top: “I Thank You” (Isaac Hayes/David Porter)

From the album Deguello

Warner Brothers Records, 1979

I Thank You

I first moved to Texas in 1979. I had never heard of ZZ Top before my arrival in Plano, but I learned quickly. ZZ Top’s cover of “I Thank You” was their second Top 40 hit (“Tush” had reached #20 in 1975), although I doubt that anyone in my seventh grade class at Carpenter Middle School knew that it was written by Isaac Hayes. In all honesty, I’d be shocked if there was a single kid in my school who had even heard of Isaac Hayes or “Shaft” in 1979.

heh-heh-heh-you-said-shaft

 

Soulful Strut

Young-Holt Unlimited: “Soulful Strut” (Eugene Record/Sonny Sanders)

From the album Soulful Strut

Brunswick Records, 1968

Soulful Strut

“Soulful Strut” has quite an unusual history. Young-Holt Unlimited took the song to #3 on the Billboard Hot 100, but many question if Young and Holt actually played on their only hit single. “Soulful Strut” is actually just the backing track from Barbara Acklin’s “Am I The Same Girl,” with the vocal removed and some additional piano added. Acklin’s version only reached #79 on the pop charts, so sometimes I guess it really is best to shut up and dance!

Get In Touch With Yourself

Swing Out Sister: “Am I The Same Girl” (Eugene Record/Sonny Sanders)

From the album Get In Touch With Yourself

Fontana Records, 1992

Am I The Same Girl

Don’t worry, Barbara– Swing Out Sister have got your back! The British duo’s smooth version of “Am I The Same Girl” reached #1 on the U.S. Adult Contemporary chart in 1992, and also went Top 10 on the Dance chart.

In The Groove

Marvin Gaye: “I Heard It Through The Grapevine” (Norman Whitfield/Barrett Strong)

From the album In The Groove

Tamla/Motown Records, 1968

I Heard It Through The Grapevine

Barry Gordy was a genius, but he really dropped the ball on “I Heard It Through The Grapevine.” The song was first recorded by Smokey Robinson & The Miracles in 1966, but Gordy didn’t think their version was good enough to be a hit. He told songwriters Norman Whitfield and Barrett Strong to improve it, and they had Marvin Gaye record a new arrangement in 1967. It’s hard to believe in retrospect, but Gordy didn’t really like Gaye’s take either. He finally approved of a sped-up version recorded by Gladys Knight & The Pips, and I’m sure Barry was quite pleased with his ear when Gladys’ version hit #2 in late 1967.

In 1968, Gaye’s original recording was included on his album In The Groove. Radio immediately jumped all over the track, and Gordy finally had to give in and release Gaye’s version of “I Heard It Through The Grapevine” as a single. On December 14, 1978, Marvin’s version replaced Diana Ross & The Supremes’ “Love Child” as the #1 song in the United States. It stayed there for seven straight weeks.

Cosmo's Factory

Creedence Clearwater Revival: “I Heard It Through The Grapevine” (Norman Whitfield/Barrett Strong)

From the album Cosmo’s Factory

Fantasy Records, 1970

I Heard It Through The Grapevine

Hot on the heels of Knight and Gaye’s successes, Creedence Clearwater Revival recorded an epic 11-minute version of “I Heard It Through The Grapevine” for their 1970 album Cosmo’s Factory. CCR’s take wasn’t released as a single, but it did receive a large amount of airplay on FM radio (and not only when a DJ had to visit the facilities). In 1976, an edited version was released as a single (long after the band’s breakup) and reached #43 on the Hot 100.

The Dock Of The Bay

Otis Redding: “(Sittin’ On) The Dock Of The Bay” (Otis Redding/Steve Cropper)

From the album The Dock Of The Bay

Atlantic Records, 1968

(Sittin’ On) The Dock Of The Bay

Otis Redding recorded “(Sittin’ On) The Dock Of Bay” just a few days before his tragic death in a plane crash in December of 1967. Otis had co-written the song with Steve Cropper of Booker T & The M.G.’s, and Cropper produced the recording session that eventually yielded the first-ever posthumous # 1 single.

 

Sammy Hagar_ Singles & B-Sides

Sammy Hagar: “(Sittin’ On) The Dock Of The Bay” (Otis Redding/Steve Cropper)

From the 7″ single (Sittin’ On) The Dock Of The Bay

Capitol Records, 1979

(Sittin’ On) The Dock of the Bay

Steve Cropper also played guitar on Sammy Hagar’s remake of “(Sittin’ On) The Dock Of The Bay.” Hagar was joined on vocals by Brad Delp and Barry Goudreau of Boston, and the stand-alone single inched its way up to #65 on the Billboard Hot 100 in 1979.

Tighten Up

Archie Bell & The Drells: “Tighten Up” (Archie Bell/Billy Buttier)

From the album Tighten Up

Atlantic Records, 1968

Tighten Up

You would think that Archie Bell would have been really, really happy on the day that “Tighten Up” reached #1 on the Billboard Hot 100. One problem:  Bell was serving in Vietnam when Atlantic Records distributed “Tighten Up” nationally, and he had been wounded during the Tet Offensive. Bell was actually recovering in a West German hospital on the day that “Tighten Up” hit #1 back home. He tried to convince the other wounded soldiers that he was the guy singing the song on the radio, but nobody believed him– until they heard the song again…

“Hi everybody, I’m Archie Bell of The Drells from Houston, Texas…”

R.E.M._ Singles & B-Sides

R.E.M.: “Tighten Up” (Archie Bell/Billy Buttier)

Flexi-disc included with Bucketful Of Brains No. 11, February 1985

Tighten Up

R.E.M.’s version of “Tighten Up” was recorded during a studio jam at the end of the Reckoning sessions in 1984. It was given away as a flexi-disc in the February 1985 edition of the magazine Bucketful Of Brains, and was one of the band’s rarest recordings until its inclusion on a deluxe edition of Reckoning in 1993. Clearly, R.E.M. did not completely heed the advice inherent in the song’s title, but it’s still a lot of fun to listen to!

_______________________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Gypsys, Tramps & Thieves

Cher: “Gypsys, Tramps And Thieves” (Bob Stone)

From the album Gypsys, Tramps & Thieves

MCA Records, 1971

Gypsys, Tramps & Thieves

The Who_ Singles & B-Sides 1

The Who: “Won’t Get Fooled Again [Single Version]” (Pete Townshend)

Original version from the album Who’s Next

Polydor Records, 1971

Won’t Get Fooled Again [7″ Version]

Groovin' 1

The Young Rascals: “You Better Run” (Brigati/Cavaliere)

From the album Groovin’

Atlantic Records, 1966

You Better Run

Crimes Of Passion

Pat Benatar: “You Better Run” (Brigati/Cavaliere)

From the album Crimes Of Passion

Chrysalis Records, 1980

You Better Run

Soul Men

Sam & Dave: “Soul Man” (Isaac Hayes/David Porter)

From the album Soul Men

Stax/Atlantic Records, 1967

Soul Man

Fandango!

ZZ Top: “Tush” (Billy Gibbons/Dusty Hill/Frank Beard)

From the album Fandango!

London Records, 1975

Tush

Shaft 1

Isaac Hayes: “Theme From Shaft” (Isaac Hayes)

From the album Shaft

Enterprise Records, 1971

Theme From Shaft

Everybody Needs Love

Gladys Knight & The Pips: “I Heard It Through The Grapevine” (Norman Whitfield/Barrett Strong)

From the album Everybody Needs Love

Soul/Motown Records, 1967

I Heard It Through The Grapevine

Love Child

Diana Ross & The Supremes: “Love Child” (Pamela Sawyer/Frank Wilson/R. Dean Taylor/Deke Richards)

From the album Love Child

Motown Records, 1968

Love Child

 

EP-iphanies: Dexys Midnight Runners’ “Come On Eileen” [U.S. 12″]

As you probably know by now, The Analog Kid lives for b-sides and non-album cuts. In this continuing series, I will share some of my favorite EPs and 12″ singles from over the years in their entirety. And since it’s digital, you don’t have to worry about correctly setting the turntable speed to  or 33⅓ or 45!

I don’t have to tell you how awesome “Come On Eileen” is– it’s one of the most infectious songs of the ’80s, and I still bop around like an idiot every time I hear it. Dexys Midnight Runners are often thought of as a one-hit wonder in the States, but they had a number of hits in their native U.K. (“Geno,” like “Come On Eileen,” went straight to #1). The band recently reunited (under the name Dexys), and released the highly-acclaimed One Day I’m Going To Soar in 2012.

“Come On Eileen” went to #1 in Australia, Belgium, Canada, Ireland, New Zealand, South Africa, Switzerland, the United Kingdom, and the United States. The band could have placed a violin-only version of “Twinkle, Twinkle Little Star” on the b-side of “Come On Eileen” and no one would have complained, but instead Dexys gifted us with one of the best b-sides ever: a violin-heavy version of the R&B classic “TSOP (The Sound Of Philadelphia),” also known as the theme from Soul Train. The original version from MFSB (with vocal help from The Three Degrees) is about as groovy as it gets, and Dexys’ take is every bit as glorious. If only Don Cornelius could have had the foresight (and guts) to put Dexys on Soul Train– if he had, the world would probably be a much better place today.

Come On Eileen [U.S. 12_]

Dexys Midnight Runners: Come On Eileen [U.S. 12″]

Mercury Records, 1982

Vinyl rip courtesy of the amazing DJPaulT and his fantastic website: http://burningtheground.net/

 

1. “Come On Eileen” (Rowland/Paterson/Adams)

Come On Eileen [Single Version]

2. “The Sound Of Philadelphia (T.S.O.P.)/Let’s Make This Precious” (Gamble/Huff/Rowland/Paterson)

The Sound Of Philadelphia (T.S.O.P.)/Let’s Make This Precious

____________________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Love Is The Message

MFSB: “TSOP (The Sound Of Philadelphia)” (Gamble/Huff)

From the album Love Is The Message

Philadelphia International Records, 1973

T.S.O.P. (The Sound of Philadelphia)

Searching For The Young Soul Rebels

Dexys Midnight Runners: “Geno” (Rowland/Archer)

From the album Searching For The Young Soul Rebels

EMI Records, 1980

Geno

 

One Is The Loneliest Number: Frankie Smith

The Analog Kid’s iTunes music folder contains over 96,000 songs, so you may think that I own everything by everybody. Not so fast, my friends– even a collection that large is bound to have some true one-hit wonders and/or obscurities mixed in with the 881 Depeche Mode songs. In this continuing series, I will feature an artist that has exactly one song in my entire digital library.

Today’s “One Is The Loneliest Number” post comes directly from Mrs. Analog Kid, who sent me this simple instant message earlier today:

“Do you have a song called “Double Dutch Bus?”

My head exploded on impact.

“I have “Pass The Dutchie” but not “Double Dutch Bus.” I remember it though– big hit in like 1981. I’ll work on it. 🙂 ”

“Joe is blasting it on his speakers. It’s awesome!” Joe is one of her co-workers who usually listens to Katy Perry and Miley Cyrus. Apparently, I have greatly misjudged Joe.

I then performed a quick Google search. 1981! I knew it.

“Nailed the year: 1981, and I probably haven’t thought of it since!”

“Of course you did,” she replied.

My response twelve seconds later:

“That is 89 cents well spent! Got the 12″ version, of course.”

Then I listened to “Double Dutch Bus” for the first time since 1981.

“Holy shit does this take me back! Looks like we have today’s blog topic.”

“Haha,” she said. “I’m glad to have inspired you. 🙂 ”

It really is amazing that you can completely remember every note of a song you haven’t heard since you were thirteen, but that’s what happened to me today with “Double Dutch Bus.”

“Oh my God, I haven’t heard this in 33 years and I still remember every bit of it. The little kid in the middle!”

“It’s hilarious,” replied Mrs. Analog Kid. “Also that’s become a really famous sample.”

“Oh yeah,” I said. “Thanks for reminding me of its awesomeness!”

“I thought you would appreciate it,” she said.

I appreciated it so much that I had to play “Double Dutch Bus” again, and this time it hit me like a ton of bricks.

“HOLY SHIT, it’s “Word Up!”

 

Children Of Tomorrow

Frankie Smith: “Double Dutch Bus” (Frankie Smith/Bill Bloom)

From the album Children Of Tomorrow

WMOT Records, 1981

Double Dutch Bus

_____________________________________________

Bonus Tracks!

The first rule of The Analog Kid blog is that if you write about a song on the Analog Kid blog, you share the song on the Analog Kid blog.

Cameo_ Singles & B-Sides

Cameo: “Word Up! [12″ Version]” (Larry Blackmon/Tomi Jenkins)

From the 12″ single Word Up!

Atlanta Artists Records, 1986

Word Up [12″ Version]

The Youth Of Today

Musical Youth: “Pass The Dutchie”  (Freddie Waite)

From the album The Youth Of Today

MCA Records, 1982

Pass The Dutchie

 

Say it isn’t so…

John Spinks, the lead guitarist and chief songwriter for The Outfield, passed away from liver cancer yesterday. I have always loved The Outfield– killer hooks, epic vocals, and beautifully compact songwriting.

Rest in peace, John. Your brilliance did not go unnoticed.

Play Deep

The Outfield: “Say It Isn’t So” (John Spinks)

From the album Play Deep

Columbia Records, 1985

Say It Isn’t So